Showing posts with label Roman Emperor. Show all posts
Showing posts with label Roman Emperor. Show all posts

Friday, 10 May 2024

A Dark Plot by L.J. Trafford

Death of an Emperor

On the 18th of September in the year 96 CE, a young Imperial slave boy was attending to the shrine to the Lares, the gods of the household, that resided in the bedchamber of the emperor Domitian. Domitian paid very serious attention to religion and proper adherence to it. He favoured the god Jupiter and goddess Minerva, rebuilding the temple of the former after it had been burnt to the ground and holding a special festival at his Alban villa for the latter. Elsewhere in his now 15-year reign he had overseen the trial of a Vestal Virgin accused of breaking her sacred chastity. Found guilty he had her entombed alive as both the law and the gods insisted upon.
The Emperor Domitian. Getty Open Content.

 
As the boy went about his job, no doubt anxious that the notoriously short-tempered Domitian might find fault with his work, word was brought to the emperor that outside the chamber there was a man named Stephanus who sought an urgent audience with him. What could possibly be so urgent as to disturb the emperor in his private bedchamber? A conspiracy, Stephanus was claiming, a grievous conspiracy to murder the emperor and what’s more he had the proof of it.


That was all Domitian needed to hear, he told his guards to let Stephanus in. It was unlikely that the emperor recognised the man who now entered his most private of rooms. Although, an Imperial freedman, Stephanus was new to the palace. He’d previously worked as a steward in the household of Domitian’s niece, Domitilla but had been absorbed into the emperor’s own household after Domitilla had been banished by her uncle. He stood in front of the emperor with the scroll clasped in his right hand that he claimed named these conspirators. As he handed over the scroll to the eager emperor, perhaps Domitian noticed that Stephanus’ left arm was heavily bandaged. Perhaps he did not. The chance to remove yet more men wanting to murder him was of more importance than how some random slave’s injury came about.


As Domitian unfurled the scroll Stephanus ripped off his bandages and pulled out the dagger he’d concealed beneath them. Then he stabbed the emperor in the groin. Domitian getting to his feet yelled to the slave boy to fetch him his dagger that he always kept under his pillow. The slave boy diving onto the bed, lifted the pillow and found nothing underneath. As the emperor grappled with Stephanus, he shouted again for the boy to get help. Running to a door the boy found it to be locked, as were all the other doors to the emperor’s chamber.


Domitian continued to fight his assailant, lacerating his fingers trying to grab the dagger off the steward. Both hit the floor, with Domitian on top of Stephanus and attempting to gouge out his eyes. This was when the doors finally opened and in ran other members of the Imperial household: Clodianus, Maximus, Satur and an unnamed gladiator from the imperial training school.


However, these four were not there to help or at least not help Domitian, they were plan b and they set about their allocated task, unsheathing their own weapons and adding seven more blows to the ones Stephanus had already inflicted upon Domitian. Although he had made good work of fighting off Stephanus, Domitian could not fight off five of them. The emperor was dead. Every detail we know about the killing of Domitian comes from that one terrified slave boy. Although none of the historians who use his story ever bothers to give him a name.

The Aftermath

Domitian’s death had been a brutal, sustained attack, a noisy one too what with the emperor yelling for his dagger and for help. him and Stephanus rolling on the floor crashing into the furniture amd perhaps the little slave boy screaming in terror. Help came too late to save the emperor, but it was in time to catch the murderers bloody handed standing over their victim. We are told Stephanus was killed ‘when those who had not shared in the conspiracy made a concerted rush upon him’.Cassius Dio. I think we can assume that Clodianus, Maximus, Satur and that unnamed gladiator were also run down by the still loyal servants of the emperor.
The palace that Domitian built but was also murdered in. 
Photo by Scott Rowland

The emperor was dead, his assassins were also dead. However, this was potentially a combustible situation, for the childless Domitian had left no heir. In 41 CE after the Emperor Caligula had been brutally stabbed to death in a corridor there had been a clash of intentions as the Senate declared the restoration of the Republic at the exact same time the Praetorian Guard had found Caligula’s uncle Claudius cowering behind a curtain and proclaimed him emperor. The Guards being the ones with swords they easily won the argument that day.

In 68 CE when the similarly childless Nero had committed suicide a brutal civil war had been unleashed as four men: Galba, Otho, Vitellius and Domitian’s father, Vespasian battled each other to become emperor. People still remembered 69 CE, the year of those four emperors, and they feared a bloody sequel to it. But that didn’t happen. There was no clash of intentions between the different power brokers in Rome, there were no battles between competing would be emperors because by the end of the day, the very same day that Domitian was killed there was already a new emperor in place. His name was Nerva and he was the first of what Edward Gibbon, author of Decline and Fall of the Roman Empire, christened the Five Good Emperors.

Anyone who knows anything about the assassination of Roman emperors has probably just spat out a mouth of coffee and half a masticated hobnob across their lounge. Because the aftermath of Domitian’s death, the ease at which we move from one dynasty to another is quite unusual in the ancient Roman political sphere. I’d go as far as to say it is unprecedented.

The most violent act that follows Domitian’s assassination is dished out by the Senatorial class on the many images of the now dead emperor that littered the city. ‘It was our delight to dash those proud faces to the ground, to smite them with the sword and savage them with the axe as if blood and agony could follow from every blow. Our transports of joy – so long deferred – were unrestrained; all sought a form of vengeance in beholding those bodies mutilated, limbs hacked in pieces, and finally that baleful, fearsome visage cast into fire, to be melted down, so that from such menacing terror something for man’s use and enjoyment should rise out of the flames.’ So says a rather surprising vandal, the lawyer and prolific letter writer, Pliny the Younger.


There is a reason for this orderly transition of rule. There had been a plan. A well thought out plan that considered the before, the during and both the immediate aftermath and the longer-term implications of murdering the emperor.
Stephanus, Maximus, Clodianus, Satur and the gladiator may have undisputably stabbed Domitian to death, but they weren’t the ones who’d set in motion the plan.
The instigators of this most successful of plots, the hatchers of the conspiracy, the planners of the assassination were clever men who’d kept well out of the way of the bloody murder they’d set up, avoiding the fate of Stephanus and co. Their names were Entellus and Parthenius and they were a Chamberlain and Head of Petitions, the highest ranking, most trusted of all of Domitian’s staff.


The men who really killed Domitian

The lives of imperial slaves and ex-slaves are generally of no interest to Roman historians who all hail from the elite classes of Rome. Snobbery likely plays a part in this omission no doubt, a distaste for the stench of slavery on the now freed. But also jealousy probably played a part too. Imperial freedmen had unique access to the emperor far beyond any Senator had, they were thus first in line to receive the material benefits of the emperor’s pleasure and certainly many palace freedman became enormously wealthy as a result.

Freedmen could also control access to the emperor, which was bound to put Senatorial noses out of joint. The Senate had never disabused itself of the notion that it was the most important and wisest body of men in the whole empire and was so owed oodles of respect, even from the emperor. That many emperors chose to rely on slaves who lacked a family tree that went all the way back to Romulus was an eternal mystery to them.
That such powerful and influential men in their own time as Imperial freedmen go largely unrecognised and un-noted demonstrates just how deeply Roman class divisions went. However, we do know a little about the brains behind Domitian’s murder from an unlikely source: the poet Martial.

