Showing posts with label Sally Nicholls. Show all posts
Showing posts with label Sally Nicholls. Show all posts

Saturday, 30 September 2017

September Competition

To win a copy of Sally Nicholls' Things a Bright Girl can do, answer the following question in the Comments section below.

Then send a copy of your answer to maryhoffman@maryhoffman.co.uk so that I have your contact details.

"The past is a surprising place. What's your favourite unexpected historical fact?"

Closing date: 7th October

We are afraid our competitions are open to UK Followers only

Friday, 29 September 2017

History is written by the winners by Sally Nicholls


Our September guest is Sally Nicholls. She was born in Stockton, just after midnight, in a thunderstorm. Her novels for children and young adults include Ways to Live Forever and An Island of Our Own and have been shortlisted for the Costa Children's Book Award and the Guardian Children's Fiction Prize, and won the Waterstone's Children's Book Prize. She lives in Oxford with her husband and small son.
www.sallynicholls.com
Women's march, London, January 2017
History is written by the winners. It’s a truism I’d never really given much thought to, except to vaguely suppose that most victors think that the wars they won were just wars, and propaganda is a thing, and Richard III didn’t actually kill the Princes in the Tower.

It’s something I’ve come face-to-face with recently though, as I’ve been researching my YA Suffragette novel, Things A Bright Girl Can Do, which is set in the First World War. I thought I knew broadly what life was like on the Home Front – everyone was very patriotic and joined up immediately, expecting the war to be over by Christmas. Women knitted socks. Nobody had any idea how awful the trenches were, and if your son joined up, he probably wasn’t ever going to come back.

I thought I knew about the Suffragettes too. They were mostly militants, who broke windows 
and went on hunger strike. When the war came along, they all stopped being Suffragettes and went off to be nurses and bus conductors. The vote was given to them as a thank-you present, and because people suddenly realised that women were just as capable as men, more or less.

It turns out … that’s not exactly true.

Not everyone was particularly patriotic, for a start – although plenty of people were. Saying so is a bit like saying ‘anti-Muslim feeling was running high in twenty-first century Britain’ - I mean, it is, but it’s by no means universal. There’s a wonderful description in one of the books I read about the crowds in London on the day war is declared. The streets are full of celebration and cheering – but in Trafalgar Square, there are two demonstrations going on. One is pro-war, and the other is anti. The day before war was declared, the Labour party had also been in Trafalgar Square, holding an anti-war demonstration.

Not everyone joined up immediately either, although plenty did – between 4th August and 12th of September 1914, 478,893 men joined the army. However, these were disproportionately upper and middle class men. The situation was very different for working-class men. Understandably, half a million new recruits joining up made life very difficult for the army. They had to uniform, feed and arm all the non-commissioned men, and paying them a wage was way down the list of priorities. Non-commissioned men could send home half of their salary, but in most cases this was nowhere near as much as they’d been earning in their previous employments, meaning that most working-class families simply couldn’t afford for their father to join up.

Sylvia Pankhurst
One of the books I read as research for Things a Bright Girl Can Do was Sylvia Pankhurst’s The Home Front. In it, she talks about families whose father was a reservist, and how difficult it was when he was called up. Many factories also closed, partly due to lack of demand – the loss of the German market or the market for peacetime goods – partly due to lack of workforce. Prices rose. This created crippling economic hardship. Nobody ever taught me about this in school.

And yes, people did know the trenches were awful, and yes, most of the men in them came home.

The history books’ view of the Suffragettes were similarly biased. There were far more non-militant suffragists than there were militant Suffragettes: the non-militant NUWSS had a membership of around 50,000, while the militant WSPU only ever had around 2,000 members. Though Suffrage campaigning did mostly stop when the war happened, some still went on, and many of the suffragists were opposed to the war and used their time to continue to campaign for women’s issues and peace issues.

It was generally understood that the fight for votes had more-or-less been won in 1914; that the government would have to capitulate once they could find a politic way to do so. The war – and their story that the vote was a thank you for being good girls – provided that. It was a story which infuriated many suffragists. And while, yes, many men and women did realise women’s potential when they suddenly had to become mechanics and omnibus-drivers, many, many women were already frustrated by their limited opportunities before the war. One reason for this may have been universal education and the fact that the average marriage age was increasing; women who fifty years ago were educated solely for marriage, suddenly found that they had the potential to achieve much more; but not the opportunity.

So, history. Still written by the winners. I’m proud to be doing my small part to redress the balance.

