Showing posts with label Rachel Louise Driscoll. Show all posts
Showing posts with label Rachel Louise Driscoll. Show all posts

Friday, 31 July 2026

The Myths and Deities of Ancient Egypt by Rachel Louise Driscoll

The Ancient Egyptians worshipped a pantheon of well over 1,400 gods and goddesses – possibly as many as 2,000.  Each deity was believed to have its area of power in life or in death, and would often be in human-form, or a therianthrope (a human with an animal head).  Sometimes, these mythical figures were supposed to be able to change between the form of a human and that of an animal, which is seen in the case of Isis and Nephthys morphing into kites.  Occasionally, there might be no human features at all, such as the dead-devouring deity Ammit, who was said to claim the head of a crocodile, the hindquarters of a hippopotamus, and the forequarters of a lion. 

Priests would serve at temple sites to perform rituals which they believed appeased these gods and goddesses, and certain areas in Egypt often formed particular cult followings of favourite deities.  Interestingly, these deities also had connections with those of Ancient Greece, something which is known as syncretism.  In his work Moralia, instead of using the Egyptian name Set or Seth, Plutarch speaks of the goddess Nephthys marrying ‘Typhon’ – who, according to the Hesiod, was the son of Gaia and Tartarus – and he also claims that Nephthys was also known as Aphrodite.  This was common as the Greek Empire expanded, religions blending and borrowing from each other.


Over time, different myths have evolved regarding these figures.
  Some are less known, others more common, and many have multiple versions.  Perhaps the most famous myth is that of Osiris, the god who was murdered, but it begins before the infamous events of his death, and these stories are perhaps lesser known.

It was supposed that Nut, goddess of the sky, was in love with Seb or Geb, god of the earth.  She conceived quadruplets by him, but Ra, the falcon-headed god of the sun, knew that one of the deities in her womb would surpass even his powers, and he forbade her to give birth on any day of the 360-day year.  Thoth, the ibis-headed god of wisdom who also loved Nut, gambled with Khonsu, the moon god who was often depicted as a youth with a sidelock of hair.  Thoth won the game of Senet – an ancient board game said to be similar to backgammon – and with his winnings of some of the moon’s light, he fashioned 5 extra days, which both extended the calendar year and also enabled Nut to give birth.  First came green-skinned Osiris.  Then Set was said to pierce her side when he came out, choosing not to be born the usual way but proving his violent tendencies already in those first moments.  He had the head of an animal which is still unidentified.  Next came Isis and then, finally, Nephthys.



The siblings grew and Isis and Osiris formed a natural pair, as they had in the womb, and thus were married.  Nephthys married Set, but had no children by him.  One day, Osiris and Nephthys slept together.  The circumstances are hazy, some claiming that Nephthys seduced him, others than Osiris mistook her for Isis as the sisters looked so alike, but she conceived and gave birth to Anubis, the jackal-headed god, whom she hid in a cave.  After this, Set sought a way to kill Osiris, perhaps because he had heard of the affair, or because he was jealous of his brother’s power.

Set constructed a box and said that the god who could fit inside could have it.  Osiris fell for his trick, and was nailed within where he suffocated.  Isis went in search of his body and eventually found it, but Set realised this and cut his brother into fourteen pieces which he scattered across Egypt.

Isis and Nephthys worked together to reclaim those pieces.  One was swallowed by a fish, but Isis formed a replacement with clay, and the sisters joined their brother’s body back together so that he would be whole to enter the afterlife.  At this stage, Isis conceived a son by Osiris posthumously, and he would go on to be the falcon-headed god, Horus.  Meanwhile, Anubis mummified Osiris, and this was supposed to be the first case of mummification, setting a precedent for the dead in Ancient Egypt.



Nephthys went with Osiris to the afterlife where he now became the ruler, and here she found her place as a guide through the underworld.  Because of this and the part the sisters played in Osiris’ restoration, she and Isis are linked with funerary rites, and women would often dress as the sister goddesses at funerals, quoting The Lamentations of Isis and Nephthys.

For more on the myths and deities of Egypt, I would highly recommend checking out translations of Ancient Egyptian texts, and Plutarch’s Moralia.  There are so many books on Egyptian mythology, and the Egypt Exploration Society also provides information and courses which explore these subjects more.

In the well-known myth of Osiris, Nephthys is probably the least remembered character, despite playing such a pivotal role.  Because of this, I wanted to explore her more in my debut novel which is entitled Nephthys in the UK, The House of Two Sisters in the US, Les SÅ“urs Du Nil in France, and La Custode Delle Anime in Italy.  My novel tells the myth of Nephthys alongside a 19th century Gothic tale of Egyptomania and archaeology.  You can find it here. 