Martial is the author of what is my all-time favourite poem from ancient times. ‘You ask what I get out of my country place. The profit gross or net, is never seeing your face’
Glorious, isn’t it? Martial paints a unique portrait of Rome through his poems as crowded, smelly and overwhelmed with people he found grievously annoying.
However, Martial had a clear ambition to be more than a scribbler of scurrilous slander. He fancied being a court poet with all the fame and fortune that came with the post (if you were any good at it).

This wasn’t a job you could simply apply for, you needed a way in, a contact on the inside who could convince the emperor that he really very much needed another poet in his entourage. Martial’s contact on the inside was Parthenius, Domitian’s chamberlain.

We see how Martial seeks his influence from his own work. There are several of his poems that feature Parthenius; a verse written for Parthenius’ son Burrus’ fifth birthday, a thank you for a snow-white toga gifted to the poet by the chamberlain ‘You surpass in whiteness the lily, the budding flower of the privet, and the ivory which glistens on the hill of Tivoli. The swan of Sparta and the doves of Paphos must yield to you; and even the pearl fished from the Indian seas.’ Gushes Martial.


This flattery in friendship has a point, as becomes apparent in later poems, Martial wants Parthenius to put his poems in front of the emperor.
The Senate House. Photo by Scott Rowland.

 
Whither, my book, whither are you going so much at your ease, clad in a holiday dress of fine linen? Is it to see Parthenius? certainly. Go, then, and return unopened; for he does not read books, but only memorials; nor has he time for the muses, or he would have time for his own.’

‘And if by chance (but for this we must scarcely hope) he shall have a moment to spare, beg him to present with his own hands our verses to the emperor; and to recommend this little book, so humble and so small, with merely four words: "This your Rome reads."

Evidently this nagging by poetry worked for Martial does end up praising the emperor and his many wonderful actions in verse form. Credit to Martial for managing to make a poem out the mundane subject of Domitian widening of the pavements and his anti-castration legislation.

To you, chaste prince, mighty conqueror of the Rhine, and father of the world, cities present their thanks: they will henceforth have population; it is now no longer a crime to bring infants into the world. The boy is no longer mutilated by the art of the greedy dealer, to mourn the loss of his manly rights.
Err quite.

As well as forming a useful connection in Parthenius, Martial was also buttering up or at the very least taking a paid commission from Parthenius’ fellow Imperial freedman, Entellus. Who it appeared had a very nice garden.
‘He who has seen the orchards of the king of Corcyra, will prefer the garden of your country-house, Entellus. That the malicious frost mar not nip the purple clusters, and the icy cold destroy the gifts of Bacchus, the vintage lives protected under transparent stone; carefully covered, yet not concealed. Thus does female beauty shine through silken folds; thus are pebbles visible in the pellucid waters. What is not nature willing to grant to genius? Barren winter is forced to produce the fruits of autumn.

So there we have it, two ex-Imperial slaves who have spent decades no doubt working their way up the palace staff lists to positions of such height and influence that poets are banging at their doors seeking their patronage. One man who once gifted the poet a beautiful toga and another who was so proud of his garden he sought to have it immoratlised in verse. And then they both involve themselves in a conspiracy to brutally murder their boss. Jarring doesn’t cover it. What on earth had happened to propel these two men to that point?


The Darkness

Cameo of Domitian by Josiah Wedgwood
Metropolitan Museum of Art

Reading any book about Domitian you will come across the fact that he fell out with the Senate big time and that his treatment of them veered towards the cruel. And although many scholars try to argue that Domitian’s reign of terror wasn’t nearly as terrible as the reigns of terror other emperors inflicted upon that class, it still wasn’t a great time to be a Senator. We know this because we have two eye witness accounts of what it was like to serve Domitian from lawyer and letter writer Pliny and the Roman historian, Tacitus.

‘The worst of our torments under Domitian was to see him with his eyes fixed upon us. Every sigh was registered against us; and when we all turned pale, he did not scruple to make us marked men by a glance of his savage countenance.’ So says Tacitus.
Pliny makes several references to Domitian’s rages ‘Domitian was besides himself with fury’ he says, ‘he was infuriated by the hatred he had incurred for his cruelty and injustice.’

Domitian was an intimidating boss. He knew it and he capitalised on it, most notably in the tale of the black banquet to which he invited the foremost senators and equestrians. This is what the party guests arrived to find: ‘He prepared a room that was pitch black on every side, ceiling, walls and floor, and had made ready bare couches of the same colour resting on the uncovered floor; then he invited in his guests alone at night without their attendants.  And first he set beside each of them a slab shaped like a gravestone, bearing the guest's name and also a small lamp, such as hang in tombs. Next comely naked boys, likewise painted black, entered like phantoms, and after encircling the guests in an awe-inspiring dance took up their stations at their feet.’

Having made it home alive after such a terrifying evening, the party guests must have thanked the gods profusely, at least until there came a knock at the door and a messenger from the emperor was announced. The messenger had come with a gift from the emperor, but his real mission was to further mess with their minds. No wonder those senators smashed Domitian’s statues to pieces when he died.

Alongside a general mental terrorising of the Senatorial class, there were also arrests, trials and executions. At which point you may be wondering what indeed my point is. How does Domitian’s treatment of the Senate impact on the actions of Parthenius and Entellus? It doesn’t. But I think it raises a revealing point, if this was what the emperor was inflicting upon the elite class of Rome, men with means, money, influence and connections that might be of some use to them (Pliny and Tacitus make it through the entirety of Domitian’s reign mentally scarred, true but also higher in rank than they started it) what might he be inflicting on his household of slaves and ex-slaves who had nothing to protect them and no one to write down their tales of suffering. They were constantly at the emperor’s side, unlike the Senators who at least had homes to escape to and breathe a sigh of relief they weren’t for the chop that day.

If Domitian could create such an oppressive atmosphere during a standard meeting with his Senatorial advisors, what was the atmosphere like for those living at the palace with the increasingly paranoid emperor. ‘He used to say that the lot of princes was most unhappy, since when they discovered a conspiracy, no one believed them unless they had been killed.’ Suetonius.
In fear of the conspiracies he could not prove Domitian had the palace floor polished so that he could see any would be assassin reflected as he snuck up on him. He had executed Epaphroditus, a now elderly Imperial freedman, because twenty-five years previously Epaphroditus had been present with Nero when that emperor had committed suicide. In Domitian’s head Epaphroditus had allowed the death of his master, an emperor no less. Epaphroditus’ own death was to serve as a warning to Domitian’s own staff.

Coin depicting Emperor Nerva
Metropolitan Museum of Art


Jupiter knows how many of the imperial slaves found themselves summarily executed for similar imagined crimes in the emperor’s head. How many found themselves, like Tacitus and Pliny, terrorised by the emperor’s rages. We shall never know. But it had to be darker than the black banquet up there at the palace. So dark that two freedmen who were friends to a poet, one of whom had a nice garden and the other a giver of snow-white togas saw no other way but to set up a conspiracy to murder the emperor that they had both prospered under.

