Showing posts with label Provence. Show all posts
Showing posts with label Provence. Show all posts

Friday, 3 July 2020

Jean Giono's Legacy, by Carol Drinkwater


                               Jean Giono born in Manosque in 1895 and died in the same village in 1970.

I am frequently asked who my favourite writers are; authors I return to time and time again. One of the first who springs to mind is Jean Giono. Son of a cobbler and a laundress, he is a Provençal writer through and through. Henry Miller, the great American writer, described Giono as one of the greatest writers of the twentieth century. Yet he is little know outside his native France, although many of his books have been translated in to English.

In 1953 he published perhaps his most famous book, THE MAN WHO PLANTED TREES. If you haven't read it I certainly urge you to. You won't be disappointed. The tale narrates the story of a berger, a shepherd, who spends thirty years reforesting a region in the Haute Provence. The book was made into a film produced in Canada. Here is the link to the very beautiful  animation film:


Or in English:

In these hard days full of sickness and bad news, I heartily recommend this beautiful little film and, of course, the novel, which in my opinion is a small masterpiece.

By serendipity, I recently discovered the group, Friends of Jean Giono/ Les Amis de Jean Giono. They meet every year in early August in Manosque, watch films of his work, read from his books and take walking tours to parts of the Provençal countryside Giono wrote about. I am hoping that I will be able to attend this year.

Coincidentally, Michel and I are attempting to plant up a forest of oak trees grown from acorns fallen on our land at the Olive Farm ... a small gesture for the future.

Enjoy your summer reading and I hope you find inspiration from Giono and this marvellous little film.



Tuesday, 26 December 2017

Provençal Christmas treats, by Carol Drinkwater



We are in the South of France at our Olive Farm. The weather is warm, the sun is shining and we are able to work outside on the land until late afternoon.
There is no snow. Snow is a very rare event here. I think I have seen flurries of it twice in over thirty years. When it settles though it is quite beautiful and is usually accompanied by the sun shining across the Mediterranean in the distance.


                                               A rare sight here, a light coating of snow over our beehives

Do I crave those colder, snowier Christmases I enjoyed as a child? Not at all. I have embraced the differences of this lifestyle and enjoy them.

Here, we eat our principal Christmas meal - le grand repas, or gros souper - on the evening of the 24th December. It will frequently include oysters, cheap as chips here, though this year we have not put them on our menu. The local poissonneries (fish shops) tend to erect a marquee outside their main shop. Here the oysters are chosen and prepared and laid out on round trays to take home and put directly on the table.
Lunch on the beach on Christmas Day is also a tradition. Plenty of oysters being served there.

Almost every family home will include its own crib and in the crib are to sure to be at least four or five santons. There are dozens to choose from.

                            
I took this photograph of the santons on display in one of the wooden chalets at the local marché de Noel in our village this week.
By the way, the oldest marché de Noel in France is to be found in Strasbourg. Its Christkindelsmarik dates back to 1570 and is really worth a visit.

Back to Provence. Here is an extract from an article I wrote for France magazine about santons and their history:
"From mid-November right up to Christmas, you can find santon fairs known here as Les Foires aux Santons, all across the Provence-Alpes-Côte d'Azur region. A santon is a Provençal crib figure modelled from baked clay. Santon comes from the Provençal word santoun, meaning 'little saint'. 
Buy them completed or still to be painted. Chat to one of the santonniers, the artists of the figurines, who will happily give you the history of these local treasures. At the time of the French Revolution, when the churches were closed by the anticlerical revolutionary authorities, nativity scenes were banned. In response, the Provençaux began to make their own cribs – sometimes exhibiting them in their homes for a few centimes. At first, they were formed out of papier mâché, cloth, bread or any material the maker could lay his hands on and could be used for modelling. It was both an act of faith and of revolution, and, if caught, the guillotine could be the reprisal.
"The crib figures include, of course, the main players: baby Jesus, Mary and Joseph, but you might also find a shepherdess or glass-blower, a fisherman, knife-grinder, miller, laundry girls, vendors of herbs or fruits, musicians, donkeys, goats, sheep, the local curé, even the schoolmistress. It forms a miniature re-enactment of 19th-century Provençal country life.
"In 1797, in Marseille, an artisan by the name of Jean-Louis Lagnel (1764-1822) had the idea of creating the figures in clay and painting them. It was in Aubagne at the start of the 20th century that the clay was fired to make the figures more resistant.
Santonniers are usually born into a family business passed down from generation to generation. What is remarkable is that even 21st-century artisans will spend hours in the hills hunting for thyme twigs, a stone or some precise detail they need to give their characters authenticity. Aubagne, birthplace of the great storyteller and film-maker, Marcel Pagnol, boasts an excellent santon museum."

Another tradition, one we don't adhere to, is the serving of thirteen desserts on Christmas Eve to finish off the Grand Repas or Gros Souper. These thirteen known in Occitan as lei tretze dessèrts represent Jesus and his twelve Apostles. If you are going to be true to the tradition the table needs to be set with three candles and three tablecloths for the Trinity. The choices which vary according to family tastes and traditions are then left on the table until the 27th December. 

Here is what is served: 
dried fruit and nuts: raisins, walnuts, dried figs and almonds (all locally grown fruits). This quartet is known as the four beggars representing the four mendicant monastic orders: Dominicans, Franciscans, Augustinians and Carmelites. The choice of dried fruits might also include dates (to celebrate the land where Christ was born) or dried plums from Brignoles. (I don't know the significance of the dried plums except that they are a local variety.)
Also on offer would be fresh fruits all grown in the region: apples, oranges, winter melon, grapes and tangerines amongst them. 
Then, amongst the other dessert plates, you will find Calissons, originally from Aix, which is a marzipan sweet olive oil fougasse, two kinds of nougat, quince paste, cumin and fennel biscuits, candied citrons, biscotins ... well, you see why we don't serve all these. 
French toast with apples and dried fruit might be an alternative or a melon and lavender tarte. Oreilletes, these are a feather-light waffle. 
Some of the above you might eat for breakfast on Christmas morning.
Tradition also insists that every guest must try a little of each. 
All of these foods are, of course, a splendid and very practical way of preserving your harvests and to celebrate the local cuisine.
I am begging to feel  full just writing about it all!