Friday, 30 January 2026

Egyptomania by Rachel Louise Driscoll

 

When we think of the rise of Egyptology, I think our minds often turn to the Art Deco Egyptian Revival of the early 20th century with Carter and Carnarvon’s hunt for King Tutankhamun’s tomb.  In truth, however, Egyptomania – the fascination for all things Ancient Egypt – actually goes back further than that to the 19th century and beyond.  This was a time when the Rosetta Stone arrived at the British Museum, the hieroglyphs were deciphered in a race between Britain and France, Amelia Edwards published her travelogue about her journey through Egypt and Nubia entitled A Thousand Miles up the Nile, and characters like “Mummy” Pettigrew hosted their infamous ‘mummy unwrapping parties’.


Thomas Pettigrew, known by the sobriquet “Mummy” Pettigrew, was a 19th century surgeon and antiquarian.  A founding member of the British Archaeological Association, he had a particular interest in mummies.  In fact, upon the association’s first meeting in 1844, he apparently unwrapped a mummy in front of his rapt audience.  At such events, Pettigrew was known to not only unroll the layers of cerement from the preserved corpse, but to also perform an autopsy.  His knowledge of Egyptian mummies was so vast that in 1834 he wrote a book called A History of Egyptian Mummies.  This work explored the ancient funerary rites of the Ancient Egyptians, including how sacred animals were worshipped and embalmed. 


Animals such as cats, dogs, ibises, crocodiles, and birds of prey were amongst the varieties of species that the Egyptians would embalm, usually through a connection to a deity.  For instance, Bast or Bastet had the head of a cat, and so cats were seen to be linked to the goddess.  Ibises were sacred and Thoth, the god of wisdom and writing, was often depicted with the head of an ibis.  Many of the Ancient Egyptian gods and goddesses had heads of animals, or were said to be able to change their form into animals – like Isis and Nephthys, the sister goddesses who could shapeshift into kites.  Mummified animals would often be buried at the sites that held particular worship for the deity that was associated with that animal, such as the many cats buried at Bubastis, the centre of Bast’s cult.


The term Egyptomania, from the Greek ‘Egypto’ for Egypt and ‘mania’ for madness, came into existence around the end of the 18th and start of the 19th century, and this was really when we see the increased interest in this ancient land and its rich history.  Napoleon’s Egyptian campaign helped Egyptomania take flight, inspiring the hunger for antiquities.  There was such a cry for mummies and relics when travellers came to Egypt, that supply could not meet demand, and mummy snatchers and forgers became commonplace.  New laws arose to halt illegal digs and export, but the black market of antiquities continued as more travellers sought to own their piece of history, and the mummy unwrapping parties continued.


Despite this, there were many who came to Egypt with permits for legal digs, amongst them the Scottish archaeologist Alexander Rhind, and Margaret Benson, the first woman to be granted a permit by the Egyptian Department of Antiquities.  In cases such as these, when the excavations were carried out in accordance with local law and with historical insight, provenance was not lost and knowledge increased.


I’m not sure that Egyptomania has waned so very much over the years.  Even today in the 21st century, Egypt is consistently ranked as a top tourist holiday destination, the Egyptian exhibits are often the busiest in museums, and we still feel a thrill of excitement over the mysterious hieroglyphs on obelisks and papyri.  The age of Egyptomania is far from over, although I’m glad to say we no longer host mummy unwrapping parties or have powdered mummy in our paints like the Pre-Raphaelites did. 


If you’d like to read more about the 19th century fascination for Ancient Egypt, then I highly recommend Amelia Edwards’ book A Thousand Miles up the Nile.  For fictional writings from the era, you might like Lost in a Pyramid; or, The Mummy’s Curse by Louisa May Alcott (quite a different read from her more famous Little Women series) and Some Words with a Mummy by Edgar Allan Poe.  And to investigate these themes further, especially those of mummy unwrapping parties and the preservation of Egyptian history, you might enjoy my debut novel Nephthys which explores the 19th century fascination for Ancient Egypt in a gothic tale of adventure, mythology, and mystery.  Nephthys is available in hardback, with the paperback out with Vintage in February 2026, and you can purchase your copy here.  If you’re in the US, it is published by Penguin Random House under the title The House of Two Sisters, and is available here.


Instagram: @rachel.louise.driscoll