Showing posts with label Jane Eyre. Show all posts
Showing posts with label Jane Eyre. Show all posts

Monday, 11 April 2016

Charlotte Brontë's Birthday by Katherine Clements

This month, while many of my fellow history girls are celebrating the Bard, I’ve been thinking about another important literary landmark: the 200th anniversary of the birth of Charlotte Brontë.

Charlotte was born on 21st April 1816. In fact, this year marks five years of Brontë bicentenaries, with Branwell’s birth in 2017, Emily’s in 2018 and Anne’s in 2020. The Brontë Society and Brontë Parsonage Museum are celebrating with a programme of events, exhibitions and publications, including a new collection of short stories inspired by Jane Eyre, edited by Tracey Chevalier.

The Brontë sisters by Branwell Brontë, Charlotte on the right. Owned by the National Portrait Gallery.

A year or so ago, when I was contemplating setting my next novel on the Yorkshire Moors, I made the pilgrimage to the Brontë Parsonage in Haworth – the house where the sisters lived and wrote – seeking something of the landscape and atmosphere that so inspired Charlotte and her siblings. The museum is filled with a fascinating collection of furniture, artefacts and personal possessions that give a real insight into the women behind the words. So, in a nod to one of my literary heroines, here are ten things I learned about Charlotte that day…

1. Charlotte’s first ambition was to be a painter.
Charlotte was a keen artist and exhibited two drawings in an exhibition in Leeds in 1834. Many of the 180 drawings that have been attributed to her are accomplished copies or adapted versions of other artists’ work and the Parsonage has several original nature paintings. But when her publisher asked her to illustrate the second edition of Jane Eyre she declined – revisiting her portfolio she reflected, ‘I feel much inclined to consign the whole collection of drawings to the fire.’

2. She was self-conscious about her height
Charlotte was small – though don't know her exact height, estimates based on her clothing suggest she was about four feet-ten inches. Dresses and shoes on display at the Parsonage certainly bear this out. George Smith, Charlotte’s publisher, describes his first impression of Charlotte and Ann as ‘two rather quaintly-dressed little ladies’ and Elizabeth Gaskell wrote 'her hands and feet were the smallest I ever saw'.

3. Lowood School in Jane Eyre was based on Charlotte’s own experience
The sisters all attended the Clergy Daughters School at Cowan Bridge, Lancashire. Conditions were harsh, rations frugal and discipline strict. An outbreak of typhus sent them home in 1825 but the two elder siblings, Maria and Elizabeth both died of tuberculosis soon afterwards. Charlotte blamed the school for their deaths and the deterioration of her own health. She even modelled Lowood School's infamous Mr Brocklehurst on her real headmaster.

4. She was almost sued for defamation
The founder and head teacher of the Clergy Daughter’s School, Rev William Carus-Wilson, didn’t take kindly to Charlotte’s unflattering representation and sought legal advice. Court action was only avoided when Charlotte penned an apology, stating that she’d exaggerated the details for dramatic effect. She gave Carus-Wilson permission to publish her retraction, but he never did.

5. She had bad teeth
Elizabeth Gaskell noticed Charlotte’s dental problems when they first met, writing to a friend that she had ‘many teeth gone.’ Charlotte supposedly spent some of her earnings from Jane Eyre on dentistry, writing woefully to her friend Ellen about a proposed visit to a dentist in Leeds.

6. She received proposals from three men
Despite her unfortunate teeth, she attracted the attentions of Reverend Henry Nussey, brother of her friend Ellen in 1838. She refused him – she wasn’t in love. Her second suitor, Rev David Pryce proposed to her the following year after meeting her only once. Despite falling for her married tutor during a stay in Brussels (an interlude that inspired the novel Villette) Charlotte eventually married Arthur Bell Nichols, her father’s curate, accepting his second proposal in 1854.

7. She was ambitious
Keen to avoid the limited work open to her as a governess or teacher (all three sisters had attempted these careers with little success or happiness) Charlotte encouraged her sisters to publish their writing. It was she who led the approach to publishers and, by outliving her sisters, experienced the most success in her lifetime.

8. Her first book sold only two copies
Writers – take heart! Despite her ambition, the first volume of poetry by Currer, Ellis and Acton Bell, published in 1846, was paid for by the sisters themselves and sold only two copies. After the success of their novels, and Anne and Emily’s deaths, a second edition, edited by Charlotte, was issued in 1850 and has remained in print ever since.