They very nearly got away with it too. With Stephanus and the others slain there was no one to point the finger at Parthenius and Entellus as ever having been involved. Except there clearly was because nearly two years after Domitian’s death the palace was overrun with soldiers demanding that Nerva hand over the culprits. A sword pressed against his throat, Nerva felt he had no choice but to give into the guards’ demands. We know not what happened to Entellus. We do know what happened to Parthenius. The Guards sliced off his testicles and shoved them in his mouth, suffocating him.
Nerva, who owed his position to Parthenius, was allowed to die of natural causes a few months later.


L.J. Trafford is the author of several books on Ancient Rome including Ancient Rome's Worst Emperors







Friday, 11 November 2022

The Petronius Maximus Guide to Plotting Your Way to Power Without Getting Your Sandals Bloody. By L.J. Trafford


Coin of Petronius Maximus. Credit; Wikicomms/ Classical Numismatic Group,

    I’ve spent the last year writing a book entitled Ancient Rome’s Worst Emperors. It has been quite an education in how rulers can comprehensively eff up the whole ruling thing and has given me comfort that the current politically tumultuous situation of the UK could be worse, a whole lot worse. Yes, we may be on our third Prime Minister of 2022 but of the previous two incumbents of the position neither has been forced into suicide nor decapitated in Parliament square, unlike Otho and Galba who were both (briefly) emperors in 69 CE, a year that became known as the year of the four emperors. No matter how confusing and chaotic the British political scene currently is, it is positively staid and boring compared to ancient Rome.


    Of all the emperors I have spent the past year researching and writing about there is one who really stands out for me, a man whose story interested me more than any other. It’s an emperor you’ve likely never heard of, which is not surprising given he was only emperor for two months in the year 455 CE. During this short rule he displayed none of the sexual excesses, megalomania and all out bonkers behaviour that many of the other emperors I cover in my book do. Yes, Caligula and Commodus I do mean you. But his story is fascinating because it stands as a case study, nay a warning for all those that seek power. 
    Prepare yourself for one hell of a tale. Enter Pertonius Maximus



The Man Who Had Everything

    A good five years after Petronius Maximus had briefly been emperor of Rome, a man named Sidonius Apollinaris received a letter that annoyed him no end. It was from his friend Senanus, (although after Apollinaris’ reply that friendship may well be at an end) who had written a very long letter the contents of which Sidonius Apollinaris hotly disputed:

‘The consecrated words of greeting over, you give all the rest of your space, no trifling amount, to laudation of Petronius Maximus, your imperial patron. With more persistence (or shall I call it amiability?) than truth and justice, you style him 'the most fortunate', because, after holding all the most honourable offices of state, he at last attained the diadem.’

    As the youth of today would say (probably, I'm far too middle aged to know), burn! I have some sympathy for Senanus whose roasting by Sidonius has been preserved for two thousand years, but not a lot. Because like Sidonius before me I find it jaw dropping that Senanus could look at the story of Petronius Maximus and conclude he was ‘most fortunate’. As Sidonius writes back to Senanus:

 ‘Personally, I shall always refuse to call that man fortunate who is poised on the precipitous and slippery peak of office.’


Enter the Master of Plots  


    Petronius Maximus was a very successful man.

He had scaled with intrepidity the prefectorian, the patrician, the consular citadels; with an unsated appetite for office, he took for a second term posts which he had already held.’ 
Sidonius Apollinaris

He was enormously wealthy but also cultured: 
'With his conspicuous way of life, his banquets, his lavish expense, his retinues, his literary pursuits, his official rank, his estates, his extensive patronage.’ 
Sidonisus Apollinaris

He was, in short the full package of Roman manhood. 

    But for Petronius Maximus having it all was not enough. He wanted more. He wanted a dollop of caviar added to his full monty breakfast. He wanted to be emperor. ‘His head swam beneath the diadem at sight of that enormous power.’ as Sidonius puts it.

    Petronius Maximus might have been the full package of Roman manhood but there were two other Roman packages in the way of him achieving what he thought was his right, the job of emperor. The first was the emperor himself, Valentinian III who at 36 years old didn’t look like he was going to conveniently drop dead anytime soon and free up the position. The second was Flavius Aetius.

    Aetius was a man whose package was so much bigger than Petronius Maximus’ that it required an extra line of postage stamps. Aetius was Rome’s most successful general, one who had repelled no less a foe than Attila the Hun, alongside the numerous other barbarian types who were continually harassing the empire in this era. This is well and truly a time when you needed good generals and Aetius was the best there was. He was so good that Imperial favour was lavished all over him and his son was betrothed to the emperor’s daughter. He was a formidable man, one who would uncover any plot forged against the emperor quicker than you can say Gaiseric King of the Vandals (on whom more later).

    But Petronius Maximus was a clever man, and he went about removing the two impediments to his ambitions; Aetius and Valentinian III in a very clever way.



Removing the General
    First up on his hit list: Aetius. The assassination of Flavius Aetius, the most successful Roman general of his era, is unique. It’s unique because it’s not carried out by Petronius Maximus nor any henchman paid by Petronius Maximus, Flavius Aetius was killed by Emperor Valentinian III himself.

    It occurred on the 21st September 454 CE during what Aetius had assumed was a standard planning meeting and it was until the any other business section when:

 The emperor suddenly jumped up and declared that he, ‘could no longer bear being the victim of so many drunken depravities’. 
John of Antioch

    Given that immediately prior to this Aetius had been explaining the projected tax revenues, I think we can all agree Aetius was fully entitled to be stunned and just a bit terrified. However, Aetius had faced off Attila the Hun so he’s made of sterner stuff than you or I, instead his reaction was to marvel, ‘at this unexpected outburst.’
An image thought to be Flavius Aetius. Credit: Wikicomms/Tataryn


Unfortunately, Aetius didn’t have much time to marvel because, 

‘Valentinian drew his sword from his scabbard, and together with Heraclius, who was carrying a cleaver under his cloak…for he was head chamberlain, fell upon him. They both rained down blows on his head and killed him, a man who had performed so many brave actions against enemies both internal and external.’John of Antioch

    Jeepers, is all I can say, and much like Flavius Aetius briefly thought before being stabbed to death by his boss, what the hell is going on? What drunken depravities? And no doubt something around the tax revenues not being that bad.

    Behind this extraordinary event there was our pal Petronius Maximus. He was in league with Heraclius, the eunuch who’d handily been standing by with that cleaver under his cloak to help the emperor in his murdering.

Impediment number 1 had been disposed of. Next up the Emperor himself.



Murdering the Boss

    Valentinian III’s murder of the very popular Flavius Aetius meant that Petronius Maximus didn’t have to try very hard to find two new people to do his dirty work for him again. Their names were Optelas and Thraustelas who, as pals to Aetius, were easily persuaded that the emperor’s brutal killing of their friend determined retribution:

‘They would reap the greatest rewards, he said, if with justice they exacted revenge when the opportunity arouse.’ John of Antioch. 

    Note again, as with Aetius’ death, that Petronius Maximus is playing no part in the gruesome bit of the plot, he’s staying well away from any blood splatter to his, no doubt expensive, sandals.

