Showing posts with label Margaret of Anjou. Show all posts
Showing posts with label Margaret of Anjou. Show all posts

Friday, 7 March 2025

Medieval Women (and a few men) by Mary Hoffman

 

 

The Middle Ages are having a bit of a moment, at least in the UK. This is a boon for me, as I am writing a "Plantagenet novel" covering the rough half century from 1352 to 1403. In January, I went to a day conference on Women of the Wars of the Roses, which is a bit after the scope of the first book but bang on the money for books two and three of what I see, somewhat ambitiously, as a trilogy. More in a couple of months when the first book should be finished.

The day conference, held in Southwark cathedral by Tudor Times consisted of six talks given by experts on six prominent women of the fifteenth century, four of whom were queen consorts of England. Since I have researched all these women, I was hoping to be surprised by one or two nuggets of information.

First up, Marguerite (Margaret) of Anjou.

From the Book of Romances 1445
 

The talk was given by Lauren Johnson, who has written books on Henry Vl, Henry Vlll, and Margaret Beaufort and she gave me what I hoped for early on. I should have known, but didn't, that among the many gifts the young Henry Vl showered on his bride, was a lion. What a wedding present! *

Next up was Cecily Neville:

Neville Book of Hours 1445

The talk was given by Joanna Laynesmith, whose book on the last medieval queens is now insanely expensive to buy on A*a**n. Fortunately, I bought it when it came out. Cecily was one of the two women discussed who did not become queen - though all Yorkists believe she should have. She had to be content that two of her sons, Edward lV and Richard lll were kings. I didn't know that she had been friendly with the Woodvilles in France, or that she had written a book of household management. She died a wealthy woman at eighty, so perhaps she was the winner in her rivalry with Margaret of Anjou, althgough the latter had the title.

Alison Weir talked about Elizabeth of York:

16th century image from Royal Collection
 

Alison told us that Elizabeth, one of the "good queens" and beloved of the people, might have had an iron deficiency. But if she told us the source, I didn't note it down. More research needed.

Elizabeth Woodville:

A copy of a portrait in Queens College
 

Melita Thomas, who wrote The King's Pearl about Henry Vlll and his daughter Mary, talked about this controversial figure. The first Wars of the Roses course I did in Oxford was taught by Lynda Pidgeon, whose subsequent book Brought up out of Nought did her best to rectify the notion that Elizabeth was a grasping, ambitious woman, out to get preferment for her numerous siblings. It is not completely baseless but more nuanced than many historians have seen it.

She was one of the most tragic of queens, losing her husband young and seeing her father, brothers and sons all put to death. Good to know that seven years after Bosworth, she was reinstated as Queen Mother.

Sarah Gristwood thought she might have drawn the short straw, being allocated to talk about Anne Neville:

Salisbury Roll 1483
 

Anne would seem to be the answer to "Who suffered most in the Wars of the Roses?" We know so little about Anne or what she thought of Richard as husband or usurping king. Their only child died and overwhelmed them both with grief, which shows a human side. As Sarah said, "Anne Neville was not a strong or powerful woman." But she is a good example of how heiresses are pawns in the hands of ambitious men.

Margaret Beaufort:

Meynart Wewyck 1510, Christ's College, Cambridge

So much has been written about this remarkable woman, both in history and fiction, that it was hard to see what was left for Elizabeth Norton to say about her. But she has written several books about Tudoe women and queens, including Margaret Beaufort. Her opening statement, that Margaret "did not kill the princes in the tower," was met with a resounding cheer that echoed round the nave of the cathedral.

She attended Richard lll's coronation gorgeously gowned in crimson, blue and gold, at odds with the image of her above, which is how she is usually thought of, as a single-minded and pious mother. She lived long enough to see her grandson crowned Henry Vlll but got food poisonming at the Coronation Feast and died.

I left the conference with sheaves of notes and too many books, energised that there was still so much to say and find out about these women.

Interlude with kings

Helen Castor, who wrote She-wolves: the Women who Ruled England before Elizabeth and has been a guest on the History Girls, has a new book out. The Eagle and the Hart is subtitled "the Tragedy of Richard ll and Henry lV." which is right on topic for what I am writing now. Before this the best book I knew about the first cousins born only months apart was Ian Mortimer's The Fears of Henry lV. It's a fascinatinmg topic: two boys, one born and raised in France, the other in England, both grandsons of Edward lll, both equal in royal blood and so different in their routes to the English crown.

