Showing posts with label Seneca. Show all posts
Showing posts with label Seneca. Show all posts

Wednesday, 9 January 2019

Ancient Wisdom & New Year’s Resolutions

by Caroline Lawrence

I read ancient authors almost daily and am always surprised by how relevant they are. (Usually!) Here are my ten New Year’s resolutions based on ancient authors, some with links to advice for modern application. Maybe some of them will inspire you, too!


1. Examine Your Life – Socrates (Greek 5th century BC)
Socrates famously said, ‘The unexamined life is not worth living.’ The bleak midwinter is the yearly equivalent of four in the morning, when all our fears rise to the surface of consciousness. Don’t push them back down. Take them out and examine them one by one. One way to do this is something like Morning Pages where you write a stream of consciousness first thing. Check out a 3-minute clip HERE.

2. Know Thyself. – Anonymous (Greek 6th century BC)
This slogan was written in Greek on temple of Apollo at Delphi. It’s not entirely sure who first coined it but many philosophers have echoed it ever since. According to Yuval Noah Harari, algorithms already know more about us than we do ourselves. (Watch a revelatory interview with Harari HERE). Until they make the ‘Know Thyself’ app, I’m going to constantly ask myself why I’m taking certain actions from little (online purchases) to big (the nature of my next project). 

3. Let Your Food Be Medicine – Hippocrates (Greek 5th century BC)
The reason we make New Year’s Resolutions now is because of the two weeks of overindulgence we’ve just experienced, telling ourselves ‘It’s the holidays... Let the regime go for a while.’ That’s fine. That’s why winter is a time for feasting. And why Lent is a time for fasting. Two and a half thousand years ago the ‘father of medicine’ urged people to eat for health, but fasts were also part of the ancient health regime. Sometimes a lack of food is good for the body and lets it recover. I started the new year with a ‘diatritos’, a three day fast, and will try to fast for a couple of days each month. HERE is a short introduction to fasting.

4. Withdraw into Yourself as Far as You Can – Seneca (Latin 1st century AD)
Recede in te ipsum, quantum potes. (Letters 7.8) The first century AD Roman Stoic philosopher seemed to be talking about something like meditation or mindfulness. I’m going to try to meditate every day and take stock, even if only for a few minutes. Try a short 3-minute version HERE

5. Always Be On Your Guard – Marcus Aurelius (Greek 2nd century AD)
Wise words from the second century AD Stoic philosopher and emperor. The full quote is this. ‘The art of living is more like wrestling than dancing, you should always be on your guard.’ (Meditations 7.61) Whether on the streets of London or posting on Twitter, I’m going to try to be alert to danger and let my intuition warn me. 

6. Take Power Naps – Pliny (Latin 1st AD)
He was a most ready sleeper, insomuch that he would sometimes, whilst in the midst of his studies, fall off and then wake up again… [After lunch] he generally took a cold bath, then some light refreshment and a little nap. After this, as if it had been a new day, he studied till supper-time… Pliny Letters 27. As I get older, I am learning to take power naps before they take me. Read Pliny the Younger’s account of his Uncle’s daily routine HERE

7. Keep Fit – Juvenal (Latin 1st AD)
Mens sana in corpore sano can be translated as ‘a healthy mental outlook in a fit body’. You don’t have to join a gym or invest in new trainers. We all know the ways to increase daily movement like getting off the tube a stop earlier or taking the stairs instead of a lift. I love walking but my knee is getting a bit stiff so I’ve now started to supplement walking with a short yoga session first thing in the comfort of my own home via YouTube or DVD. My favourite is Rodney Yee

8. Hurry Slowly – Augustus via Suetonius (Latin 1st AD)
I do things quickly. Sometimes too quickly. The Roman historian Suetonius, in De vita Caesarum, tells that Augustus deplored rashness in a military commander, thus σπεῦδε βραδέως or festina lente in Latin was one of his favourite sayings. I resolve to be quick but not impulsive. 

9. Treat Others As You Would Like to be Treated – Jesus (Greek 1st AD)
In Matthew 7:12, Jesus states the so-called Golden Rule which he got from Hillel the Elder, a first century BC Jewish sage. We know it in our heads (and hearts) but it goes against the survival instinct of our reptile brain. I had a revelation recently while teaching John Truby’s seven beat plot structure, which includes the Desire and the Opponent. We often consider people as opponents or barriers to things we want, but in Gods eyes it is the people who are important, not the things we want. 

10. Delight Yourself in the LORD... – King David (Hebrew 10th century BC)
...And He will give you the desires of your heart completes the promise. We can be overwhelmed by the suffering and stupidity in the world around us, and be tempted to despair. But we live lives of greater comfort and luxury than almost any generation before us. I am going to count my blessings, say thank you to the Universe and delight myself in God and His creation. For me, this verse from Psalm 37 is the most important resolution of all. 