    A few days later the emperor set off on an outing to the Field of Ares accompanied by Optelas and Thraustelas.

‘When he dismounted from his horse and was walking off to practice archery, Optelas and his followers made for him and, drawing the swords at their sides, attacked him. Optelas struck Valentinian across the side of his head and, when he turned to see who struck him, felled him with a second blow to the face’
John of Antioch

    Ouch. After Valentinian was well and truly dead, ‘a swarm of bees appeared and drew up the blood flowing from his body into the earth. They sucked up all of it.
Which I’m mentioning for no other reason than it’s a bit weird.

    So that’s the empire’s greatest general and the emperor out of the way, and standing ready in the wings is the man who has engineered the entire situation, Petronius Maximus. God he’s good, isn’t he? He’s removed the two most powerful people in the empire without getting his hands bloody at all. This is genius level of plotting.

    Petronius Maximus sat in the palace that night. ‘rue-ing his own success.’as well he might. He had schemed his way to obtaining the one title missing from his CV, that of emperor.



Being Emperor

So there was Petronius Maximus, he had achieved the ultimate; he was emperor. But being emperor was a bigger step up than the endlessly successful Maximus had imagined. 

‘He soon discovered that the business of empire and a senatorial ease are inconsistent with each other’. Sidonius Apollinaris

He’d led such a charmed life, one that he’d been so effortlessly successful at that he just assumed he’d be a successful emperor. He wasn’t. 

 ‘His rule of it was from the first tempestuous, with popular tumults, tumults of soldiery, tumults of allies.’ Sidonius Apollinairs

It was pretty much on day one of Petronius Maximus’ reign as emperor that he made the decision that would bring his rule crashing down. He announced his intention to marry Valentinian III’s widow, Eudoxia. You can sort of see why he thought this was a good idea, it would link him to the previous dynasty strengthening his right to be emperor. What he hadn’t factored into this clever piece of politicking was how Eudoxia might feel about this. Very unhappy is the answer,
The Empress Eudoxia. Credit: Wikicomms/Otto Nickl


Something else that Petronius hadn’t thought about during his path to the top job was how the deaths of Aetius and Valentintian III might be seen in the rest of the empire. Why would he when he was so consumed with his own success and so sure of his own abilities?

Whilst Petronius Maximus had been living his best life, Aetius and Valentinian III had been negotiating a peace deal with Gaiseric, the ruler of the fearsome Vandals. It was a peace deal that had been cemented with an engagement between Valentinian III’s daughter Eudocia to Gaiseric’s son, Huneric. The murder of Valentinian III was therefore for Gaiseric a family matter, or at the very least a useful pretext for having a go at those Romans again, as is neatly summarised by John of Antioch, 

‘Gaiseric the ruler of the Vandals learned of the murders of Aetius and Valentinian and decided it was time to attack Italy seeing the peace was void now those who had made the treaty were dead and the man coming into power did not have a noteworthy force.’ 

 Because the man coming to power had murdered the general who had created a noteworthy force to rival the Vandals.

A further incentive for rampaging was handed to Gaiseric by Euxodia who it was said begged him to invade Rome and rescue her from being forced to marry Petronius Maximus. Gaiseric set his Vandals on the road to Rome.

Facing Down the Threat 
Starting a war with an enemy of Rome that had been subdued after decades of war and careful negotiations was not a great start to the reign of Petronius Maximus. But he’s an experienced politician and as we’ve previously established, a very clever man, no doubt he has a heap of ideas and schemes and plans to deal with this unexpected turn of events.

‘When Maximus learned that Gaiseric’s army was positioned at Azestos (this was a place near Rome) he became very fearful. He mounted his horse and fled. The Imperial bodyguard and the freedmen who he used to trust the most deserted him; when they saw him riding away, they mocked and berated his cowardice. Just as he was about to leave the city, someone threw at stone at the side of his head and killed him.’ John of Antioch.

I don’t know about you but I’m proper disappointed in Petronius Maximus, as disappointed as those imperial bodyguards and freedmen were. Facing his first real test as emperor he completely loses his nerve and does a runner. It makes us look back at those assassinations he was behind with new eyes; perhaps it wasn’t him being clever getting other people doing his dirty work, perhaps Petronius Maximus’ was a cringing coward reliant on others to do what he himself did not dare to do.
Coin of Valentinian III. Credit Wikicomms/Classical Numismatic Group

 

Coward or not, Petronius Maximus quickly learnt that being emperor was very different to how he imagined it would be. ‘

The future did not deceive his sad forebodings; it was no help to him to have traversed all other offices of the court in the fairest of fair weather.’ Sidonius Apollonaris

Petronius had steered his Imperial ship straight into a tsunami as the realities of being emperor were starkly revealed to him; it was making decisions that you alone would face the consequences of.
Sidonius has a neat analogy for this discovery of Petronius Maximus:

 ‘Behold a bare sword, swinging from the ceiling right over his purple-mantled shoulders, as if every instant it must fall and pierce his throat.’

Petronius Maximus had uncovered the secret, that to be emperor did not necessarily make you happy, it was far more likely to make you unhappy. Not least because of the target it painted on your forehead for your poor decision making or because of a foolish notion that another would make a better emperor. As Sidonius put it better, that bare sword swinging from the ceiling above your head at all times (and also in your face should you be Valentinian III.)


Consequences
Petronius Maximus’ tale is one of hubris, of a man so confident of his abilities that he believed it was perfectly acceptable to murder his way to the job he felt should be his. It was that very confidence, that assurance of his own brilliance that brought Petronius Maximus crashing down and exposed him for what he truly was; a man not up to the job. Perhaps it was this crushing realisation that led to that attempted flight from the folly of his own ambition.

But his legacy is even worse than as a woeful example of misplaced confidence and pride because Geiseric didn’t turn around his Vandal army after Petronius Maximus was stoned to death by his disbelieving and disgusted subjects, no they kept going and sacked the city. 

It’s hard to think of a greater consequence for Rome of having an emperor in post who was so very not up to the job. Nor a man least worthy of the title 'most fortunate'. I think we are all likely sharing Sidonius levels of crossness with Senanus for such a misplaced description of Petronius Maximus.


L.J. Trafford is the author of two non fiction books; Sex and Sexuality in Ancient Rome and How to Survive in Ancient Rome. As well as the fictional Four Emperors series set in that year of the Four Emperors, 69 CE.
Ancient Rome's Worst Emperors will be released in 2023.






 




Friday, 13 May 2022

Don't you Dare Forget About Me By L.J. Trafford

An example of a Roman Emperor



Being a Roman Emperor is hard; what with a daily inbox brimming with problems that desperately require solutions; barbarian incursions, military mutinies, revolting provinces, troublesome new religions, failed harvests, plague, inflation, riots - not to mention your own officials plotting behind your back to replace you.

On top of those energy sapping problems an emperor was also expected to do stuff for their people. Easy, I hear you cry, Bread and Circuses! Oh if only it were that easy. Let’s take the circus part of that duo of people pleasers.