And after all this food, the family would walk to the local church for Midnight Mass, a tradition I have grown up with in Ireland and the UK.  In some districts the mass might be partially celebrated in Provençal. I have certainly attended mass in the Camargue where it was sung and spoken entirely in Carmarguais-Provençal.

Chestnuts are grown aplenty in Provence and further west so it is very easy to find chestnuts for your turkey stuffing. 





Here are some photos I took two days before Christmas of our local town hall. They were snapped taken on my phone during its light show. This display lights up the facade of the Mairie each evening during this season so adults and children can congregate to admire and photograph it. A small chalet alongside the town hall serves coffees and hot chocolates and gateaux.




I wish you a very splendid Christmas time, wherever you are, whatever your faith. Most of all, in these very troubled times, I pray for Peace on Earth and understanding.
The next time I write it will be 2018 in our calendar, so Happy New Year to all my wonderful Sister HGs and to all you readers. Thank you for popping by here.
I hope for all of us it will be a sane and blessed year.








Wednesday, 26 August 2015

Provence, My Inspiration by Carol Drinkwater



Provence. Provence-Alpes-Maritimes is my home, and it has also become my work. I never fail to remind myself how fortunate I am. When I first came here to this southern coast of France I was looking for a ‘house by the sea’. I had circumnavigated the world several times over, both as an actress and traveller, looking for this mythical house I dreamed of. Of course, I found many and some were to die for, frequently outside my price range, requiring too much work for a totally impractical woman or, for one reason or another, they were just not ‘it’, not 'the one'. I could not have said why.
Until I fell in love with a Frenchman (while filming in Australia!) and together we found an abandoned, way-too-expensive property set back from the Bay of Cannes. The Olive Farm series of books was born.




The jungle of land and ruined jumble of stones that constituted The Olive Farm (my title for this hillside property) was never to become the chill-out holiday place I had envisaged. The Olive Farm has become my destiny. It is a very unexpected shift that has taken place. I came here as a youngish actress with lots of energy and I find myself now someone who is invited to universities and schools and various other organisations to talk about olive trees, the history of the olive tree, the plight of the honeybee, the dangers of pesticides. How did this come about, I continually ask myself.

Provence, its nature, its colours, its perfumes has inspired me. Its beauty is a daily revelation to me. And I have humbly stepped to the back of the long line of artists who have been bewitched by this sunlit, fecund sea- and mountain-scape. And it never ends. Every day, there is something new. The Scarce Swallowtail butterfly, for example. A visitor to our grounds since before we came on the scene, this exquisite cream and black pollinator plays a role in my new book, The Forgotten Summer.



When I begin the writing of a new story, while I am still discovering my story, my subject, I walk the lanes, browse art books, visit galleries, go for walks on the beach. I look for images, inspiration, and frequently from the masters who have known this territory before and better than me.


                               (coincidentally when I was travelling in Morocco for The Olive Tree, I bought my      husband the same shoes in the same colour as Pablo is wearing here!)

So, because I am deep, deep in editorial notes on my new book The Forgotten Summer to be published in February 2016, let me please just share a few images with you so that you too can enjoy the source of my inspiration.

Do you know the works of the Provencal artist Paul Camille Guigou (1834 - 1871)? I found this one La Lavandière at the Musée d'Orsay in Paris.  I hope you can see the tiny portion of Roman bridge or aqueduct in the background. Apologies that the jpeg is so small, I couldn't find a larger print.


Another of Guigou's is this woman walking  a dirt track along the hilly outskirts of Marseille


Guigou's work has been one of the inspirations for the world of the grape pickers in The Forgotten Summer. The book is not set in the same period - my story is modern and post Algerian War - but the figures, the shapes of the bodies, their gestures and movements were imprinted on my mind while I was writing the harvest scenes. The heat and dust of the landscape. I feel it grinding into my teeth!

A writer whose work I return to constantly is Jean Giono. I confess that I had never heard of him when I first came to live here. I saw streets named after him and I assumed he was a politician and then I came upon The Man Who Planted Trees. If you have never read his work, please do. The tales appear simple and yet they are steeped in nature, magic and wisdom. Henry Miller said of him: 'In Giono's work what every sensitive, full-blooded individual ought to be able to recognise at once is "the song of the world"'. And that says it all really. That is the gift Provence has given me: the song of the world. 
I wake every morning to its cadences, its colours, its rhythms, its magnificence, and I know that I am alive and profoundly fortunate. I hope that The Forgotten Summer will bring a tiny sliver of all this to the page, but it won't if I don't get back to the editorial notes!

One last image to set us up for the day. Henri Matisse (1869 - 1954) was fascinated by the endless blue of the Mediterranean sea. Here is his view from a window onto the famous Promenade des Anglais in Nice. 

                                                                The Bay of Nice 1918

It makes me want to jump in the car, drive twenty minutes along the coast and find that balcony or, even better, stop my work and go for a swim in that warm, sunlit sea.

Oh, just two more from Matisse …


                                                          Interior with a Violin (1917-1918)
painted at the Beau Rivage Hotel, Nice. I can feel the harsh beat of light beyond the shutters.

and….


                                                         Painter in the Olive Grove 1922

Back to my own olive groves and my own more humble contributions these eulogies to Provence

Carol Drinkwater