Felicia Skene, left, with her niece Zoe Thomson, wife of the Archbishop of York, and her brother William Forbes Skene, Historiographer Royal of Scotland, in 1892.
When I first moved to Oxford I rather disapproved of the hostel next door, with its Victorian attitude to young, single mothers. I was not surprised when our local vicar told me that it was run by the ‘Skene Moral Welfare Association’. I then learned that the Skene in question was Felicia Mary Frances Skene, one of the most radical women in nineteenth century Oxford. I was even more amazed to discover that she was my grandfather’s great aunt, known in the family as ‘Fifi’. I wanted to know more.
Felicia Mary Frances Skene as a young woman
Her father James, was a wealthy Scottish lawyer and amateur artist whose engravings illustrated Walter Scott’s novels. Born in 1821, Fifi comforted Scott with fairy stories the night in 1825 when he lost everything. Roused by her cheerful spirit, he decided to fight bankruptcy and work through his debts. Scott wrote that Fifi’s parents ‘bring so much old-fashioned kindness and good humour with them that they must be always welcome guests.’ They were also enterprising and resourceful.
James Skene believed that travel was the best form of education, and so led his family on a grand tour around Europe. Fifi was taught the piano in France by Liszt, whom she described as ‘a wild-looking, long-haired excitable man’. Between 1838 and 1845 the family lived in Athens where Fifi sang with the Greek royal family. During an expedition on horseback across the Marathon plain, she spent the night in a shack with Albanian peasants and their pigs. At the age of twenty-four she brought her young nieces aged ten and eleven (one of them my great grandmother Janie) home from Athens by ship and train via Constantinople. Arriving in England she wrote her first book Wayfaring Sketches among the Turks and Christians, first in French and then in English. Her observations of conditions in slave markets, galley- ships and an Ottoman Pasha’s harem made it a bestseller.
Fifi’s father James Skene of Rubsilaw, 1775–1864,
with two of his grandchildren.
The Skene method of education obviously worked. Her older brother James Henry married Rhalou, a Greek aristocrat and became a British Consul to Aleppo. Fifi’s brother George was Professor of Law at the University of Edinburgh and Sheriff of Glasgow. Another brother William became the Historiographer Royal of Scotland, writing the first academic history from Scotland’s point of view. One of her sisters married the Swedish ambassador to Washington, Berlin and Paris, and the other married a Greek archaeologist– the brother of her sister-in-law.
Fifi settled in Oxford, where her social views were considered overly progressive, especially for a woman. Her 1866 novel Hidden Depths was an exposure of prostitution in Oxford inspired by the injustices she had witnessed in the prison and women’s reformatories. The Athenaeum criticised her writing as ‘unrepresentative of society’, The London Review disapproved of the message and Mudie’s Library considered the subject-matter altogether too provocative. The Lesters: A Family Record warned readers of the dangers of alcohol but was denounced by Saturday Review as being ‘cheap melodramatic horror’ and ‘almost beneath criticism’ while Academy dismissed the novel as 'dull and destined for failure'.
Despite many offers, the auburn-haired and boisterous Fifi was far too busy to bother with marriage. She preferred to carve out her own life as a writer and philanthropist than belong to a man. Fluent in both French and Greek, and possessing a photographic memory, she published more than twenty books under the pseudonyms of Oxonesis, Francis Scougal and Erskine Moir. Her interest in the high-church ‘Oxford Movement’, inspired a theological work The Divine Master, which ran to eleven editions. She wrote for Blackwood’s, Cornhill and Macmillan's Magazines, Quiver, Temple Bar and Good Words, which had a circulation of 100,000 and featured contributions by Thomas Hardy and Anthony Trollope.
Fifi’s 1865 anonymous pamphlet, ‘Penitentiaries and Reformatories’ on the humiliation of ‘fallen women’ whom society ‘sought to hide its blackest curse under a veil of mock prudery. . . because their sin was unfit to be named in the polite society that received with open arms the very men on whom they sinned’. (University of Indiana's Victorian Women Writers Project)
Fifi was a deeply religious and principled woman and used the income from her books and articles to finance her philanthropic work. Her biographer, Edith Rickards, wrote in 1902 that ‘it was her rule throughout her long life never to spend on herself what she gained from her writings, partly from her natural love of giving, partly from an old-fashioned idea that it was an undignified thing for a lady to earn money for her own personal advantage.’