The emperor builds a shiny new amphitheatre. If it’s the colosseum it’s taken 10 whole years to complete, a whopping big hugely complex building project that took hundreds of people and oodles of money. This structure is not for the emperor, it’s not a palace where he can kick off his sandals at the end of hard day of emperoring and sink into a comfy couch with a glass of vino and some honey roasted dormice to snack on, it is purely for his people.

You’d think they’d be at least a bit grateful for the effort or at the least the thought. But no! They require more. They want to be entertained and they want the emperor to pay for and stage this entertainment in their shiny new amphitheatre he’s taken 10 years to build for them. And it was not enough to throw a load of gladiators in the arena and tell them to get on with it. Oh no, the people want to see something new from their emperor, something novel, something that nobody had ever seen before, and they want to see it now or else they might riot out their displeasure at your ever so ordinary games.



Even if they are enjoying watching two blind men fight, elephants walking the tightrope and freaking leopards doing kick boxing (that last one is invented, as far as we know, frankly I’m not ruling it out) they will probably make use of being in the same space as the man who makes all the decisions by yelling out why they think those decisions you made stink. This being ancient Rome, a time when poets put pen to papyri to threaten people they didn’t like with the insertion of a radish and a mullet fish in an orifice of their choice and the noble citizen of a seaside down one day paused on his evening walk to scrawl the immortal line ‘I’ve buggered men’ on a wall*, you can bet that such political commentary is likely not going to be terribly polite.



And just to top it off not only did you have to pay for the entertainment of others, provide a suitable level of spectacle and take abuse from the crowd, you also had to look like you were enjoying the thing! Because if you for one small moment look away to sign some official form or the gods forbid take a quick nap you could find yourself publicly scorned or possibly even assassinated!. Witness here Augustus trying to avoid the bloody fate of his adopted father, Julius Caesar.

He gave his entire attention to the performance, either to avoid the censure to which he realized that his father Caesar had been generally exposed, because he spent his time in reading or answering letters and petitions. Suetonius Life of Augustus.

Oh and did I mention the prizes? Yes, aside from the free novel entertainment and the opportunity to abuse the man at the top, a good emperor tossed prizes into the crowd.

These demands of perfection are applied to every task that an emperor undertakes. Woe betide any that fall a cm short, because they can expect to find themselves in one of the pithier passages in Suetonius’ highly entertaining biographies of the first eleven emperors (and Julius Caesar) or in the case of Claudius here who grievously failed with the Bread part, actual physical danger:

When there was a scarcity of grain because of long-continued droughts, he was once stopped in the middle of the Forum by a mob and so pelted with abuse and at the same time with pieces of bread, that he was barely able to make his escape to the Palace by a back door.
Suetonius Life of Claudius

The Emperor Claudius having possibly lost his clothes in that mob attack


Is it any surprise that Emperors dive at the perks of the role, grasping them in both hands and shed a grateful tear as their name is slapped on a building, a month renamed in their honour and an enormous dish of flamingo tongues and eel spunk* is placed in front of them? Frankly they deserve that eel spunk, let them have it. 

However, one Emperor decided he wanted proper appreciation for the job that he’d done and he found a way that ensured that the generally ungrateful Roman public could never forget all the good stuff he had done for them. The route he took to do this was not subtle, but subtlety gets you nowhere in a society where lucky penises are scrawled onto every available surface. His name was Augustus and you’ll have heard of him because he made damn sure he was unforgettable by writing a list of everything he’d done that was marvellous, having it inscribed in massive letters and shipping copies to be put on display throughout the empire.

The man himself, Augustus looking damn Imperial

 

The Res Gestae Divi Augustus or the deeds of the divine Augustus as it translates, is a list of all the achievements that Rome’s first emperor wanted to be recorded for posterity. It consists of 35 paragraphs, every single one of which translates as ‘I’m brilliant, marvel at it.’


Reading the Res Gestae for the first time is an interesting experience, the boastful tone is at odds with our modern sensibilities where achievements must be downplayed, and we must act humble and grateful when rightfully rewarded. Or at least you do when you’re British. Probably the nearest analogy I can find to the Res Gestae is a job application and that box that asks you to, ‘explain why we should appoint you to the position of xxxx using examples.’ Which you fill in with an account of how you have made a glorious success of every job you've ever held and how much everyone loved you for that, even if you didn’t and they didn’t. But nobody ever got offered a job interview by downplaying their successes or referencing the time they completely cocked up a project.


Amongst Augustus' many talents was directing people to the facilities


The Res Gestae is similar in tone. There is no mention of any cock ups in those 35 paragraphs but rather a hugely long list of things he, Augustus, has personally done during his forty odd years in power. He uses ‘I’ 122 times in a text that is only 3861 words long, so he would have been useless at the teamwork question on a job application. But being proactive and working on one’s own initiative Augustus has examples of in spades, as it evident from the opening line of the Res Gestae

“At the age of nineteen [44 BC] on my own responsibility and at my own expense I raised an army, with which I successfully championed the liberty of the republic when it was oppressed by the tyranny of a faction.”

A singular sentence that is capable of rendering every reader over 20 feeling instantly inadequate and pondering quite why they spent so much time downing £1 pints of cider in the student union bar when they could have been off championing the liberty of the republic instead.

On keeping the ungrateful people of Rome grateful Augustus is at pains to mention how many times he dipped into his pockets for them:

To each member of the Roman plebs I paid under my father's will 300 sesterces and in my own name I gave them 400 each from the booty of war in my fifth consulship, and once again in my tenth consulship I paid out 400 sesterces as a largesse to each man from my own patrimony, and in my eleventh consulship I bought grain with my own money and distributed twelve rations apiece, and in the twelfth year of my tribunician power I gave every man 400 sesterces for the third time. These largesses of mine never reached fewer than 250,000 persons.



Now I could work out for you what 300 sesterces times 250,000 people is and then do the same for the subsequent amounts mentioned and then translate this into how many loaves of bread/soldiers/pints of eel spunk that would purchase in total. But I don’t need to, the fact that Augustus mentions it and the number of 0’s that feature demonstrates on its own that Augustus gave away sh*t loads of money to the Roman public. Although it might be handy for you to know that the annual salary of a soldier in this time was around 1200 sesterces per year and soldiers were considered suitably recompensed. Because if they weren’t there tended to be trouble of the pointy sword variety.
 

Yet another thing Augustus was brilliant at - obedience training wild boars


In a paragraph dedicated to the Games he staged, Augustus is keen to have noted the efforts he went to in providing entertainments.

I gave beast-hunts of African beasts in my own name or in that of my sons and grandsons in the circus or forum or amphitheater on twenty-six occasions, on which about 3,500 beasts were destroyed. I produced a naval battle as a show for the people at the place across the Tiber now occupied by the grove of the Caesars, where a site 1,800 feet long and 1,200 broad was excavated. There thirty beaked triremes or biremes and still more smaller vessels were joined in battle. About 3,000 men, besides the rowers, fought in these fleets



I can almost feel him hovering over my shoulder like the ghost of Obi wan Kenobi in Star Wars saying in Alec Guiness' deep voice ‘Be impressed, my child.’ Impressed am I' (accidental Yoda voice).