 

Richard was in every way unsuited to be king, except one: he was the undisputed legal heir. His father Edward (known to later centuries as the Black Prince) predeceased Edward lll and Richard's older brother, another Edward, who never set foot in England, was also dead when Richard inherited the throne at the age of ten. Hopes were high, especially when the boy king rode out to face the rebels in what is no longer known as the Peasants' Revolt. It was probably his finest hour. But he had left his cousin Henry in the Tower to take his chances while other nobles were summarily executed by the mob. Richard did not go back for him.

Henry, on the other hand, was robust where Richard was effete, a champion jouster, a soldier, a traveller, an intellectual. He would have made a splendid king at any point before his usurpation. But he wasn't first in line. His father, the fabulously rich Duke of Lancaster, John of Gaunt, was Edward lll's third son to reach adulthood. The brother in between, Lionel Duke of Clarence, had sired one daughter and her descendant married one of the York line, descended from Edmund, the next brother down. But could a woman inherit? There you have the crux of the Wars of the Roses, as it is still convenient to call them.

Henry was more robust in other ways too: he married Mary de Bohun when they were both young teenagers, having known each other since infancy. As soon as they were old enough to co-habit, they had a child every year, the first four boys. Richard married soon after his cousin, his wife his contemporary, Anne of Bohemia, and she never became pregnant. Both wives died in same year, 1394, Mary in giving birth to her sixth child, a second daughter. 

Was Richard gay? He certainly had "favourites," his relationship with Robert de Vere closer than friendship. When de Vere was exiled and died in France in a boar hunt some years later, Richard arranged for his embalmed body to be brought back to England. At the re-interment, the king ordered the coffin to be opened and, in one of his typically theatrical gestures, gazed upon his lost love's face and held his embalmed hand for the last time. 

But he was also very fond of his queen and had Eltham Palace razed to the ground a year after she died there of the plague. But it was different from the love between Henry and Mary, who made a new baby, every time he returned from his restless travels. It is doubtful whether the marriage was even consummated. And Richard chose as his second wife, Isabella of France, who was a five-year-old child when the marriage was first proposed. Richard's thirtieth birthday was the day after her coronation.

Was it a relief for him not to have to prove his manhood for another decade? We can't know, as he had been deposed and died long before Isabella reached puberty. She was not the grown woman Shakespeare shows us in his play. Her second marriage, to her cousin, Charles d'OrlĂ©ans, showed she was fertile but she died in childbirth at the age of twenty, her daughter surviving. 

So there are women in the story of the rival cousins but mostly with sad stories. Death in childbirth was very common, even if you were the first lady in the land, with all the medical help money could provide. As Elma Brenner writes in the catalogue to the Bitish Library's Medieval Women: Voices and Visions, "Childbirth and its aftermath marked a moment of significant danger in the Middle Ages, with risks of great pain, infection and death."

She also tells us that Richard's queen in the year before her death bought plantain water, spikenard and theriac from an apothecary, These were all remedies for infertility so perhaps they had been to bed together but perhaps also she didn't at that stage know the facts of life. 

Most of the women in the exhibition, which finished last Sunday, were from periods before or after the one I am working in. But guess who turned up.

 

*The label tells us that this skull, found in the moat of the Tower of London, is that of Margaret of Anjou's lion! It has been carbon-dated to 1420-80, which is the right period. But it seems that Margaret brought the lion with her from France so it wasn't, after all, a present from her husband-to-be.  Presumably it was a lioness, rather than a male, but it lived in the Menagerie at the Tower and wasn't a pet being fed scraps from her table.

Don't worry if you missed the exhibition, as the catalogue is excellent. It covers women from from the continent of Europe, like Joan of Arc and Hildegarde of Bingen, as well as the home-grown Julian of Norwich and Margarets Beaufort and Paston.


 


 

Friday, 29 January 2016

Looking for Margaret - a very modern Medieval by Catherine Hokin

Our guest for January is Catherine Hokin, who talks here about the subject of her first historical novel.




She says of hereself:


Catherine is a Glasgow-based author with a degree in History from Manchester University. She started writing seriously about 3 years ago, researching and writing her 2016 debut novel, Blood and Roses, published by Yolk Publishing. The novel tells the story of Margaret of Anjou and her pivotal role in the Wars of the Roses, exploring the relationship between Margaret and her son and her part in shaping the course of the bloody political rivalry of the fifteenth century. Catherine also writes short stories - she was recently 3rd prize winner in the 2015 West Sussex Writers Short Story Competition and a finalist in the Scottish Arts Club 2015 Short Story Competition and has her latest story published in the January iScot magazine. She regularly blogs as Heroine Chic, casting a historical, and often hysterical, eye over women in history, popular culture and life in general.

What is history if not stories? And what are stories if not people?