'The Skene Arms', left, in St Michael’s Street, Oxford.
For most of her life, Fifi lived in St Michael’s Street in the centre of Oxford. It’s nickname was ‘The Street of Seven Deadly Sins’. Her home was known as ‘The Skene Arms’, because it was always open to beggars, clergymen, prostitutes, politicians and students. In her Cornhill Magazine article ‘Ethics of the Tramp’ she wrote that like her parrots, men of the road should roam free and never be incarcerated. She braved the wrath of local pimps and drunken husbands by finding refuge for women fleeing prostitution and domestic violence.
Fifi, Tatters and Rev. Algernon Barrington Simeon,
the first Warden of St Edward’s School,
whom she nursed though diphtheria, 1875.
After years of impromptu visits to Oxford Prison accompanied by Tatters, her Skye terrier, Fifi became England’s first official female Prison Visitor. She insisted on complete confidentiality and demanded that male and female prisoners be housed separately, for the protection of the women. On their release, she gave prisoners a hearty breakfast and a reference for employment. She even organised marriages to legitimatize the children of ‘fallen women’. Independently of any political movement, she fought for prisons to be used for rehabilitation; for the abolition of capital punishment; and for the decriminalization of suicide. She also campaigned against female inequality, animal vivisection and religious intolerance. When the Prime Minister, W.E. Gladstone, asked her advice on the new theory of evolution, she told him that Darwin’s discovery was true, and compatible with Christianity.
Fifi helped found St Edward’s School for the sons of poor clergymen and dug the first sod of earth for its new buildings in North Oxford. With Dr Henry Acland, Fifi trained nurses to deal with cholera and smallpox outbreaks in Oxford. But when she offered her nurses to Florence Nightingale for the war in the Crimea, all but three were turned down for being ‘too working class.’
Fifi, 1821-1899, in old age.
Fifi died of bronchitis in 1899 and was buried in St Thomas Church, near Oxford railway station. A century later the assets of the Skene Moral Welfare Association were redistributed among Oxford’s social housing associations. In old age, Fifi had said of herself, ‘I am like the Martyr’s Memorial – everybody knows me and no-one is interested me.’ Beyond Oxford, she has largely been forgotten, but in 2002 a blue plaque was erected outside her home, now a hostel for single men. The plaque describes Fifi as ‘Prison reformer and friend of the poor’ but there is no mention of her literary achievements.
At times I have felt that my own career, which is split between writing popular history books and international development, confuses people. Great Aunt Fifi demonstrated that a woman can have as many different careers as she likes.
Some of her titles: Wayfaring sketches among the Greeks and Turks, and on the shores of the Danube by a seven years resident in Greece, 1849. The Isles of Greece, and other poems, 1843. Use and Abuse, a tale, 1849. The Inheritance of Evil or, The Consequence of marrying a deceased wife’s sister, 1849. The Tutor's Ward, 1851. The Divine Master, 1852. S. Alban’s, or, the Prisoners of Hope, 1853. Hidden Depths ,1866. Still and Deep, 1875. Memoir of Alexander, Bishop of Brechin, 1876. Raymond,1876. Life of Alexander Lycurgus: archbishop of the Cyclades, 1877. More than Conqueror , 1878. The Shadow of the Holy Week, 1883.A Strange Inheritance, 1886. The Lesters: a Family Record, 1887. Through the Shadows: a Test of the Truth, 1888. Awakened. A tale in nine chapters, 1888. Dewdrops: selections from writings of the saints,1888. Scenes from a Silent World, or, Prisons and their Inmates, 1889.
When I moved
to Oxford I rather disapproved of the hostel next door, with its Victorian
attitude to young, single mothers. I was not surprised when our local vicar told
me that it was run by the ‘Skene Moral Welfare Association’. I then learned that the Skene in question was
Felicia Mary Frances Skene, one of the most radical women in nineteenth century Oxford. I was even
more amazed to discover that she was my grandfather’s great aunt, known in the
family as ‘Fifi’. I decided to find out more.