Augustus with that far more succinct first draft of the Res Gestae



Other impressive things Augustus is keen to impress upon us include .

I undertook many civil and foreign wars by land and sea throughout the world, and as victor I spared the lives of all citizens who asked for mercy.
Bless you, Imperial Majesty

I restored the Capitol and the theatre of Pompey, both works at great expense without inscribing my own name on either.
 
 Unexpectantly restrained of you, Imperial Majesty

The door-posts of my house were publicly wreathed with bay leaves and a civic crown was fixed over my door and a golden shield was set in the Curia Julia, which, as attested by the inscription thereon, was given me by the senate and people of Rome on account of my courage, clemency, justice and piety.
Humble much, Imperial Majesty?

I made the sea peaceful and freed it of pirates. 
 Ooo ahhh, Imperial Majesty

And my all time favourite:  After this time I excelled all in influence, although I possessed no more official power than others who were my colleagues in the several magistracies. 
Of course you didn’t Imperial Majesty whom I am calling Imperial Majesty because I want to of my own free will.



The Res Gestae as well as being a document to big up one man (and by the gods it does that!) also acts as a blueprint for what a good emperor should be; they should be generous to the people, build a ton of stuff, secure Rome’s frontiers & conquer new lands, be mindful of religion and paying respect to the gods, take care to reward the army and put on fabulous entertainments.

All of which sounds bloody exhausting, someone pass the roasted dormice please!

* The poet here is Catullus who has the reputation for writing an opening line to a poem so filthy it wasn't translated into English until the 20th century, 2000 years after it was written.
* A favourite dish of the Emperor Vitellius, it is referred to in our sources by the far nicer sounding milt of lampreys.


L.J. Trafford is the author of many books about Ancient Rome, she just can't stop writing them. Amongst her titles are How to Survive in Ancient Rome a guide for the would be time traveller to the year 95 CE and Sex and Sexuality in Ancient Rome a guide for people interested in that sort of thing.









Friday, 14 May 2021

The Good Bits of Nero - by L.J. Trafford

John William Waterhouse - The Remorse of Nero after the murder of his mother


The British Museum has been proudly boasting about the opening of its new blockbuster exhibition on the Emperor Nero, tagline The Man Behind The Myth.
Apparently, it questions the traditional narrative of the ruthless tyrant and eccentric performer revealing a different Nero” And asks whether he was the “merciless, matricidal megalomaniac history has painted him to be?”
This certainly attracted the attention of the tabloids who have gleefully rehashed all those stories about Nero you’ll no doubt have heard of that show him to be a merciless, matricidal megalomaniac.

Which all seems reason enough for me to jump on this particular bandwagon and write my own piece on Nero. Because like The British Museum exhibition sets out to show, Nero wasn't all bad. In fact sometimes he could be described as good. Let us put aside tales of matricide, eunuchs* and sexual depravity and consider the good bits of Nero.

*If you happen to be interested in eunuchs, or indeed sexual depravity, click here for one of my previous history girls posts that features Nero.

He knew how to impress

From Museum of
Classical
Archaeology, Cambridge

I’ve never understood the ‘bicycling’ monarchies of Europe. I mean what’s the point of a monarchy if it behaves just like you and I. Surely if you are going to have a royal family it should feel, well royal, with their preferred mode of transportation being huge golden coaches accompanied by many shiny helmeted soldiers riding a top the finest horses available. There should be crowns and jewels and full on grandiose pageantry. 

This is something that Nero really gets. He understands that to be Emperor is to put on show that demonstrates just how powerful, mighty and loaded Rome is to the rest of the world. He does this by never wearing the same outfit twice, refusing to travel anywhere with less than 1000 carriages (presumably to hold all the costume changes) and, most gloriously, fishing with a golden net woven with equally ludicrously expensive purple threads.


When the Armenian King, Tiridates was sent to Rome to be crowned as part of a peace settlement between Rome and its rival empire Parthia (both of whom fancied sucking up Armenia into their territory), no expense was spared. The visit cost a staggering 800,000 sesterces per day. 
Ancient currency is always difficult to equate meaningfully to modern money, but I shall attempt to put this in context: IT IS A SH*T LOAD OF MONEY.
 
You could in the 1st century AD buy 800 hectares of land for 800k sesterces, the equivalent of 1,976 football pitches. Alternatively, you could hire the services of 666 soldiers for a year or for the bird fancier among you, purchase 500 carrier pigeons.
 
But Nero wasn’t done, oh no. Pliny the Elder tells us he filled Pompey’s theatre with gold to impress the king – who he clearly hoped would go running to Parthia with stories of Rome’s inexhaustible resources. And just to hammer home that point with the subtly of, yes a hammer, Nero gave Tiridates a parting gift of a hundred million sesterces. We can only assume that King Tiridates went back to Armenia and instantly brought 62,500 pigeons.

 
Nero’s extravagance hits its peak with the building of his golden house whose walls squirted perfume onto visitors and which included a rotating ceiling (note a similar swirling effect can be achieved by over indulging in wine and laying down). 
With such colossal amounts of money available, Nero does what all of us would do once we’d sorted out our basic needs of accommodation, pigeons, golden nets and unlimited changes of clothes, he has a 98-feet high gold statue built of himself in the nude and commissions a 120-foot painting depicting his likeness.
 
A rear shot of that Nero statue. Picture Marco Pontuali, wikicomms CCBY  


This was the grandeur of Rome and its ruler on full display. Few visitors would leave the city without an appreciation of the might and wealth of the Empire. Not to mention a vision of what Nero looked like sans loincloth.



He was a man of passions
Bearded Nero, image in public domain



Nero’s famous much quoted final words were “what an artist dies in me!”
Nero’s pretension at art is something that sets our sources in full sneer. But I would argue that it’s nice that he has interests and hobbies. Everyone needs a passion in life and Nero has passions a plenty; he sings, he writes poetry, he plays the lyre and water organ, he acts and he races chariots. All things to round the character.

But these interests of Nero's are no whims mind, no passing fancies. The Emperor puts real efforts into his passions, as Suetonius tells us:
“For he used to lie upon his back and hold a leaden plate on his chest, purge himself by the syringe and by vomiting, and deny himself fruits and all foods injurious to the voice.”

Whilst in Greece he races a 10 horse chariot, yes he crashes but that he dares to attempt something so ludicrously dangerous (chariot racing even with the standard four horses has a high level of crash potential) surely shows a certain fearlessness and willingness to try new things.

But these aren’t just private passions Nero shares them with Rome. He inaugurates new games and festivals, including the Neronia which consisted of  events usually only seen in Greece, such as music, gymnastics, and riding.
Although I personally fancy the show that included a naval battle in sea monster inhabited waters alongside pyrrhic dances by Greek youths
Ships fighting! Monsters in the sea! Gyrating teenagers on a gap year! What’s not to love?


However, not only did the audience get a fabulous spectacle to enjoy, there were also prizes to be had:
“Every day all kinds of presents were thrown to the people; these included a thousand birds of every kind each day, various kinds of food, tickets for grain, clothing, gold, silver, precious stones, pearls, paintings, slaves, beasts of burden, and even trained wild animals; finally, ships, blocks of houses, and farms.”
And to think all we get is the Royal Variety Show.





