Fallen Women or Vulnerable Girls? by Janet Few

 

In the second half of the nineteenth century, a proliferation of homes, or ‘refuges’ for fallen women were set up across Britain to reform those who had not adhered to the moral code of the time. As well as government founded refuges, there were also charitable bodies who established institutions with the aim of rehabilitating ‘fallen women’; the most notorious of which were the Magdalen Laundries, run under the auspices of the Catholic Church. The various regional branches of the Discharged Prisoners’ Aid Society were a major provider, funding homes from public subscriptions and donations, supplemented by what the institutions could generate from offering laundry or needlework services.

What was the purpose of these refuges and who exactly were these ‘fallen women’, some of whom were as young as twelve? Our twenty-first century minds, might expect that fallen women would have been prostitutes and it is true than many of the inhabitants of such institutions had been before the courts for soliciting, prostitution, or brothel keeping. The aim of a woman’s refuge was to rehabilitate and reform; transforming the fallen into respectable women who could play a meaningful part in society. Thus, only women who were regarded as capable of redemption were accepted, leaving those who were labelled as the most dissolute and depraved without refuge.

Some of the inmates of these homes were society’s casualties, rather than ‘sinners’. To the Victorians, a ‘fallen woman’ was rather more than just someone who sold, or attempted to sell, sexual favours. The term was applied to anyone who had fallen from virtue, whether they were willing participants in that fall or not. Victims of rape and incest, those with learning difficulties and girls whose home life might put them in moral danger, were institutionalised alongside the criminals and prostitutes. The term ‘prostitute’ is also an elastic one and in the nineteenth century, was not confined to women who provided services of a sexual nature in return for money, or recompense in kind. ‘Prostitute’ might be used to encompass a woman who had had an illegitimate child, or who was living with a man as if she was his wife, without the benefits of a marriage ceremony.

Although Victorian women made up only 20-25% of those indicted for criminal offences, women were more likely than men to be repeat offenders, raising concerns about the need for rehabilitation. Women were also potentially mothers, with an influence over the moral well-being of subsequent generations, so attitudes towards women who transgressed against the legal or moral codes were very different to those towards male wrongdoers.

Time spent in a home for fallen women might be part of the punishment meted out by the courts, with women being transferred from prisons to spend periods of six to twelve months in a refuge. As well as religious instruction, they would be taught domestic skills, designed to fit them for employment. ‘Refuge’ is a word that has benign connotations, a place of safety for those in physical, mental or moral danger. In the nineteenth century, although the motives for setting up these homes might be seen as philanthropic, for the most part, refuges were far from being a place of safety; conditions were harsh and inmates were unlikely to be there voluntarily. 

Many ‘fallen women’ were victims of societal attitudes or circumstances. Some who turned to prostitution were driven by poverty, others were coerced. Women who were persuaded or forced to embark on a sexual relationship and were subsequently abandoned by their partner were regarded as ‘fallen’ but might, in a more compassionate time, be regarded as vulnerable girls, who had been taken advantage of by men. The stigma attached to a fall from virtue, whatever the cause, cannot be underestimated. Condemnation sprung from the contravention of religious, moral and sometimes legal codes. Researching the lives of women who spent time in refuges, often reveals the circumstances that led to their incarceration and helps to explain the life choices that they made, if indeed they had a choice. There is a very fine line between a vulnerable girl and a fallen woman and they were judged by the standards of their time.

Hogarth's A Harlot's Progress 

Image used under Creative Commons - in the public domain