 

Saturday, 23 September 2017

STAND UP, WOMEN (AND MEN) MAKE YOUR CHOICE by Leslie Wilson

Here I am, with my dog, on the remnants of what was known as RAF Greenham Common, though, in common with many other nuclear weapons bases in the UK, it was actually the US airforce who lived on the site and operated out of it. It was also the focus of women's protest, and I am proud to have been a very small part of this, as well as protesting against nuclear weapons in other actions and at other places during the 80s.

Below is the badge I'm wearing on the photograph (and as I type this.) If it looks frivolous to you; when you were engaging with the reality of a nuclear war that was apparently considered possible by the governments of the US and Britain, you had to laugh often, or go crazy. At that small, and rather lovely, patch of Berkshire, which is now a nature reserve, DOGS NOT BOMBS has come true, for it's a favourite dog walking area. (Ironically, the residents, some of whom hated the Greenham women for reducing the value of their houses, now have reason to be grateful to those who stayed to the last and fought for the Common to be restored, which must add hundreds of thousands to the value of those houses now.)


The narrative which was given to us then was that with the Strategic Arms Reduction Treaty and the collapse of the Soviet bloc, nuclear weapons were no longer a problem. Many people asserted that protest had been foolish and pointless, since what had driven the last Soviet Secretary General, Mikhail Gorbachev, to the negotiating table, was the build up of arms which had bankrupted Communist Russia in their attempts to keep up. I have my reasons for disagreeing with this; firstly because (and I may have said this before, but it's worth repeating, I feel) on at least one occasion nuclear war almost broke out due to a false alarm, when the Russians thought they saw Cruise missiles coming at them and were on the point of releasing the SS 20 missiles at Europe when they realised their mistake. I also wonder about the wisdom of bringing another country to its economic knees; and I will say two words in support of this. Vladimir Putin. Finally, I am convinced that our protests did play a role. We made it impossible for anyone to believe that nuclear war could be survived by building the ridiculous shelters the government blueprinted in their Protect and Survive leaflets, and Greenham women told Gorbachev that no progress would be made on arms reduction unless Russia made concessions. There was a great deal of work going on during this period, which went far beyond demonstrations or even direct action at Greenham Common, the tracking of the Cruise missiles when they left the base, and the actions at Salisbury Plain.

Greenham women's action.( Geograph.org.uk)
I admit that I was relieved to take a break from campaigning after 1989. I hoped that the narrative of nuclear disarmament would prove trustworthy. Then a new threat emerged, from terrorism, and new wars were proposed and fought. I marched against the war in Iraq, I sent endless emails to our then Labour MP, who was strongly behind Blair. Just colonial warfare seemed bad enough. There were also myriad other causes needing attention. I was part of Reading Refugee Support Group for a while. In addition, I was getting published, but I have never ceased to be a member of CND,

Now there is a new nuclear threat, and once again an American president, one just as amateurishly belligerent as B-movie actor Ronald Reagan, is suggesting that nuclear weapons could be used, even in Europe. It's been largely forgotten due to the situation with North Korea, but Trump has said 'Europe is large.' Meanwhile, the largest Russian manoevres since the end of the Cold War are about to take place in Belarus, on the edge of NATO territory, and the NATO Secretary General, Jens Stoltenberg, has said that the situation of the world is more dangerous than it has been for a generation.

 Photo Lt Stuart Antrobus, MOD
The Trident missile system (pictured to the right breaking the surface of the sea, presumably without its payload of nuclear murderousness, is deemed crucial to our country's security, and  Jeremy Corbyn is widely criticised for saying he would hesitate to push the nuclear button.
Most people haven't noticed, but recently the UN voted to outlaw nuclear weapons. The abstainers were the nuclear-armed states, of course, and their argument was that the nuclear non-proliferation treaty made such a measure unnecessary.

The Nuclear Non-Proliferation Treaty ', adopted in 1968, aimed 'to prevent the spread of nuclear weapons and weapons technology, to foster the peaceful uses of nuclear energy, and to further the goal of disarmament. The Treaty establishes a safeguards system under the responsibility of the IAEA, which also plays a central role under the Treaty in areas of technology transfer for peaceful purposes. I have lifted this wording from the International Atomic Energy Agency site'. However, at that period and afterwards, and certainly since 1989, the nuclear armed nations have been updating and 'improving' their weaponry. The last disarmament conference ended fruitlessly in 2015.