He had the popular touch.
Nero by Paulus Pontius
Metropolitan Museum of Art


Given Nero’s reputation today we might be forgiven for believing that his demise by his own hand aged only 32, was roundly greeted by all.
Not so at all, Suetonius tells us :”There were some who for a long time decorated his tomb with spring and summer flowers, and now produced his statues on the rostra in the fringed toga, and now his edicts, as if he were still alive and would shortly return and deal destruction to his enemies”
Tacitus talks about the dregs of the common people being distraught by Nero's death. Tacitus is quite the snob, so these dregs might likely constitute a majority. 

That he was a figure held in affection by Romans is shown by the lengths one of his near successors, Otho (who ruled briefly the year after Nero's suicide) took to associate himself with the late Emperor. He restored statues of one of Nero's wives, pledged to finish the construction of the golden house and began signing despatches as Nero Otho. That Otho saw this as a winning tactic is telling, there had to be a bubbling of public affection and love for the late emperor for him to capitalise on.

And this affection held sway because in the following two decades after Nero's death in 68 CE three men pop up claiming to be him. That each of those imposters is so enthusiastically embraced, at least for a short time, by their supporters shows how deep the hope went that their fallen Emperor might not have perished. In our times only Elvis Presley has attracted a similar style of afterlife.

But why? Why does Nero, of all the Emperors of Rome, manage to endear himself so firmly in the hearts of his people?
For all the reasons listed above; he was generous, he knew how to put on a show, he had passions which he shared, he built amazing statues and palaces. And then there's those sea monsters....
In short he knew what the people wanted in their Emperor.


L.J. Trafford is the author of Palatine, the story of the final days of Nero (good bits and bad). As well a guidebook to Rome in the year 95 CE, How to Survive in Ancient Rome.



Monday, 19 November 2018

THE SAUCE FACTOR By L.J. Trafford



The Roman biographer Gaius Suetonius Tranquilius was born in 69AD, probably in North Africa. A friend of Pliny the Younger, Suetonius wrote several notable works. His most notable and most notorious is The Twelve Caesars.
This was a collected biography of twelve ruling Caesars from Julius Caesar to Domitian. As an employee of the Emperor Hadrian Suetonius had access to the Imperial archives and he used materials from there to pepper his work. 

Pepper his work with SAUCE, that is. Yes, Tacitus is a brilliant writer and oh so very quotable. Yes, Virgil wrote an epic poem that apparently is so good first year ancient history BA’s are forced to write essays on it two thousand years later. Yes, some people think Livy wrote good histories. But NONE of them have a patch on Suetonius. 

For Suetonius is the master sauce merchant. There is no scurrilous rumour too unlikely for him to commit to papyri. We thank him for being a gleaming light of entertainment sandwiched betwixt the Aeneid and those books that Livy wrote on stuff.

So to give him his due I have elected to celebrate his work with a competition we, (or rather I) like to call THE SAUCE FACTOR!

I have read each of Suetonius’ 12 chapters on emperors and rated each one according to their sauce level. I have also added in a category for omen/portent-ability. The Romans were heavy believers in the Gods transmitting their will via freak weather events, odd occurrences, dreams and the eating habits of chickens of the sacred variety. I shall be picking out the most incredible omen associated with that emperor and giving it a score.

Settle down with a large glass of wine, set your mind to boggling and your eyes to goggling because we are going in....
Welcome to the Sauce Factor!


1) Julius Caesar

He wasn't actually an emperor but we'll overlook that. Lover of many ladies, fighter of pirates, destroyer of the Republic.

Top Omen – There was a long steady string of what Suetonius calls ‘unmistakable signs’ before his assassination. The Gods were very much trying to SAY something. If only he’d LISTENED. Which is Caesar’s tragedy in a much shorter form than Shakespeare managed. Ha!
The best of these unmistakable signs is undoubtedly the horses that couldn’t stop crying.

Omen Rating: 4/5 for sheer quantity. 

Top Sauce - Definitely an affair with the King of Bithynia that earned him the hardly original nickname, “The Queen of Bithynia”. Frankly everyone could have done better on that one.
Sauce Rating: 3/5



2) Augustus
Now Augustus was definitely an Emperor.

 He Instituted laws against adultery whilst putting it away all over the place himself, was debauched by Julius Caesar and possessed a cruel & ruthless streak as streaky as Danish bacon. 

Top Omen – Augustus’ life must have been very tiring what with all those portents/omens flashing all around him constantly. A one man weather magnet he was frequently accompanied by lightening (very, very frightening. No genuinely, Augustus had a fear of thunderstorms) and rainbows.
The most notable of the young Augustus’ 
constant brush with portents was undoubtedly: The Silencing of the Frogs. The toddler Augustus annoyed by the constant croaking around him order the frogs to cease. They did. And never ever croaked in that area ever, ever again. 
Omen Rating: 5/5


Top Sauce - Deflowering maidens gathered by his wife. 

Sauce rating: 3/5


3) Tiberius.
Forced to divorce the wife he loved, so fed up with Augustus he ran away to Rhodes in a sulk, terrible judge of character *cough* Sejanus *cough* . Tiberius did not have the happiest of lives. But it really all kicks off when he retired to Capri, where despite being in his mid 70s he partook in debaucheries that would have killed a lesser man. Possibly he gained such stamina in his youth as a successful general in the provinces. Or possibly it was all made up. Suetonius refuses to take sides on the debate and instead lovingly records every gruesome detail so that we may make up our own minds (once our eyes have popped back in our skulls).


Top Omen – Tiberius had no deep regard for the Gods and clearly they had not a lot for him because portents/omens are thin on the ground. The best Suetonius can find is an earthquake on Capri shortly before he died which destroyed a light house.
Omen Rating: 1/5

Top Sauce - Retiring to Capri & partaking of activities 'too vile to discuss'. Which Suetonius then lists. 

Sauce Rating: A deserved OMG 5/5

4) Caligula.
Suetonius does a nice quotable bit on Caligula which is worth memorising and repeating every time someone annoys you. “So much for the man. Now for the Monster.” Suetonius

Photo by Clio20
then has great fun listing all of Caligula’s monstrous acts including incest with all 3 sisters, wearing *the horror* silk robes, snuggling up with the actor Mnester, inviting people to dinner then nicking their wives and a thing with Valerius Catullus, who announced to all “that he had buggered the Emperor, and quite worn himself out in the process”

Top Omen – Much like Julius Caesar Caligula was plagued with signs of DEATH before his brutal murder. The best of these is the statue of Jupiter that burst into laughter. 

Omen Rating: 4/5

Top Sauce - Summoning three terrified Senators in the dead of night solely to perform a dance for them.
Sauce Rating:  5/5 for effort & speed of sauce given he only ruled for 3 years.


5) Claudius.
Not as kindly as Robert Graves would have you think. Married four times, Suetonius intriguingly tells us Claudius divorced his first wife for scandalous behaviour and suspicion of MURDER. Then infuriatingly does not elaborate any further.