Felicia Mary Frances Skene as a young
woman
Her father James,
was a wealthy Scottish lawyer and amateur artist whose engravings illustrated
Walter Scott’s novels. Born in 1821, Fifi comforted Scott with fairy stories the
night in 1825 when he lost everything. Roused by her cheerful spirit, he
decided to fight bankruptcy and work through his debts. Scott
wrote that Fifi’s parents ‘bring so much old-fashioned kindness and good humour
with them that they must be always welcome guests.’ They were also enterprising
and resourceful.
Fifi’s father James Skene of Rubsilaw, 1775–1864,
with two of his grandchildren.
James Skene believed that travel was the best
form of education and led his family on
a grand tour around Europe. Fifi was taught the piano in France by Liszt, whom
she described as ‘a wild-looking, long-haired excitable man’. Between 1838 and
1845 the family lived in Athens where Fifi sang with the Greek royal family. During
an expedition on horseback across the
Marathon plain, she spent the night in a shack with Albanian peasants and their
pigs. At the age of twenty-four she brought her young nieces aged ten and eleven
(one of them my great grandmother Janie) home from Athens by ship and train via
Constantinople. Arriving in England she wrote her first book Wayfaring Sketches among the Turks and
Christians, first in French and then in English.Her observations of conditions in slave
markets, galley- ships and an Ottoman Pasha’s harem made it a bestseller.
The Skene
method of education obviously worked. Her older brother James Henry married a
Greek aristocrat and became a British Consul to Aleppo. Fifi’s brother George was Professor of Law at
the University of Edinburgh and Sheriff
of Glasgow, and another brother William became the Historiographer Royal of
Scotland, writing the first academic history from Scotland’s point of view. One
of her sisters married the Swedish ambassador to Washington, Berlin and Paris,
and the other married a Greek aristocrat – the brother of her sister-in-law.
Fifi, left, with her niece Zoe Thomson, wife of the Archbishop of York, and her brother William Forbes Skene, Historiographer Royal of Scotland 1892.
Her 1866 novel
Hidden Depthswas an exposure of prostitution in Oxford inspired
by the injustices she had witnessed in the
prison and women’s reformatories. The Athenaeum criticised her writing as ‘unrepresentative
of society’, TheLondon Reviewdisapproved of the message and Mudie’s
Library consideredthe subject-matter
altogether too provocative. The
Lesters: A Family Recordwarned
readers of the dangers of alcohol but was denounced bySaturday Reviewas being ‘cheap melodramatic horror’
and ‘almost beneath criticism’ whileAcademydismissed the novel as dull and destined for
failure. Fifi’s social views were just too
progressive for 19th century male critics.Attracted by intellectual life, Fifi persuaded her parents to move to Oxford where
she settled down as a writer and philanthropist. Despite countless offers, the auburn-haired
and boisterous Fifi was far too busy to bother with marriage. She didn’t want
to belong to a man and much preferred to carve out her own life. Fluent in both
French and Greek, and possessing a photographic memory, she published more than
twenty books under the pseudonyms of Oxonesis, Francis Scougal and Erskine Moir. Her interest in the high-church ‘Oxford
Movement’, inspired a theological work The Divine Master, which ran to eleven
editions. She wrote for Blackwood’s, Cornhilland Macmillan's Magazines, Quiver, Temple Bar and Good Words, which had
a circulation of 100,000 and featured contributions by Thomas Hardy and
Anthony Trollope.
Fifi’s 1865 anonymous pamphlet, ‘Penitentiaries and Reformatories’on the humiliation of ‘fallen women’ whom
society ‘sought to hide its blackest curse under a veil of mock prudery. . .
because their sin was unfit to be named in the polite society that received
with open arms the very men on whom they sinned’. ( University of Indiana's Victorian Women
Writers Project)
Published under the the pseudonym Erskine
Moir, her novel Through the Shadows had more success and The Spectatorstated it to be ‘the outcome of a most
refined, religious, and poetical mind’.
