Showing posts with label Peace. Show all posts
Showing posts with label Peace. Show all posts

Monday, 28 April 2014

Grandfathers, by Clare Mulley


During a recent sort out, my mum found a small square of newspaper, cut out and neatly gummed onto a piece of glass cut to size. It had been sellotaped too, protecting the ink and turning the paper a deep golden-yellow, but before it was stuck down someone had penciled their name on it in three different places, as well as scratching their initials on the back. The date, handwritten alongside, is 28 June 1919.

The clipping is from the ‘London “Daily Express” Aeroplane Post’, and the headline is ‘Peace Proclaimed.’ You don’t get much of the story, but everything important is captured in sixteen words: ‘The Peace Treaty was signed by the Peace Emissaries of the Allied and Enemy Countries today’.

Dick Mulley's keepsake of the announcement of peace, 1919

The penciled name is ‘R Mulley’. This was my grandfather, Richard Mulley, better known as Dick, then a fourteen-year-old boy with very tidy writing. He was clearly hugely aware of how momentous that day was, marking the end of what was then known as The Great War. Little wonder, since one of his older brothers had served in the Royal Navy and was twice on ships that were torpedoed - although amazingly he survived to run a toyshop in the peace. Dick’s deep sense of moment is captured both in the number of times he scribbled his name on the paper, and in his determination to write so neatly on this small keepsake of history.

I have very little that once belonged to my dad’s dad, although there are a few photos of his many naughty, handsome brothers and long-suffering sisters. I love the fact that this small plaque has survived, a momento of a boy who had clearly been following the war, and had a sense of history as well as of victory. It is also a momento of my father, who must have cautiously held this fragile square of paper and glass, just like I have, and wondered about the boy who grew up to become his father. These two men carefully kept this small cutting safe for ninety-five years.


My husband, Ian, has similarly precious little from his father’s father; in fact he has even less. However, as a child he did inherit his father’s stamp collection, which he carefully stuck in an album bought for the purpose in the 1960s, adding to it as he went. Looking at the individual stamps, however, some of these must have come down from another generation, from Ian’s father’s father, Reiner.

This album contains stamps from all over the world. The smaller the country, the more fabulous the stamp, my dad once told me, looking at his own childhood collection with me. The same is true here, but the most fascinating stamps in this album come from Ian’s grandfather and father’s birth-country; Germany.

Germany first issued stamps in 1872. Sadly there are none in this album from then, but there are two Germany pages, very neatly distinguishing stamps dating from 1949 which were issued in the Deutsche Demokratische Republik, ie post-war Eastern Germany, and look suitably Soviet, from an older collection from the Deutsche Reich.

These Reich stamps are fascinating. The oldest, perhaps, is a pretty dark blue one showing a stylised hunting horn for a value of 6 marks. The collection quickly moves up in face-value however to 200, 400 and 500 marks. In the years after the First World War the value of the German mark fell rapidly, mainly as a result of reparation payments and the penalties imposed on German trade, combined with the depression. As the German government printed money, the country experienced rapid, debilitating inflation. German stamps in circulation were overprinted to reflect this. A pink stamp in the album that had been issued at a face-value of 500 marks, had been given a value of 250,000 marks in around 1923, while below it a paler pink 200 mark stamp is overprinted with a value of 2 million marks! Some of these stamps do not even look used, as though even when revalued in the millions they could hardly cover the cost of delivering a letter.


Deutsche Reich stamps from the album, c.1920s

So while, as a lad, one grandfather, Dick Mulley, was cheerfully sticking his newspaper cutting on to some glass to keep it nice, another, Reiner Wolter was - possibly less cheerfully - not sticking stamps onto envelopes, but keeping them safe nonetheless, with a sense for preserving history that was just as keen as Dick’s.

So what happened to these two boys when they grew up? In the Second World War my father’s father, Dick, served as a chef in the navy, cooking Christmas dinner for 1,400 men one year; ie for two troopships. He survived the war, and later worked for the New Zealand Shipping Company. Story has it that one day, in a storm, he chopped his own thumb off but simply sewed it back and got on with dinner.

Ian’s grandfather, Reiner, was drafted too, but he was less lucky. There are several stories as to his end, but the one that seems most likely is that he was sent to the Russian Front, and died or was killed at Stalingrad, with so many others. We don’t really know. His widow, Ian’s beloved German grandma, fell in love again a few years later, with an English soldier based in the British-occupied zone of post-war Germany. They married, and although her older sons chose to stay in Germany, she brought her youngest son, Ian’s father, with her to England when her new husband was posted home. Very little came with them, no photos that we know of, but a few Christmas tree baubles and a small collection of stamps. And she sang wonderful German carols in their house at Christmas time.

So my children have great grandfathers who fought on both sides of that second terrible world war: men who were boys once, and collected small souvenirs of peace – little bits of gummy paper that still survive to tell us something rather wonderful about them, something about being aware of the zeitgeist that they might have recognised in each other.