Photo by  Marie-Lan Nguyen
Top Omen – Claudius unlike Caesar and Caligula actually paid attention to the Gods and was all over omens like a slobbering rash. 
One night Claudius’ attendant Narcissus had a terrible dream that the emperor had been murdered by a certain Appius Silanus. When Claudius told this to his wife she revealed she had had the EXACT same dream. Now this was clearly a sign that needed LISTENING to. So Claudius had Silanus executed. Only it was actually a FAKE omen dreamed up by the Empress and Narcissus to get rid of Silanus. 
Omen Rating: A pathetic and fake 0/5

Top Sauce - Making it legal to marry your niece. So he could marry his niece. She later had him poisoned
Sauce Rating: 3/5

6) Nero.
Fabulous at getting rid of family members including his wife, his step brother & most shamefully his mother, Nero lived life LARGE. So large he had to take himself over to

Greece to accommodate his growing ego. Suetonius informs us sagely that Nero practised every kind of obscenity. But this time, unlike with Tiberius, he leaves it to our imagination. After that Tiberius chapter my imagination has descended hitherto unknown depths, so I’m confident they were horrifically obscene.

Top Omen – Suetonius has several bad omens at the birth of Nero including the words of his own father that any child of his and Agrippina’s was bound to have a detestable nature. Which when you think about it is more of an informed comment
than an omen. 

After this the best Suetonius can do is to record the people who post Nero’s death remembered that the Emperor had during his artistic career played various characters who met unfortunate ends. But given Nero acted in Greek Tragedy this is not terribly surprising.
Though Nero’s death was short on omens the end of the Julio Claudian dynasty begun by Augustus was predicted by a bolt of lightening that hit the Capitol and decapitated all the statues. So we’ll give him points for that. 
Omen Rating: 2/5

Top Sauce - Toss up between marrying his eunuch Sporus as a groom & marrying his ex-slave Doryphorus as a bride. 
Sauce Rating: 4/5 for being ever the bride and the groom



7) Galba.
The first of the four emperors that ruled in a single year, Galba reigned but a short time. During that whole time there were omens everywhere predicting bad things. Or perhaps that was all the work of a certain Otho who organised the coup that deposed Galba.


Top Omen – So many, so lovingly recorded but my personal favourite is when Galba went to read the auspices. His garland fell off and scared the sacred chickens, who flew away. I like it because it’s the sort of thing that would happen to me.
Omen Rating: 2/5

Top Sauce - A preference for mature & very sturdy men.
Sauce rating: 2/5




8) Otho.
He reigned even shorter than Galba who he overthrew in a very bloody coup. Otho wore a toupee so good that nobody knew about it, says Suetonius 70 years later. He also used to 

prevent beard growth using moist bread & shaved his entire body of hair.

Top Omen – Otho owed his entire position to his astrologer Seleucus who convinced him that not only would he outlive Nero but also that he would become Emperor. Having dispatched Galba, Otho arrived at the palace to find that Vitellius had declared himself Emperor in Germania and was on route with a massive unbeatable army. Which rather served Otho right. Suetonius does not record what happened to Seleucus. 
Omen Rating: Because history would have been very different if Otho hadn't listened to his astrologer 4/5

Top Sauce - A threesome with Nero & his wife Poppaea 
Sauce Rating: 3.5/5




9) Vitellius 
Suetonius says Vitellius' main vices were extravagance & cruelty. So the sauce is literal sauce.
 Photo by Luis García
Top Omen – When he was at Vienna a rooster perched first on his shoulder and then on his hand. As Vitellius was later overthrown by the advance of General Antonius Primus, whose childhood nickname had been Roosters’ Beak, this was seen as a very good premonition. Though the big question is surely what part of Primus was shaped like a rooster’s beak to gain him that nickname? 
Omen Rating: 3/5

Top literal sauce - So greedy he nicked meat off the altar during sacrifices.
Sauce Rating: Probably garum but we'll give him 1/5


10) Vespasian.
Picked up Rome after the civil wars of 69ad. Very lacking in sauce. But positively awash with omens! So it’s not all bad. The Gods were super keen to alert all that Vespasian would be emperor. They repeatedly threw odd events his direction to signal this. But much like

Attributed to Shakko
nobody can quite see that Clark Kent and Superman are clearly the same guy, everyone seems to have just accepted that weird things kept happening to Vespasian and thought no more of it. After Nero died the omens trebled in number and poor Vespasian couldn’t walk down a street without the statues turning round or random passersbys declaring he would be ruler. In the end it would have been rude not to declare himself emperor, so he did.

Top Omen – So, so many to choose from but my favourite is the dog that deposited a human hand on Vespasian’s foot. This was apparently a sure sign he would be emperor. Though the bigger question is where did the hand come from? And shouldn’t someone have gone and found out? 
Omen Rating: 5/5


Top Sauce - Treating his long term mistress Caenis as his wife. 
Sauce Rating: Sorry Vespasian that's nowhere near saucy enough, it's a 0.5/5


11) Titus.
He had a love affair with Queen Berenice of Judaea & declared that he had only one regret in life. Possibly his inability to finish sentences, because he never finished that one.

Attributed TcfkaPanairjdde

Top Omen
– Titus’ reign ought to be one of terrible omens given he presided over the eruption of Vesuvius, another devastating fire in Rome and an outbreak of plague. Annoyingly Suetonius does not attribute the Gods’ displeasure to any of these events and Titus gets off scot free. Apparently he was “an object of universal love and adoration.” I hate him.
Omen Rating: Pah! Only 1/5 because nobody recognised the Gods hated Titus and were desperately trying to tell everyone so.

Top Sauce - Owning a troop of dancing boys who he released into the wild on becoming emperor. 
Sauce Rating: 3/5

12) Domitian.
Domitian is an excellent study in paranoia and also how to induce it in others. 
He was so paranoid he had his floor polished to glass like standards so he could see anyone sneaking up on him. Which still didn't prevent his assassination.

Top Omen- Domitian's paranoia is probably explained by the fact that astrologers had long predicted the day and hour of his death. Something his father, Vespasian, used to joke about over breakfast. Then lunch. Then Dinner. Then just before he read young Domitian his bedtime story. Domitian did not find this remotely amusing.
Amongst a barrage of freak weather, including a hurricane, the top omen is surely the raven that perched on the Capitol and declared “All is well.” Suetonius points out helpfully that the raven was speaking in the future tense and all would be well once Domitian was dead 

Omen Rating: 4/5 for knowing his WHOLE life exactly when he would die. One has to appreciate the specifics of it.

Top Sauce - An affair with his niece Julia. Which isn't that saucy given Claudius had made relationships between uncles and nieces legal.

Sauce Rating: 3/5


The Results
Well, it's been a pleasure and I can now exclusively reveal (after a ten minute pause inserted to create tension) that our top Emperor for Suetonian Sauciness is a joint affair between..........drum roll.............

Tiberius and Caligula!!!!

And our emperor who produced the most impressive omens is....well would you believe it....it's another tie! This time between Vespasian and Augustus.

Well done to all our losers also. Try not to take it too badly.




L.J. Trafford is the author of The Four Emperors Series. With the fourth book in the series being released on 1st December 2018.