Gnothi Sauton = Gnothi Seauton = Know Thyself

Sunday, 12 November 2017

Suicide in Rome - by Antonia Senior


This week, I have been thinking about suicide.



Not, I promise, my own. I have been thinking about Roman suicide. There was a surge in suicides among Roman aristocrats under the Julio-Claudian Emperors. Suicide was a political act; and in imperial Rome, all politics must be understood in relation to the Emperor. Historian Paul Plass argues that this was game theory suicide, in which execution masqueraded as suicide. The victim could undermine the potency of the Emperor’s intent by claiming libertas – freedom - in the act of self-killing. It was a complicated dance, understood by all, in which the “first and central axiom in the political logic of suicide is the Emperor’s power”.

For the self-killing to fit into this exchange of power and agency, it was necessary to stage a "good” death. The contrast between a noble death and a deluded death is a pre-occupation of Seneca’s, and is visible in a constant theme in his drama and his philosophy.

This impression of an age with a morbid flavour is compounded by the sources. Our primary sources for the suicides in the reigns of the early emperors are Tacitus, Suetonius and Cassius Dio; all of them writing significantly later than the events they describe. Tacitus, in particular, is pre-occupied with political suicide.

It is clear, however, that for both early imperial writers and the later chroniclers, there were some familiar tropes that distinguish a good death. The first is the notion that death reveals the man. It is not enough to die, one must die well.


Bravery is crucial. Tacitus labours the duration of certain suicides, including that of Seneca, who takes an age to saw sufficient wounds in his wrists. He reveals a begrudging admiration for Petronius, whose subversive, drawn out death is a riot of feasting and excess.


Seneca: took his time


For Seneca, emulating Cato who himself emulates Socrates, it is important to die a thinking, philosophical death. Suicide is a reasonable response for a stoic who wishes to lay claim to freedom. “Do you ask where the path to freedom lies? It flows through every vein in your body,” says Seneca in his work On Anger. Historian Miriam Griffin argues that philosophy provided the etiquette and style for suicide, as well as a justification.

But how do you tell the difference between a virtuous free death and a deluded death. A “protocol of death” should be followed, to reinforce the notion that the self-killer is reclaiming freedom and virtue, rather than succumbing to morbidity. A good dinner, calm words with chosen friends, calmness in the act; all are ingredients. But there must be an audience. How else can witness be borne that reason triumphed despair? There is a theatricality necessary, then, to the political suicide.

To kill yourself in Imperial Rome meant comparing yourself to those who had gone before. For Seneca, a habitual user of exempla to define and encourage moral behaviour, it was not sufficient to emulate Cato and Socrates, he had to outdo them and become himself an exemplum.

The ultimate witness for the act of self-killing is the Emperor. Suicide was an important pre-emptive strike to avoid the Emperor’s humiliating offer of clemency. Clemency, as understood in its imperial context, was to be avoided – it is a pointed expression of the Emperor’s power and the powerlessness of the pardoned. To deprive the Emperor of a chance to offer or withhold clemency, is to assert freedom in the face of power.



This attempt to carve a vestige of virtue and freedom out of an imperial system which denies their possibility is the key to understanding stoic suicide. Stoics faced a fundamental tension between their commitment to nature and wisdom, and their necessary involvement in the public life of the state. A rational death allows this tension to be resolved. The details matter. Form matters; in part to resolve the central paradox of Roman political suicide. If suicide is the free choice of a free man, then what is suicide if the Emperor orders it?




Nero’s suicide escapes this central paradox –,at the moment of his death, he was still, theoretically, the Emperor. No-one ordered his death, although events suggested it as a rational course of action. The sources are hostile to Nero, and it is no coincidence that he bungles his suicide. No calm dinner for him, no noble witness. A ditch, a freedman, a failure of nerves. Nero begs his freedman to do the job for him, and thus shouts to posterity that he is less than a man. 

Nero: botched job







x

Saturday, 22 April 2017

Through a Glass Darkly: Mirrors, Myths and Magic by Catherine Hokin


I am a bit obsessed with mirrors at the moment. That's not an unusual state for many women as we oscillate between avoiding or checking our appearance depending on how hopeful/fearful we are feeling on any given day especially if, like me, your approach to dressing may be on the 'eclectic' side. An American acquaintance recently commented that she 'was interested in' the way I flaunted the look in the mirror, remove one item adjunct by adding three more. I digress (which may also be my clothing issue): my mirror obsession is currently centred on their mythical properties.

 
 Roman lead mirror, faces missing
Superstition is one of the many threads that connect us to our ancestors and many have ancient roots. Walking under a leaning ladder, for example, may have connections to the Ancient Egyptians and their belief that the triangle was a sacred shape. You might not be a salt thrower and you may place new shoes on the table without a care but I bet few of us break a mirror without a shiver. The belief that seven years bad luck would result comes from Ancient Rome and is linked to the 7 years the Romans believed it took for a soul to renew itself. If you do have a disaster, simply popping the pieces in the bin is not enough to reverse the misfortune: you can bury the pieces, immerse them in south-flowing water for several hours or grind them to a fine powder so the pieces no longer reflect an image. Or do all three while flinging salt and turning in a circle three times. Best to be safe in these strange times.