The Greenham missile silos, though still fenced off, are empty, but others have been filling up. Also, missile defence systems are being proposed. It may sound like a good idea to shoot down any incoming nuclear weapons, but there are two problems here. One is that it makes first use of nuclear weapons seem feasible to anyone possessing the missile defence systems (which will operate from Fylingdales and Menwith Hill). You can annihilate your enemies and they won't be able to get you in return. Or, in a more charitable scenario; if anyone launches an attack against you, you can prevent this. These systems, however, would not protect Europe, but the US, and anyone desirous of attacking the US would first attack the defence systems in the UK. This is, incidentally, why South Koreans living near the proposed defence system sites have been demonstrating against them. The second problem is that they are not reliable, and nuclear overkill still being a reality, probably enough missiles would get through to fry the entire US and make the planet uninhabitable. Because believe me, there is no such thing as a 'limited' nuclear war. Even a strike on North Korea could release enough dust and debris to cause a nuclear winter, and if you're inclined not to believe me, look up the eruption of Mount Tambora and consider what it did to the world's harvests that year. The fear of a nuclear winter (which might go on for years) is based on sound science.

From the outset, when I was a child (and I am now old enough to count as an antique, being well over 50 years old), anti-nuclear campaigners have been regarded as impractical, woolly-headed (well, we were often woolly-hatted, but that was serious pragmatism if you were doing things in the depth of winter)

Bertrand Russell and others. Photo: Tony French.
I think it's time for us to reassert that there is nothing impractical about wanting life on earth to continue, and that waging nuclear war, either in Europe, or the Korean peninsula, is not feasible if this is to happen. Kim Jong-Un has been building up Korea's nuclear weapons in the name of 'deterrence'. The US (and the UK) menace other states with nuclear weapons, and by doing so, can intervene, often in their own interests and with catastrophic results, as with the Iraq war. I know that Kim is a murderer and a horrifically oppressive dictator, but he is in fact trying to achieve a status which our own country seems to regard as indispensable. And in fact, it's worth remembering that North Korea decided to abandon the Non-Proliferation Treaty after Bush's 'Axis of Evil' speech, and partly in response to the illegal Iraq war, which has never delivered the positive results Tony Blair and George Bush promised us. 'Broad sunlit uplands' were part of it, or have I got that wrong? The history of the UK does not, if we look at it in objective terms, show us as shining benefactors of the human race.

The narrative we have been fed about our own nuclear weapons (as opposed to irresponsible 'rogue states' is that we are historically right, democracies who defeated Hitler, and that we therefore have a right to possess them, because we will always use them responsibly, only if there is extreme provocation. Perhaps you have been wondering how far this blog is about history. It is. That narrative is the Mutually Assured Destruction story (MAD), and it does have a certain crazed logic, as long as it's adhered to. The trouble is, once you start talking about pre-emptive strikes on any nation, that's the end of MAD, and perhaps the beginning of terminal madness; the 'end of history,' but not as envisioned by Francis Fukuyama.

A generation ago, we learned about what the Greenham women called 'the links.' Nuclear weapons have never existed on their own. They are part of a system of world domination, which has been played out in trade ever since human beings started to colonise. There's a chain of links between the Roman Empire and Trident, between the British theft of India and destruction of its industry to favour Britain (which began even before India was a colony); between post-colonial exploitation of the developing world (as it's called), and the wars and dictatorships that send refugees to our shores; the impoverishment that sends the much-vilified economic migrants. And the wrecking of the environment in the name of 'business'. There's a powerful link between Japan's rewriting of its history books to play down its crimes in World War 2 (which began way before 1939, really, when Japan invaded China in 1931), and the Korean situation. Now Japan is saying it wants nuclear weapons. I was in Hong Kong when the rewriting of the history books started, in the early 80s, and I saw how worried the Hong Kong Chinese were. Many of them remembered what had happened when the Japanese arrived there. 'People died very easily then,' a minicab driver told me.

So what do we do about that? It all seems out of reach, in the hands of Donald Trump and his advisers, the equally scary hands of Kim Jong Un, of Putin, and the super-rich who control international trade.

Well, for a start - as historians and historical novelists, we can tell it how it was in the light of current research, and many History Girls, past and present, have done just that. We can reimagine the past, without respect for pieties or comfortable national and cultural myths. Tanya Landman's BEYOND THE WALL is a shining example, exposing the Roman Empire as the nightmare it was to many subjugated people. And when we've reimagined the past, which is too often used to justify current oppression (think of those who want to glory in the British Empire), we can reimagine the present and the future.

