Friday, 10 January 2025

Mattia Preti: Italian Baroque Artist by Kathryn Gauci

Mattia Preti: Italian Baroque Artist by Kathryn Gauci


Detail: Mattia Preti’s Self Image - a painting by the southern Italian artist acquired by Heritage Malta. Photo:Times of Malta.

Having recently returned from Malta, I was inspired the work of Mattia Preti (24 February 1613 – 3 January 1699) whose art illustrates the exuberant style of the late Baroque. He was such a prolific artist and his work defines St John’s Co-Cathedral in Valletta. Preti was born in the small town of Taverna in Calabria, Italy. He is called Il Cavalier Calabrese (the Calabrian Knight) after his appointment as a Knight of the Order of St. John (Knights of Malta) in 1660. His apprenticeship is said to have been with Giovanni Battista Caracciolo, a follower of Caravaggio. Sometime before 1630, he joined his brother Gregorio (also a painter), in Rome where he became familiar with the techniques of Caravaggio and his school as well as with the work of other masters at the time such as Rubens, Guido Reni, Giovanni Lanfranco, and other notable artists of the day.

In Rome, he painted fresco cycles in the Saint’Andrea della Valle and San Carlo ai Catinari  Between 1644 and 1646, he spent time in Venice but remained based in Rome until 1653, returning later in 1660–61. He also painted frescoes for the church of San Biagio at Modena (1651–2) and participated in the fresco decoration of Palazzo Pamphilj in Valmontone (1660–61)

 

Allegoria dell’Aria. Palazzo Pamphilj in Valmontone
 

During most of 1653–1660, Preti worked in Naples and was influenced by another prominent painter of his era, Luca Giordano. His major works include a series of large fresco ex-votos depicting the Virgin or saints delivering people from the plague, which were painted on seven city gates and are now lost - two sketches for them are in the museum in Naples, including a bozzetto of the Virgin with the baby Jesus looming over the dying and their burial parties which envisions a Last Judgement presided over by a woman. Preti also won a commission to supervise the construction, carving, and gilding for the nave and transept of  San Pietro a Maiella, along with producing a Judith and Holofernes and Saint John the Baptist, both still in Naples

 

Saint Veronica with the Veil

Such religious themes were prevalent in strong catholic countries like Italy and Malta at the time, and as a consequence he was made a Knight of Grace in the Order of St John when he visited the Order's headquarters in Malta in 1659. Preti was to spend most of the remainder of his life there. He was commissioned to paint the entire barrel-vaulted ceiling of St John’s Co-Cathedral in Valletta and transformed it into a luminous, airy space filled with angels and saints, together with a huge series of paintings on the life and martyrdom of St John the Baptist (1661–1666). His work displays the dramatic chiaroscuro – a feature that defines this period – with the colours of the Venetian and Neapolitan tradition.

 

Ceiling in St John's Co-Cathedral, Valletta, Malta  

 
Altarpiece. Cathedral.

His work in the cathedral also has an unusual technique – oil on stone – and his scenes portray an immense vigour and dynamic power, almost unparalleled, even in Italy in the second half of the 17th-Century. He used quick, zigzag brush strokes and never made preparatory drawings, preferring to go over his work to correct it.

Preti certainly must have impressed his patrons so much that he was also given the task of designing the rich, gold decorations on the walls, along with several paintings in the Oratory where we see Caravaggio’s masterpiece, The Beheading of St John the Baptist. 


 

Boethius and Philosophy. It is believed that the painting was commissioned by Andrea di Giovanni, Knight of the Order of Malta. By the early nineteenth century it formed part of the collection of the Palace of the Grand Master of the same order. Photo: Times of Malta.  

Saint George and the Dragon - Chapel of the Tongue of Aragon, Catalonia and Navarre, Co-Cathedral of St. John, Valletta, Malta  

Preti's largest painting in Malta in the Church of St Lawrence, Vittoriosa, is being restored thanks to BOV - the bank of Valletta.

 

In his forty years in Malta, Preti left an impressive four hundred works. He not only painted for the Order, but for parish churches in the local communities too, leaving these small villages and hamlets with  priceless works of arts. Other paintings are in private collections. His increased reputation led to an expanded circle of patrons, and he received commissions from all over Europe. Preti enjoyed a long career with a considerable artistic output. His paintings are held by many great museums, including important collections in Naples, Valletta, Palermo, and his hometown of Taverna in Calabria.