Fashions, customs, morals may shift and change but we share far more that is similar with the people of the past than the centuries that divide us might suggest. War, disease, loss, political decisions that sweep people into conflicts not of their making are as familiar to us as our fifteenth century counterparts. The mechanisms available for response change, as do the social attitudes surrounding our lives, but the challenges are often all too recogniseable. For me the study of history helps us to see what is eternal; it is fiction, with its re-imagining of events, that then allows writers to create a bridge to new perspectives and voices. This is particularly important when shining the spotlight on women whose characters and opinions go often unheard or mis-represented.

This is what led me to Margaret of Anjou as the protagonist of my debut novel Blood and Roses. An intriguing, powerful woman too often filtered down to us through hostile voices or melodramatic portrayals courtesy of Shakespeare. She is being re-evaluated to an extent but she is still rarely, roundly centre-stage.
John Talbot, 1st Earl of Shrewsbury, presents the Book of Romances (Shrewsbury Book) to Margaret of Anjou, wife of King Henry VI, circa 1445 by the Talbot Master

I first met Margaret when I was twelve. My father ran a war gaming club (in the non-virtual days when this involved a sand table) and all the members were obsessed with the Wars of the Roses. They also shared a loathing for Margaret of Anjou which fascinated me – how could a woman who lived 500 years ago still rile men so much? Then I encountered the Shakespeare depiction and it was clear that something was more than rotten with the state of his Margaret.

Shakespeare’s Queen, “a foul wrinkled witch’ and a ‘hateful with’red hag,” is evil and twisted almost to the point of parody: wandering round Court clutching the severed head of her supposed lover the Duke of Suffolk; rubbing a cloth soaked in his son’s blood all over the Duke of York’s face before placing a paper crown on his head and stabbing him; prophesying evil falling on the House of York like a medieval Cassandra.

Macedonian National Theatre, 2012 (photo Marc Branner)

As a character portrayal it is over-wrought at best; as an historical source it is deeply suspect, as we would expect given that the plays were written as pieces of political propaganda. But the myths about the evil ‘she-wolf’ persist and Shakespeare’s portrayal is still too often the shorthand for this multi-layered woman.

The real Margaret was described by a contemporary as “great and strong-laboured.” Born in Anjou in 1430 she became, through her marriage to Henry VI, a Queen Consort and this title is crucial to understanding the shortcomings of her position. Her role, as Lisa Hilton’s excellent Queens Consort: England’s Medieval Queens ably explains, was essentially that of an intercessor and a peacemaker, a conduit to the King but one expected to flatter from the shadows and not exert a personal political will. A difficult mantle for many to assume but particularly burdensome when the King was weak, ill and ineffectual and the English Crown was held hostage to the dynastic conflicts modern readers know as the Wars of the Roses.

Margaret’s crime? She was politically astute; she was well-educated, by very strong female role models in a Europe with different attitudes to women and power; she was perfectly able to rule in an England that would not countenance her doing so and was unable to accept that reality. Her punishment? To be made the scapegoat for her husband’s failings, a not uncommon process of female vilification in the medieval period as Diana E.S Dunn discusses in War and Society in Medieval Britain.

 Katy Stephens, RSC, Glorious Moment Production 2008

So who was Margaret of Anjou? Not a crone, a murderess or a woman so foolish that she would take a cast of lovers including the Duke of Suffolk who was 34 years her senior (only a man could have written that) but a strong, deeply intelligent women driven by ambition and perfectly capable of manipulating circumstances to her own advantage. She was also a mother and that is key to any revision of her: not a mother involved in some dark incestuous bond with a son tied too close to her apron-strings but a strong woman attempting to raise a strong man she knows has to find his own path and break from her. Not an easy task, by no reasonable judgement an incestuous one.

Claire Underwood, House of Cards  ad image for show

I called Margaret a modern medieval. Clearly she lived in a world where attitudes to marriage and the role of women were different to the way we live now, at least in more enlightened parts of the world, but I sense in her a temperament that crosses the centuries. A fascinating, flawed, complex and infuriating woman constantly challenging the place society assigned her while staying true to her own ideals. Women like Margaret are everywhere today – from Hilary Rodham Clinton and Nicola Sturgeon in politics, through Katherine Viner taking the helm at The Guardian to the stereotype-breaking female protagonists offered as the new-normal on film and tv (Alicia Florrick in The Good Wife, House of Cards' Claire Underwood and the new Marvel ‘superhero’ Jessica Jones to cite just a few). Women celebrated for their strengths, refusing to bow to their detractors – I think Margaret would have approved.




Social media links:

https://www.catherinehokin.com/
http://catherinehokin.blogspot.co.uk/
https://www.facebook.com/cathokin/?ref=aymt_homepage_panel 
Twitter @cathokin