9. The ‘madwoman in the attic’ was inspired by real life

It’s often said that the inspiration for Bertha in Jane Eyre came from Charlotte’s 1839 visit to Norton Conyers, a 17th century manor house near Ripon that reputedly housed a real madwoman in the attic. There are other more convincing models for Thornfield Hall itself, including Ellen Nussey’s home Rydings and North Lees Hall in Derbyshire, but Charlotte’s visit to Norton Conyers must have sparked her imagination.

10. She may have died of morning sickness
The exact cause of Charlotte’s death in unknown. She fell pregnant and became very ill shortly after her marriage in 1854. Elizabeth Gaskell writes that she suffered ‘sensations of perpetual nausea and ever-recurring faintness’. Her death certificate, dated March 31st 1855, states that she died of tuberculosis, the same disease that killed her sisters, but opinion is divided and we’ll probably never know.




If you’d like to find out more about Charlotte’s life, I recommend the new biography by Clare Harman. And the Brontë Parsonage Museum website is a wealth of information, including details of the Brontë 200 celebrations.

Sunday, 13 December 2015

I'VE GOT THAT END OF YEAR ROUND-UP FEELING – Elizabeth Fremantle

2015 has been a year of rich historical pickings and here are some of my highlights:

FILM

Of the numerous wonderful films I've seen this year a few have truly stood out. Justin Kurzel's Macbeth with the magnetic Michael Fassbender and the utterly captivating Marion Cotillard as the wicked couple, was a pared down rendering of one of my favourite of Shakespeare's tragedies. Kurtzel conveyed the brutality of the world whilst also giving context to the monstrous acts of the protagonists.





I was completely beguiled by Carol, Todd Haynes rendering of Patricia Highsmith's novel 'The Price of Salt'. As both a Haynes and a Highsmith fan I had high hopes for this one and was not disappointed. It has all the usual exquisite Haynes lustre, with a languid pace and a phenomenal performance from Cate Blanchett in the title role.




ART 

Having spent a week this summer on a jaunt around The Netherlands looking at seventeenth century art as research into quotidian life in the period I was delighted to discover that the Queen's Gallery have put on an exhibition devoted to just that, Masters of the Everyday: Dutch artists in the age of Vermeer, so I could revisit my favourites.





The Goya Portraits exhibition at the National Gallery is simply a must-visit exhibition. The sheer intensity and intimacy of his portraits makes you feel as if you are in the room with people from the past. Truly inspiring.





THEATRE

Sally Cookson's dramatic adaptation of Jane Eyre at the Lyttleton theatre is steeped in madness, passion and atmosphere. Cookson has taken the essence of a story that is in every book-lover's DNA and pared it down into an electrifying drama.




Kenneth Branagh's theatre company will be doing a year of plays at the Garrick and the first is Shakespeare's A Winter's Tale, a play I have never seen before. Often labelled as one of the 'problem plays' because it's first half is complex, psychological and carries all the potential for tragedy, yet the second half is light and comic in tone. A lasting and heartbreaking image for me was a bundle, the abandoned baby, left alone on the otherwise empty stage. Judi Dench was, as ever, masterful.







NON FICTION


Mary Beard can, in my mind, do no wrong. Her latest book SPQR is not only a brilliantly researched but also a wonderfully pragmatic and engaging take on the story of ancient Rome. She brings the quotidian to vivid life and deftly debunks many popular myths.







Shakespeare scholar James Shapiro has delivered once more with his 1606: William Shakespeare and the year of Lear. He looks at the period in detail teasing out insights from events and demonstrating ways in which they can be found in Shakespeare's work. The effect is one of exploring the mind of the playwright. Clever, witty and brilliantly argued it also covers my period of research – hooray!








FICTION


I met Rebecca Hunt at the party for the Astor Prize (an award for the best second novel) for which her Everland was shortlisted – and, in my humble opinion, should have won. I took her book home and read it in a single sitting, completely captivated. She intertwines two stories of Antarctic exploration a hundred years apart. A disastrous mission to a desolate frozen island in 1913 has lured a research group back there in 2012 and in placing her characters in such a dangerous and hostile place, Hunt is able to drill down into the dynamics of people living on the edge. A memorable book.



Black Rabbit Hall is the debut novel of Polly Chase and is another that interweaves parallel narratives from different times. Partly set in Cornwall in 1969 and otherwise thirty years later, a house becomes the site of a mystery that unravels. With echoes of old favourites, 'Rebecca' and 'I Capture the Castle' is is a delightful read and I look forward to many more from Chase.