 

Calling the Apostle Matthew c. 1630-1640, 104 x 164 cm, Kunsthistorisches Museum, Vienna

 

The Concert 1630 The Hermitage Museum.
 

 Mattia Preti is buried in the Co-Cathedral in a magnificent vault alongside other Knights of the Order.

 

Friday, 3 January 2025

The Armada at Anstruther by V.E.H. Masters

Early one morning in November of 1588 the villagers of Anstruther on the East coast of Scotland awoke to find a ship in their harbour with over 250 starving Spanish Armada sailors and soldiers on board. We know this because the local minister of the time, James Melville, wrote about it in the extensive diaries he kept. 

I discovered Melville's diaries as I came to the end of writing my first book in series, The Castilians, about the 1546 siege of St Andrews Castle, sixteen miles away. Fascinated by the story of the Armada that came to the East Neuk I determined to write about it next – until fellow author Margaret Skea pointed out the length of time which separated the two events. 'A lot can happen to your characters in forty years,' she said.

And so I wrote, The Seton Chronicles, a five book series which spans the remarkable changes as the reformation took hold in Europe and has my characters fleeing for their lives through Geneva, Antwerp, Venice, Frankfurt and Constantinople. But now, in the final book in series, The Pittenweemers, I finally returned to Scotland, delving into James Melville diaries once more to explore the remarkable story of the Armada in Anstruther.

James VI of Scotland was a ten month old baby when he last saw his mother Mary Queen of Scots, who had been held prisoner by the queen of England for nineteen years. Nevertheless he corresponds regularly with Elizabeth and pleads with her to spare Mary, even suggesting that someone whose father had executed his own bedfellow should not follow suit. 

Queen Elizabeth I - Armada portrait

His pleas were disregarded and Mary, Queen of Scots was beheaded by her cousin Elizabeth of England in 1587. That a queen appointed by God should behead another queen, also appointed by God, sent shock waves around Europe. Philip of Spain, already made furious by Sir Francis Drake's piracy on Spanish ships and attack on Cadiz began to gather the largest fleet ever seen, often by 'acquiring' merchant ships within his domain. His purpose was nothing less than to conquer England.




Scotland had been Protestant for 28 years and tales of the coming of the Spanish Armada along with rising fears about the year 1588, which had long been prophesied as catastrophic had people fearful – actually terrified would be more accurate. Here's my character Will, minister of Pittenweem, thoughts on the matter … 

It was an unusually stormy summer with a resulting poor harvest and an inevitable rise in food prices, and that, combined with the increasing rumours of various sightings of the Spanish Armada off Scotland, caused grave anxiety amid Will’s flock. Given the disquietude, Will considered it most unfortunate that there continued to be an outpouring of predictions about the significance of the year. Sitting at a board strewn with papers one morning in early August, he leaved through a discourse written by an Englishman. 

This Richard Harvey was claiming they should all expect either a dissolution or a wonderfull horrible alteration of the worlde in this year of our Lord fifteen hundred and eighty-eight. Harvey wrote in tortured tones, Will could almost hear his voice and a certain relish in his doomsaying, that the disorder would swell until it culminated in a thunderous crescendo, after which irrevocable changes would be embedded – or ‘poof’, Will flicked his fingers – the world would be consumed by a fiery cataclysm. But then, judging by what the astrologers were discovering, that was not so improbable. Comets did shoot across the sky, and what was to prevent those blazing implements of Satan from crashing into the world? And the movement of stars could and did cause an imbalance in the body’s humours – and all this was yet another way in which God punished sinners.

Will sat staring at his desk unseeing for a long time. Eventually he stood up, went out into the rain-soaked garden and gazed up at the ominous dark clouds forming and reforming above. These astronomers and astrologers were like a den of dragons blasting out burning air imputing all failings of nature, accidents of misfortune, oversights and errors to the skies and revelling in their prophecies of perdition. 

Nevertheless, his heart did quail when he thought on the most recent prophecy, which claimed that it was in this year the impact of the perilous conjunction of the planets five years ago was to be realised. Yet if the world was to be blessed by the second coming of Christ, as some prophesied, then that could only be a matter of joy – after the cataclysm. 