Saturday, 28 December 2013

'Joyeux Noel', by Clare Mulley


Earlier this month I was invited to contribute to a three-hour festive marathon; Channel 5’s ‘Greatest Ever Christmas Movies’ special, which was shown on Christmas Eve. As I went in to the studios, Aled Jones came out. My specialist subject was war films. War may not typically be associated with the Christmas film feel-good factor, but it led to some merriment in our house as we tried to work out whether Christmas had featured in The Eagle Has Landed, Downfall or The Hurt Locker. In the end it turned out there was only one war film among Channel 5’s festive top 40 list: Christian Carion’s very beautiful French film Joyeux Noel from 2005, about the Christmas truces down the Western Front in 1914.

The Joyeux Noel poster (2005)


Joyeux Noel is a visually stunning film, with wonderful music – not least the singing of ‘Stille Nacht’ and ‘Ave Maria’ between the trenches. However it does rather romanticize this most powerful moment of peace and humanity amidst one of the most violent episodes in modern history, the First World War. When it was released, the New York Times film critic, Stephen Holden, neatly declared that the film was ‘as squishy and vague as a handsome greeting card declaring peace on earth’. But while it is tempting to write off Joyeux Noel as purely Christmas feel-good, with a narrow focus that does little to help widen our understanding of this remarkable moment in the war, the film does prick interest in the truly extraordinary story of the 1914 Christmas truces.

Joyeux Noel is pegged around a rather feeble love story. A handsome and feted German opera singer has been drafted to the front. His beautiful wife, who hails from the same trade, has negotiated his return from the trenches for the night of Christmas Eve so that they can duet at the officers’ party. Our hero then forgoes a night of peaceful romance to dutifully return to the front, prompting his wife to follow. As far as I am aware, there are no reports of female opera singers performing at the Christmas truces, but the premise certainly provides lots of powerful cinematic and surround-sound opportunities. However, despite this, and a few other historical inaccuracies, the fundamental premise of the film, the most apparently unbelievable thing of all, is entirely true – there were a series of unofficial ceasefires down the length of the Western Front, during which the men who had been killing each other one day put down their arms, climbed out of their opposing trenches, and met in no man’s land for a day of shared Christmas peace.

German soldiers of the 134th Saxon Regiment
with men of the Royal Warwickshire Regiment
in no man’s land, Christmas 1914


At the start of the Great War, as it was then known, there were several localized cease-fires and some fairly accepted codes of conduct among soldiers of both sides. In late 1914, the first winter of the war, 101 British women wrote an ‘Open Christmas Letter’ to the women of Austria and Germany, hoping to promote peace. Pope Benedict XV followed their lead, calling for an official Christmas truce, sadly without success.

Nevertheless, on 24 and 25 December 1914, around 100,000 troops stopped fighting along the length of the Western Front. As in the film, along some stretches of the trenches, German soldiers set up small Christmas trees, lit with candles. Carols were sung collectively by the men of both armies, and some later met to exchange uniform buttons, photographs and gifts of wine and Christmas puddings. Over the following days the fallen were retrieved and buried in peace, religious services were held and, if not refereed football matches, there were at least informal kick-arounds.

The ceasefires were not official policy, and they were not ubiquitous. In some places the peace lasted just one night, in others several days. Some soldiers were shot under cover of the truce, and along much of the front there was no cessation of hostilities at all. Most commanders opposed the truces as did, famously, one young corporal of the 16th Bavarian Reserve Infantry called Adolf Hitler. But the truces did take place, as hundreds of letters from both sides of the front testify.

Letter from Major Hawksley, Warwick Regiment,
27 December 1914

‘The Germans were quite friendly with us’ Lance Corporal Cooper of the 2nd Northampton’s wrote home. ‘They even came over to our trenches and gave us cigars and cigarettes and chocolate and of course we gave them things in return.’ ‘Fancy shaking hands with the enemy!’ scribbled Private B Calder of the 6th Gordons, ‘I suppose you will hardly believe this, but it is the truth’. Despite attempts at censorship the British press were quick to cover the story, some more sentimentally than others, and many quoted the soldiers’ letters. The Times endorsed the men’s lack of malice, and The Mirror regretted that the ‘absurdity and tragedy would begin again’.


The Daily Mirror: 'A Historic Group;
British and German soldiers photographed together'


Like most of those articles, Joyeux Noel is a film with an intimate focus. It does not consider the political or military causes, or wider morality, of the First World War. At most, it hints at the later public swell of feeling to never let such an atrocity happen again, which led to the establishment of, among other organisations, the League of Nations, the Save the Children Fund, and the German Youth Hostel Association, the latter founded by a returning soldier who had taken part in the Christmas truces. There is also a poignant reference to the failure of this movement, when the Iron-Cross holding German commanding officer mentions that he is Jewish.

Essentially however, Joyeux Noel is a statement about the insanity of war, the shared horror of trench warfare and, above all, about the men who found humanity in this least human of situations. Its message, that war is dehumanising, and that even our soldiers must not be made to demonise their enemies, is sadly still relevant today. With its sentimental romance, it might not make a list of top war films, but it does Channel 5 credit to include it in their Christmas list. Films about snowmen can be beautiful and important, but war, and peace, should be remembered at Christmas too.