They were right. Fifi was a deeply
religious and principled woman and used
the income from her books and articles to finance her
philanthropic work.Her biographer Ellen Rickards wrote
that ‘it was her rule throughout her long life never to spend on herself what
she gained from her writings, partly from her natural love of giving, partly
from an old-fashioned idea that it was an undignified thing for a lady to earn
money for her own personal advantage.’
The Skene Arms, left, in St Michael’s
Street, Oxford.
For most of her life Fifi lived in St
Michael’s Street in the centre of Oxford. It’s nickname was ‘The Street of
Seven Deadly Sins’. Her home was known
as ‘The Skene Arms’, because it was always open to beggars, clergymen,
prostitutes, politicians and students. In her Cornhill
Magazine article ‘Ethics of the Tramp’ she wrote that like her parrots, men
of the road should roam free and never be incarcerated. She braved the wrath of
local pimps and drunken husbands by finding refuge for women fleeing prostitution
and domestic violence.
Fifi,
Tatters and Rev. Algernon Barrington Simeon, the first Warden of St Edward’s School,
whom she nursed though diphtheria, 1875.
After years of impromptu visits to
Oxford Prison accompanied by Tatters, her Skye terrier, Fifi became England’s
first official female Prison Visitor. She insisted on complete confidentiality
and demanded that male and female prisoners be housed separately, for the protection
of the women. On their release, she gave prisoners a hearty breakfast and a
reference for employment. She even organised marriages to legitimatize the children
of ‘fallen women’. Independently of any political movement, she fought for prisons
to be used for rehabilitation; for the abolition of capital punishment; and for
the decriminalization of suicide. She also campaigned against female
inequality, animal vivisection and religious intolerance. When the Prime Minister,
W.E. Gladstone, asked her advice on the new theory of evolution, she told him
that Darwin’s discovery was true, and compatible with Christianity.
Fifi helped found St Edward’s School
for the sons of poor clergymen and dug the first sod of earth for its new buildings
in North Oxford. With Dr Henry Acland, Fifi trained nurses to deal with the regular
cholera and smallpox outbreaks in Oxford. But when she offered her nurses to
Florence Nightingale for the war in the Crimea, all but three were turned down for
being ‘too working class.’
Fifi, 1821-1899,
in old age.
Fifi died of bronchitis in 1899 and was
buried in St Thomas church, near Oxford railway station. A century later the assets of the Skene Moral
Welfare Association were redistributed among Oxford’s social housing
associations. In old age, Fifi had said of herself, ‘I am like the Martyr’s Memorial
– everybody knows me and no-one is interested me.’ Beyond Oxford, she has largely been forgotten,
but in 2002 a blue plaque was erected outside her home, now a hostel for single
men. The plaque describes Fifi as ‘Prison reformer and
friend of the poor’ but there is no mention of her literary achievements.
At times I have felt that my own career,
which is split between writing popular history books and international development, confuses people.
Great Aunt Fifi demonstrated that a woman can have as many different careers as
she likes.
Some of her titles: Wayfaring sketches among the
Greeks and Turks, and on the shores of the Danube by a seven years
resident in Greece, 1849. The Isles of Greece, and other poems, 1843. Use and Abuse, a tale, 1849. The Inheritance of Evil or, The
Consequence of marrying a deceased wife’s sister, 1849. The Tutor's Ward, 1851. The Divine Master, 1852. S. Alban’s, or, the
Prisoners of Hope, 1853. Hidden Depths ,1866.
Still and Deep, 1875. Memoir of Alexander, Bishop of Brechin, 1876. Raymond,1876. Life of Alexander Lycurgus:
archbishop of the Cyclades, 1877. More than Conqueror , 1878. The Shadow of the Holy Week, 1883.A Strange Inheritance,
1886. The Lesters: a Family
Record, 1887. Through the
Shadows: a Test of the Truth, 1888. Awakened. A tale in nine chapters,
1888. Dewdrops: selections from writings of the saints,1888. Scenes from a
Silent World, or, Prisons and their Inmates, 1889.
Admit it, you’re sick to death of Crimea. Writing a series
set in one war has made me rather single-minded, and looking back
over my time at the History Girls I seem to have written about little else. But
as this will be my final post here I hope you’ll let me take just one
last look at it, and tell the story no-one else in the West seems to want to
tell.