The idea of reflection, seeing an image that may otherwise be hidden or differs from what the watcher expects, has always fascinated, whether the source be water, metal or glass. We look for our identity in them, for good or ill: Socrates advised young men to look at their faces and, if the reflection was a handsome one, to focus their life on keeping their souls pure. Some ancient cultures believed the reflection was the true self, 'the shadow soul', hence the myth that vampires and evil spirits have no reflection. In some cultures, the images go beyond the individual: in ancient Chinese mythology, there is the story of the Mirror Kingdom in which creatures who will one day rise up to battle humans are caught in a magic sleep; the flickers we sometimes see in the corners of our eyes as we look into a mirror are the creatures' first stirrings. Other superstitions spanning cultures include not looking into them at candlelight when spirits of the dead might appear and covering mirrors when someone in the house dies so that the soul does not become trapped. The deep-seated hold these superstitions have on the popular imagination is reflected in stories as far apart as Narcissus, Snow White and Candyman. We look but we do not always believe or trust what we see.

 Ancient Egypt c. 1479 BC
That mirrors have grown up surrounded by myths is understandable: not only could they show us new aspects of ourselves and our world, in their earliest incarnations they were rare and expensive. Mirrors made from polished stone (obsidian) have been found in use in Turkey from 6000 BCE and also in South and Central America from 2000 BCE. Polished bronze discs with handles of ivory, wood or metal are seen in Egypt as early as 2900 BCE and in China from around 2000 BCE. By 465 BCE, some Greek mirrors were large enough to reflect a whole figure but most remained small enough to be portable and were highly ornamented, often with figures of the gods. All were recorded as being highly valuable: "For a single one of these mirrors of chiseled silver or gold, inlaid with gems, women are capable of spending an amount equal to the dowry the State once offered to poor generals’ daughters!” (Seneca). However, the reflected image purchased at such cost was not an accurate one: stone and bronze were both dark, metal scratched and tarnished easily and the very few glass mirrors that have been found were curved and therefore distorting - a problem which continued well into the sixteenth century and goes some way to explain the distrust around the reflected image.

 Pictish mirror symbol
Superstition and magic, mirrors have long been associated with both. The idea of reflecting things that were previously hidden or unseen is a short step from looking at mirrors as a method of divination: seeing not just what is there but what might be. One of the most common symbols carved onto Pictish stones in Scotland is a mirror, usually accompanied by a comb. There are a number of theories around the symbol's meaning, including a link to a matriarchal culture but another possibility is an association with astrology and using a mirror to read the heavens. Turning a mirror to the stars to divine messages about the future is seen in ancient Persia, by Shamans in Asia and is even attributed to Pythagoras who, according to legend, tipped a mirror at the moon to read the future. This practice, known as catoptromancy or scrying, is described in a number of ancient Greek texts and sometimes involves mirrors being lowered into water on a thread to provide a double reflection. It appears to have had a number of uses including predicting the future, medical diagnoses and communicating with people not physically present. Practitioners would burn herbs, chant 'prayers' and wait for answers and messages to reveal themselves in surfaces sometimes viewed as a portal between worlds. The practice is recorded well into the middle ages.

 15th century woman and mirror
During the mid to late medieval period, mirrors had rather mixed fortunes. Their role in divination made them a target for the Church and divination itself, associated as it was with demons and evil spirits, was banned. In The Book of the Knight of the Tower, an advice manual written in 1372 by Geoffrey de la Tour Landry for his daughters who are about to attend court, the dangers of sitting in front of the mirror rather than attending church are clearly spelled out:“Will this lady never be done combing herself! Staring at herself in the mirror? And as it pleased God to make an example of her, even as she stared into the mirror she perceived the enemy, who bared his behind, so ugly and horrible that the woman lost her reason, as if possessed by the devil.” However, mirrors also start to appear as a means of guarding against evil and excess: in Dit du Miroir by Jean de Cande, a man asks for a double mirror so he can look at himself inside and out. As mirrors became more common, it seems people were trying to find better ways to accommodate their presence.

The process by which mirrors were made gradually became more sophisticated: the process for making flat glass began in Germany and was perfected in sixteenth century Venice and new coating methods were discovered which improved reflectivity. At the same time, Johannes Kepler was working on a better understanding of the way light is received and focused by the eye. Distorted reflections and magic associations gradually became a thing of the past. Well logically they did but I'm not convinced humans are really that logical when you scratch the surface. For every child who listens to Snow White and then tries the magic mirror refrain out in their bedroom or reads Harry Potter and wants to buy scrying implements in Diagon Alley, there's a teenager giggling with their mates into a candle-lit glass on Halloween and an adult fixing a new mirror on the wall with very great care. Don't believe me? Go drop a mirror, I dare you...