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Thursday, 18 August 2011
Writing Shakespeare - Celia Rees
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I didn't make a conscious decision to begin writing Historical Fiction, but once I'd written Witch Child and its sequel, Sorceress...
14 comments:
Wednesday, 17 August 2011
TALES OF THE PAST: Penny Dolan.
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The drive was always a kind of journey into the past. The road leads up and along a ridge of moorland, skirts the reservoir that sits like a...
14 comments:
Tuesday, 16 August 2011
A sense of place: Sue Purkiss
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Like a scent, places can be extremely evocative. The right place brings a story alive for me as nothing else can - but it's not always ...
11 comments:
Monday, 15 August 2011
Choice of Language by Marie-Louise Jensen
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So you're writing historical fiction. How do you recreate the past? There are many ways you can do it. Atmosphere, descriptions, clothe...
16 comments:
Sunday, 14 August 2011
A Brief Digression on The London Mob, (now also in Wolverhampton, Salford, Birmingham, Manchester and divers cities) by Catherine Johnson
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Mug House Riots London 1716 To begin with the last verse of Newgate’s Garland by Jonathan Gay written in 1724; in which all soci...
13 comments:
Saturday, 13 August 2011
USING REAL PEOPLE IN HISTORICAL FICTION
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by Mary Hooper It took a while to get round to it, but once I’d done it, I wanted to do it again. Use a real person in my books, that i...
11 comments:
Friday, 12 August 2011
From the Sketchbook: A Storytelling of Ravens
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By Teresa Flavin Elizabeth Bird, who blogs for the excellent School Library Journal, recently wrote this entertaining post about the gr...
13 comments:
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