They really don't. When the official
narrative is that ‘Russia has stolen Crimea’, no-one wants to hear about
Crimeans except as Ukraine’s ‘property’ and a pawn in the Great Game. What they
forget is that Crimeans are also people, and sometimes ordinary people can
change the world. In the last week of February 2014 some of them did just that, and just this once I'd like it to be recognized.
All right, February is hardly history, but I think the story fits here because of what it reveals about the historical process
itself. To me it was a unique one, because I know the place, I know the people, and
I was aware of what was happening before it was history. Usually I start with the official
narrative and work backwards to the primary sources, but this time I’ve watched
events unfolding through the eyes of the people actually living them – and been
astounded to see the entirely different narrative now hailed as ‘official
history’. It’s made me start to wonder how much official history we can believe
in at all.
We certainly can’t rely on contemporary media. It was almost
fun at first, being ‘in the know’, watching with smug superiority as a Western
reporter scrambled round mispronouncing everything and screaming ‘BREAKING
NEWS! A Russian frigate is approaching Sevastopol Harbour!’ The poor man
obviously didn’t know there’s always a
Russian frigate patrolling the harbour entrance to protect the base of the
Black Sea Fleet – and sometimes a great deal more. This is a photo from my last
visit there, and I hate to think what he’d have said if he’d seen this:
But it didn’t stay funny for long. The tensions were real,
of course, and the forces of the Black Sea Fleet did indeed intervene to ensure
the referendum went ahead, but the tone of the reportage gave everything an increasingly
unfair and sinister twist. The presence of the naval base has always meant a
constant stream of military traffic between Russia and Crimea, but suddenly
every truck with Russian number plates was ‘proof of invasion’. Conscription in
Ukraine had only ended four months ago, Crimea was obviously full of people
with military experience, but still reporters wrote excitedly that the ‘little
green men’ were obviously professionally trained and the Russian Army itself
was invading.
'Russian' soldiers in Crimea
I knew then what the narrative was going to be, and am not
ashamed to say I felt sick. I knew this was a genuine popular uprising, my
friends had been talking about it for weeks, but I also knew no-one would ever
believe it.
I switched off the news and went back to work. I’m a
historian, I steer clear of ‘current affairs’ for fear of being ‘political’,
and it seemed best to keep my head well down. But even history wasn’t safe. As I already
mentioned here, Facebook, Twitter, political and even historical forums were
seething with ‘revised’ history which whitewashed Russians out of Crimea’s past,
and if I attempted to point out the fallacies I was invariably rewarded with a
response like ‘What’s the weather like in Moscow?’ or more simply ‘F*ck off,
Putin-bot.’ Even historical knowledge had become suddenly dangerous if it
clashed with the official narrative on Crimea.
But history is crucial to all this, and without it we can’t
begin to understand why the Russians of Crimea did what they did. I don’t want to be political, and can’t even
say I agree with all of it, but here (just for once) is the story as it looks from
their point of view.
It starts as a military one. I’ve already written about the
Russian ancestors in Crimea before the Khanate, but when Catherine the Great
conquered the peninsula in 1783 it quickly became the heartland of Russian military
power. The vital warm water port of Sevastopol became home to the Black Sea
Fleet, and the town itself was built to service it.
This was the place the British, French and Turkish came to
conquer in 1854 – and the incredible resistance they encountered forms the
centrepiece of the Crimean War. My novels deal mainly with soldiers and
battles, but the British were even more awed by the women and children who
worked with their own hands to build up by night what the Allied guns destroyed
by day. Tolstoy’s beautiful ‘Sevastopol Sketches’ gives a unique picture of the
courage of ordinary Russians going about their daily business while the guns
fired relentlessly overhead. For me his most unforgettable image is of the
pavements shattered by British artillery – and two little girls playing
hopscotch over the cracks.
They fought to the end. Only when the French took the ‘Malakoff
bastion’ did the civilians finally retreat over a pontoon bridge to the safety
of the ‘Severnaya’, but even that was an astonishingly brave operation,
performed at night in such disciplined silence that not even the British at
their gates knew it was going on. After eleven long months, the Siege of
Sevastopol of 1854-5 has to be one of the most gallant defences history has
ever known, and no-one demurred when the peace settlement of a few months later
returned the town to the people who’d fought for it for so long.