And James Melville writes of attending the General Assembly of the Church of Scotland in Edinburgh and  how terrible was the fear, piercing was the preaching, earnest and fervent the prayers amid the abounding sighs and sobs, for if Philip took England he would likely then take Protestant Scotland.




August of 1588 and the 130 odd ships that make up the Armada are defeated by the smaller and more manoeuvrable ships under the direction of Sir Francis Drake – and the terrible storms. Around sixty ships are blown up the East coast of Scotland many foundering off Orkney, Shetland, Fair Isle, Ireland and one on Norway. Every attempt to return to Spain was thwarted and the sailors, soldiers, priests and interpreters of the Armada not unnaturally assumed that God had turned against them.




El Gran Grifón ran aground off Fair Isle with over 300 hundred men on board. The captain, Gómez de Medina (not to be confused with the overall Armada commander, the Duke de Medina Sidonia) had rescued men from other ships which sunk, in direct contravention of King Philip's orders. The few households on Fair Isle were unable to provide food for starving men and fifty died. It is of note that there's no reports of them taking from the islanders by force and the captain, known to his men as El Buen – The Good – lived up to his epithet.



                  Armada Chest, complete with complex locking system, at Traquair House

The Spanish may not have had any provisions left but they had gold. Gómez de Medina found his way to Orkney, rescued his men and acquired a ship. It was November by now and the storms had not much abated. Their ship foundered off Anstruther and Medina came ashore to seek help. Here's the scene again from the perspective of  my character Will …

Medina continued as though the interpreter hadn’t spoken. ‘His glorious grace King Philip brought together a mighty fleet and army to avenge the intolerable wrongs and grievous injustices inflicted upon the peoples of the Spanish Empire by the treacherous nation of England. But for our sins, God has turned against us, driving us past the coast of England and subjecting us to storms sent by divine providence over the past several months. Many of our ships have sunk in merciless seas or been dashed against inhospitable shores. Those few of us whom God has chosen to survive have endured bitter cold and suffered great hunger. We come here to kiss the hand of the king of the Scots ...’ Medina paused here and bowed low once more ‘... and beg of you to render us assistance.’

Will watched James Melville and sent up a prayer that he would show a true spirit of kindness, as Jesus Christ would have done.

Melville began to speak. ‘Our friendship cannot be great, seeing your king and you are friends to the greatest enemy of Christ – the Pope of Rome. Our king and we defy that son of Satan and his cause against our neighbours and special friends of England.’ Melville paused to let the translator catch up. ‘And yet we, as Christians of a better religion, are moved by compassion. A compassion that is not manifest to our merchants residing among you with peaceable intent pursuing their lawful affairs who have been violently taken and cast in prison, their goods and gear confiscated and their bodies committed to the cruel flaming fire in the cause of religion. But among us you will find nothing but Christian pity and mercy, leaving God to work in your hearts concerning religion as it so pleases Him – for we will give you assistance.’ 


And so Melville permitted two hundred and fifty men to come ashore. The people of the village were so horrified at the sight of these starving mostly young and beardless men that they ran into their houses and brought them food.

Rumour has it that James Melville was rewarded for his largesse with some of the Spanish gold – and he did build a rather large manse soon after.




Those who came ashore in Scotland and Ireland – many of whom were slaughtered as they staggered up the beaches for their clothes and 'gold' – made their way to Edinburgh, perhaps expecting a sympathetic welcome since James VI was the son of the poor beheaded Mary, even if he was a Protestant.  The Catholic leaning nobles wined and dined the captains however the men, somewhere in the region of a thousand of them including priests, were starving vagrants on the streets. Eventually ships were sent and they were re-patriated to Spain.

The Seton Chronicles



Gómez de Medina's ancestors were Jews and his grandfather was burned at the stake – a point of significance within my overall story of The Setons, since some of my characters are Conversos (Jews who were forced to convert to Catholicism). King Philip had demanded that all his captains be 'pure' but those tasked with checking this ran out of time to inquire of the Inquisitor of Seville about Medina's family background.  

Truth is so often much stranger than fiction – and this is what I love about writing historical fiction! 





V.E.H. Masters is the award winning author of the best selling series The Seton Chronicles. Her first novel The Castilians is set in her home town and tells the story of the siege of St Andrews Castle. You can find out more at https://vehmasters.com/ where three free short stories telling more of The Setons are available to download. 


References:

Armada by Colin Martin and Geoffrey Parker

The Diaries of James Melville – National Library of Scotland