The CND symbol was devised as a gesture of despair, but I think history hasn't ended yet, and it's too soon to despair. Throughout the twentieth century there were 'crazy' people who dared reimagine the world. We wouldn't have the NHS without them, nor would I be able to vote. I was at the launch of Sally Nicholls's marvellous novel of the Suffragette movement THINGS A BRIGHT GIRL CAN DO, in Oxford this month, and Sally spoke movingly of the things the Suffragettes imagined which seemed crazy pipe-dreams, but have come to pass.

Friends, to use the Quaker form of address, let us reimagine the world. Because the end of history, in any shape, is not what we want.


CND WEBSITE
Kate Hudson on the Nuclear Weapons Ban Treaty

Sunday, 29 April 2012

Visiting the Past by Sally Nicholls

We are very pleased to welcome Sally Nicholls to our blog today:

If you read the blog on 16th April, you'll have seen Sue Purkiss's review of All Fall Down, Sally's latest book. Now you can have the pleasure of seeing the story from the other side, how the author did the research that fed into the authenticity Sue found in the book. But first, a bit about Sally:

I was born in Stockton-on-Tees, just after midnight, in a thunderstorm. My father died when I was two, and my brother Ian and I were brought up my mother. I always wanted to write - when people asked me what I wanted to be when I grew up, I used to say "I'm going to be a writer" - very definite.
I've always loved reading, and I spent most of my childhood trying to make real life as much like a book as possible. My friends and I had a secret club like the Secret Seven, and when I was nine I got most of my hair cut off because I wanted to look like George in the Famous Five. I was a real tomboy - I liked riding my bike, climbing trees and building dens in our garden. And I liked making up stories. I used to wander round my school playground at break, making up stories in my head.


I don't have a very visual imagination. This is a problem when trying to decide what colour to paint your kitchen (yellow, like Anne Sexton) and also when trying to imagine what a medieval peasant girl's house looks like.


When I was writing All Fall Down, about a peasant family surviving the Black Death, I bought a book on fourteenth century peasants. It was very good. It was full of useful details such as the fact that medieval children were usually named after their godparents, and it was therefore not unusual to have siblings with the same name in a family. It had gruesome accounts of babies trampled to death by pigs, or burnt to death by chickens who picked up a smouldering piece of straw from the fire and dropped it in the cradle. It had a copy of the wedding vows (in which the woman promises to be bonere and boxom, in bedde and atte bord) and incantations against rats:

I command all ye rattens that be here about,

That non dwell in this place, nor within, nor without,

By virtue of Jesus Christ that Mary bore about,

To whom all creatures ought to lout …


This book informed me that a two-room peasant house was thirty-three feet long and thirteen feet wide, and that this space was shared by the family's animals – a pig, a cow, an ox, and some chickens.

I couldn't imagine it. My heroine, Isabel, has five siblings, three of whom are still living at home. Where would they all sleep? In one bed, in two? How would her father and stepmother have any privacy? And how on earth would you stop the cow trampling on the pots?

I decided I needed some help, and took a day off to visit Cosmeton Medieval Village, in Wales. From the website, I pictured a colourful place filled with cheerful museum attendants dressed in kirtles and hose. Not, it turned out, on a wet Thursday in term time. In fact, the little village was completely empty, although the hearth-fires were lit and the candles were burning.

As museums go, it wasn't much – a few houses, an oven, archery butts and some stocks, with a couple of pigs and some geese wandering around. But for an author? It was brilliant. Utterly brilliant.

It wasn't until I'd sat in a peasant's house that I realised how small it was. How this wasn't a space for living in, but for coming home to sleep in. I hadn't realised how much stuff would be there – looms, fishing rods, buckets, scythes, hoes, bags of corn, hammers, spades, ewers, spindles and distaffs, children's toys. Like a caravan or a houseboat, everything had its place, and if it wasn't kept tidy, chaos ensued. It was this visit that taught me that 'mattress' means sacking stuffed with straw, but that ewers could – and did – come all the way from France.

I hadn't realised how dark and smoky it would be. And the smells. I hadn't imagined the smells. All Fall Down is full of smells because of that visit – woodsmoke, and straw, and pig dung, and wet grass, and tallow candles, and herbs drying from the rafters – rosemary, and lavender, which later represent Isabel's family's only protection against the pestilential miasmas.

Even the biggest house didn't seem to have space for four children, so I did what any good writer would do – poked around until I found the guy in charge of the chickens, and asked him. My book had mentioned priests denouncing the immorality of brothers and sisters sharing a bed – but, as my new incredibly knowledgeable best friend pointed out, sometimes families didn't have much choice.