Detail from 'Last Look' by Franz Roubaud - The Evacuation of Sevastopol
That’s surely enough military glory for anyone –
but in WWII Crimea had to do it all over again. I must stress that not all
Ukrainians and Crimean Tatars collaborated with the Nazis, but the fact remains
that the only significant resistance to Germany’s invasion of 1941-4 was made
by the Russian people of Crimea. The role of Kerch is often ignored, but the
resistance held out for months in the obscurity of the catacombs until they
were betrayed by locals and murdered underground by poison gas.
Russian soldiers and civilians in the Kerch catacombs
But predictably the brunt was borne by Sevastopol, as they
endured their second great Siege. For more than nine long months they held out,
suffering sickness and starvation as well as bombardment, and in tying up
Germany’s 11th Army for so long they played their part on saving Stalingrad
too. Civilian casualties were appalling, and historian Sergey Kiselev claims
that no fewer than one in ten of the Red Army’s losses in WWII fell in Crimea.
Memorial of the Eternal Flame in Sevastopol
This matters, even today. Britain hasn’t been invaded for
centuries and it’s hard for us to understand, but when a people fight this hard
to protect their home, then their sacrifice gives the place a kind of sanctity
nothing can erase.
And the people of Sevastopol have a right greater even than
that. When Stalin ordered it rebuilt in 1948 he made it a condition that those
who’d fled the siege could only return if they gave their own labour for free.
So they did. Lawyers, bankers, and accountants took off their ties, rolled up
their sleeves, and turned to brick-laying, women cooked, cleaned, carried, and
did administrative work, while some even worked cheerfully alongside the men.
The beautiful city of Sevastopol that we know today was mostly built by its own
people – and what possible right of ownership can be greater than that?
The sense of this is almost palpable even today. On my first
visit my guide eagerly dragged me across the Catherina Square to inspect the
wall of an administrative building which her grandfather had built himself. But she was proud of the whole city, and it was impossible not to notice how
immaculately clean it was kept, how free of litter and graffiti. Child of
the Cold War that I am, I assumed this was the same kind slavish obedience to
totalitarian states that enabled Mussolini to make ‘the trains run on time’,
but my guide (and now good friend) saw it differently. ‘It’s our city,’ she
said, puzzled by my lack of understanding. ‘Would you write rude words on the
walls of your home?’
Except, of course, that it wasn’t ‘their’ city any more, and
the closer I grew to these people the more I began to understand their
frustrated yearning for recognition. No-one asked their opinion when in 1954 Khruschev
gifted the whole of Crimea to Ukraine, and the old man I asked about it had
tears in his eyes as he described what it felt like. ‘Like a sack of wheat,’ he
said, blowing his nose noisily. ‘They gave us away like a sack of wheat.’
Maybe it didn’t matter much back in the days of the USSR
when the distinctions were more administrative than actual, but when the Soviet
Union collapsed and Crimea was suddenly in danger of finding itself in a
completely separate country then it mattered very much indeed. Russia finally
recognized that, and in 1991 it gave Crimea the chance to vote themselves the
status of an autonomous republic which would be independent of Ukraine. Crimeans voted in favour by an overwhelming 94%, and Russia was confident it had given the
peninsula all the protection it needed.
So it had – if Ukraine had only respected it. Crimea
obviously had its own doubts, and in 1992 sought to clarify its position by
announcing full self-government with its own constitution, but Ukraine
denounced the movement as part of an ‘imperial disease’ and responded by
creating a ‘Ukrainian presidential representative in Crimea’ – a back-door way
of asserting sovereignty. Tension mounted on both sides, but only when Russia
had safely signed the Budapest Memorandum in 1994 did Ukraine take the radical
(and illegal) step of abolishing Crimea’s own presidency and tearing up its
constitution. From this point on, Crimea was ipso facto part of the new
Ukraine, whether it liked it or not.
It’s hard to imagine how that felt. It was at least good news for Crimean Tatars, and those who had been unfairly deported by Stalin after WWII were
finally allowed to return, but the Russian people of Crimea were cut off from
their history, their heritage and nationality, and suddenly became a minority
in a land that basically hated them. The hatred would be understandable if it
were directed against Stalin or the old USSR, but it was aimed at living people
whose only crime was to be born of at least one Russian parent.
There were economic hardships too. As a Westerner fully aware
of the oppressions of the old USSR I’d always imagined independence would be a
wonderful thing – but it was only when I went to Crimea that I realized the
price that had to be paid for it. Ukraine had kept the worst aspects of the old
system (the corruption that saw the rise of the oligarchs) but had quietly
shuffled off the good bit – the complete social security that kept a loyal
citizen safe for life. Pensions were halved. The free healthcare for which
Russians had paid taxes all their lives was suddenly only available to those
willing and able to pay bribes. I felt shockingly uncomfortable talking to
people whose relatives had died or were dying for the lack of medicine or
simple operations we in Britain take for granted.
All Ukraine was suffering, of course, but the predominantly Russian areas of south and east did seem to be hit the hardest. Even a
soldier from Ukraine’s own ATO had to confess in a recent interview that he’d
never seen poverty on the level he saw in the Donbass, and I can testify myself
to what it was like in Crimea. I remember the flavoured water that passed for
soup in some of the ‘restaurants’, and how I waited ten minutes for my guide to
haggle for her husband’s supper – which turned out to be a single cabbage. It
was never anything like as bad as Africa, but seemed all the worse for existing
in a magnificent European city with university-educated people just like those
I’d meet at home.
But as history has shown us in Nazi Germany, economic
hardships can lead to a rise in nationalism and the need for easy scapegoats.
In came Svoboda and the Right Sector, and by 2010 Ukrainian MP Irina Farion was
already telling 5-year old schoolchildren that if they wanted to use their
Russian names they would need to pack their bags and move to Russia. I heard
all about this and the Nazi taunts of ‘Moskals!’ ‘Vatniks!’ on my first visit
to Crimea, and it was already clear that something was going to have to break.
But worse even than this was Ukraine’s creeping desire to
smear Russia’s past military heroism, to elevate Stepan Bandera to hero status,
and thus make traitors of the gallant men and women of Crimea who gave their
lives fighting Nazism. This would be appalling anywhere – but in Crimea it’s
unbearable. Crimea, where Russian guide Irina Niverova recently explained to the National Post that “Every stone and every tree… is covered with the blood
of brave Russians, and that is what is in our hearts.”
'In Our Hearts' Sevastopol May 9th - children march with pictures of their ancestors
In their hearts and everywhere on their land. Crimean war
graves are beautifully kept, their memorials immaculate and flower-strewn, and
May 9th celebrates a history of military heroism which is second to none. How could a people like this allow their past sacrifices to
be whitewashed away? How could they see the memory of their dead brothers,
fathers, grandfathers spat on by the very people they died to protect? And make
no mistake about this – that’s what’s happening. I already posted this video
from Lviv in 2011 where Russian veterans have the St George ribbons ripped from
their chests as they go to lay flowers on their comrade’s graves.
Then came Maidan.
For Crimea, Maidan was an outrage. Yanukovich may well have been as corrupt as his predecessors, but
he was the first to improve Ukraine’s economic state, he at least acknowledged
the voices of the regions, and he was the legitimately elected President for
whom Crimea had overwhelmingly voted. How would we feel in Britain if the
losing side of a General Election set London on fire and overthrew our chosen
government by force? How would we feel if we saw American politicians
encouraging this, and heard leaked telephone calls in which foreign powers
decided what our own government should be?
Crimea felt all this, and more. I have no idea when the first activists made
contact with Russia, and none of my friends were ever involved at this level,
but everyone knew they had to do something. The West wouldn’t help. It talked a
lot about human rights, but every Russian in Crimea knew what The Telegraph has only just admitted – that some Maidan protestors were being funded not only by the
US, but also the EU. Russia mightn’t help either, and she’d never officially
taken Transnistria under her protection. In January this year Russian Crimeans knew
that somehow they'd have to help themselves.
The timeline of how they did it is a matter of public
record, but it begins on February 23rd, and no single western outlet has
explained what it was that lit the fuse.