That visit changed the whole way I thought about Isabel's house. I still didn't have a very visual imagination. But now I didn't need one. I knew exactly what Isabel's house looked like – I'd been there.



All Fall Down is published by Marion Lloyd Books at £7.99
Sally's website

Monday, 16 April 2012

All Fall Down, by Sally Nicholls: reviewed by Sue Purkiss

All Fall Down is subtitled A Story of Survival, and the event which our heroine, a thirteen year-old girl called Isabel, has to survive is a truly formidable one: the Black Death of 1349, the deadliest plague in human history. In Sally Nicholls' helpful historical note, she points out that: '...the First World War - the worst disaster Britain has suffered in living memory - killed around 1.55% of the British population. The most recent estimates put the victims of the Black Death at around 45%.'

It's a chilling comparison, and Sally's novel explores in .rich detail what it was like to live through that time - or indeed to die during it: she doesn't flinch from detailed accounts of the exact ways in which the three different forms of plague ravaged their victims.

The novel begins with an introduction from Isabel, in which she looks back to the year the plague came: 'We knew then that 1349 would be terrible. But nobody could have imagined quite how terrible it was going to be.' (So we do know that Isabel herself will survive.) After that, the story is told in the present tense. It begins on an ordinary day, a beautiful June morning: by the end of the morning, and the end of the chapter, the villagers have heard that the plague is close by. We meet Isabel's family as they awake: her much-loved stepmother Alice, her baby brother Edmund, nine year-old Ned, and little Margaret. There are two older brothers: Richard, who is married, and Isabel's favourite brother, Geoffrey, who is in a monastery. Her father is relatively well to do, but he still belongs to his lord, and has to work his land as well as his own. Sally easily sketches a picture of a hierarchical society where everyone knows his or her place and is confined to it.

She's also very good at creating a vivid picture of how this world looks, how it works: 'Father built our solar, a triangular loft space under the roof of our house. It's almost exactly the right size for our mattress, which is made of sacking stuffed with hay...' Much later in the book, when Isabel finds herself in a wealthy man's house and is told she can wear his dead daughter's dresses, we hear that she cannot put them on because she has no-one to help her, and it's impossible to tie all the fastenings by herself. This kind of detail makes a far distant world very real, almost tangible; we can absolutely imagine what it would be like to live in it.

She makes us see too how closely the lives of the villagers are bound up with the rhythm of the seasons; and so we see how appalling it is, how unnatural, when the crops are ready in the fields, yet there are not enough people left to harvest them. And towards the end of the book, when the plague has almost run its course, it is easily understandable that the effects of the disaster on society will be profound. The plague cut a swathe through noblemen just as much as it did though the poor: some estates were left without a lord, and none had enough workers to keep the estates going. So power shifted: instead of having no choice but to work for someone else, workers could sell their labour. Land became cheap, and men of enterprise - like Isabel's brother Richard - could lay the foundation for a new, more prosperous way of life: at the cost, however, of desperate human tragedies: t the beginning of the book, Sally quotes from someone who lived through the plague, Agnolo di Tura: 'I buried with my own hands five of my children in a single grave... No bells. No tears. This is the end of the world.'

It makes some of the recently manufactured dystopias seem a little frivolous. Why create an imagined world of stunted survivors of a terrible catastrophe, when if we look back, we can see a real one?

This is a very powerful novel. I particularly like the fact that it explores the lives of ordinary people - historical fiction so often concerns itself with the doing of the great, and fascinating as these are, the reality is that if we had lived in the medieval world, most of us would have been in the shoes of Isabel and her family. Sally Nicholls shows us exactly how this would have felt, looked, smelt, tasted and sounded like..

Overall I think this is a terrific novel, gripping and thought provoking; but I'm slightly uncertain about the character of Isabel. She is clearly meant to be attractive; she's certainly loved. And yet somehow there's a lack of warmth about her. However, this may be partly because the story is told in the first person; if you're writing about yourself, it's difficult to convey how others see you. Or perhaps it's intentional; perhaps the point is that Isabel isn't a heroine in the ordinary sense. There was nothing in anyone's character that made them survive or fail to survive the plague; it was just luck. Isabel is an ordinary girl dealing as best she can with an unbearable situation.

It's a gripping and thought-provoking novel. All Fall Down, by Sally Nicholls, is published by Scholastic at £7.99.