It was this. The ‘Khersun Pogrom’. On 20th February Russian Crimeans
made their own protest at Maidan, and ‘The Kherson Pogrom’ is the phrase used
to describe the events of their homecoming. The western media blackout on it
has been absolute, but for the first time there’s a video available with
English subtitles to tell us what happened on the night of February 20th 2014.
Please ignore the political slogans framed round the narrative, but the primary source material both eyewitness interviews and original gloating footage shot by the perpetrators themselves.
The Right Sector. They attacked the homecoming convoy, burnt
the buses, then beat, stripped, and humiliated the people. They almost
certainly did worse than that, but all we can say with certainty is that seven
of the Crimeans on those buses have never been seen again. When the survivors
were finally released the Right Sector thugs taunted them with the threat that
they would soon be coming to Crimea itself – and then they would ‘do worse’.
Nor were these empty threats. By 23rd February Yanukovich
had been driven out and the new (unelected) government was already making their
intentions clear. The raft of new bills included laws to make Holocaust denial
legal, to ban Communist Party activity, to make a member of Svoboda the new
Prosecutor General, and to deny the rights of minorities (including Russians)
to use their own native languages.
Crimea acted. They rallied in their tens of thousands in Simferopol and swore to form their own independent administration, but still no-one quite dared to take it further. Protests were all right, no worse than Maidan had done, but nothing was yet irrevocable.
Until 27th February when Channel 5 broadcast a leaked conversation between the leaders of
Ukraine’s two Neo-Nazi organizations – People’s Deputy Oleh Tyahnybok of
Svoboda, and Dmytro Yarosh of the Right Sector.
With apologies for the poor
Google translation, here’s a sample of their conversation:
It’s not just idle talk. These are men with significant
power in the new regime, and they are talking of Crimea as an immediate target
for a punitive operation.
What could Crimeans do? What would you do? History has shown
us all too tragically what happened to the Jews of Nazi Germany who sat
obediently at home waiting for the axe to fall, and Crimeans weren’t about to
make the same mistake. They turned off their televisions, dug out old uniforms
from their conscription days, and went out to take the airport while they
called on Russia for help.
I don’t want to be naïve, and certainly don’t believe Putin
had been sitting idle all this time, but the fact remains that it was Crimeans
who made the first move, and Russia’s ‘intervention’ would have had small
chance of success without them. No-one can say exactly when Russian troops left
their base in Sevastopol, but of the men who initially guarded the borders from
Kyiv intervention, some were veterans, some existing members of Ukraine’s own
army, some were Berkut – and a great many were ordinary civilians. I even know
two of them. I can’t give their names for obvious reasons, but one was a
historical re-enactor who went out in his Red Army uniform with a replica gun,
and the other was his wife.
The western media wasn’t having it, and every day we heard
more screams of ‘Russian troops in Crimea!’ One of my friends sent me a tiny video of Sevastopol women
bringing food and cigarettes to their men on the ‘front line’, but it didn’t
look very convincing so I’m afraid I didn’t publicize it.
I wish I had now, because there’s actually something
endearingly amateur about it that sets the tone for the whole affair. This was
not the slick Kremlin operation the mainstream media would like us to think,
but a case of ordinary people showing extraordinary courage in order to save their
land.
And they did it. Yes, Russia intervened, Russia allowed the
Black Sea Fleet to secure the borders, and Russia finally accepted Crimea into
the Federation, but none of that should blind us to the people who really made
it happen. History isn’t only about kings and queens and governments, but
sometimes it’s made by ordinary people too.
That's all I wanted to show here. In my own novels the Russians of Sevastopol have to be the 'villains', but perhaps that's why I felt I had to do this one last post before I leave. The media ignores them, history will almost certainly ignore them, but even if it's only here in this one blog, I did just want the voices of the Russians of Crimea to be heard.
***
A.L. Berridge's dreadfully neglected website is still here, and one day she'll get round to updating it.
Meanwhile a huge thank you to everyone here at the History Girls for lettingme bore all for so long. I've loved being part of it, and hope you'll let me sneak back in for comments.
And just think - you may never need to hear the word Crimea AGAIN!!