Friday, 23 August 2013

Other Women, The History of the Mistress - A review by Leslie Wilson







Mistresses - it should be a topic alive with interest, and the jacket image is designed to be piquant - a black lace-edged dress suggesting opulent breasts (but no face, which has distasteful resonances of pornography). The title: THE HISTORY OF THE MISTRESS suggests that there might be some analysis here, some consideration of why women have chosen, or been forced by circumstance, to become Other Women and get their love-life - and often their financial support - from the other side of the official blanket.

I came to this book fresh from reading Claire Tomalin's wonderful MRS JORDAN'S PROFESSION, Frances Wilson's equally fascinating THE COURTESAN'S REVENGE, and also the memoirs of the latter book's subject, Harriette Wilson, all three of which I heartily recommend. They admit their readers into the world of the mistress and courtesan, the fascinating demi-monde she inhabited, and her usually precarious financial arrangements, which drove Harriette Wilson to blackmail and Mrs Jordan, more pathetically, to a lonely death in France, abandoned by her royal lover, separated from her children and deprived of her allowance.

Unfortunately, after reading these books, I am afraid it was a sad come-down to turn to THE HISTORY OF THE MISTRESS. The book is illustrated, moreover (perhaps from motives of economy?), by drawings done by the author herself, which I disliked. The one of Ellen Ternan struck me as particularly distorted (see, for comparison http://commons.wikimedia.org/wiki/File:Ellen_Ternan.gif)


The book is divided into categories: Mistresses of Royalty, Mistresses of the Aristocracy, Mistress of Muse, etc, and: The Notion of Free Love. Fine, but rather than deal with the common and different threads that run through these stories, and using the stories of individual mistresses as examples thereof within the sections, Fiona McDonald has chosen to tell each story separately. It is not, in fact, a History of the Mistress (still less The History), but a series of bites, all told at a breakneck speed that made the narratives quite hard for me to follow and jumbled the themes; for me at least, it brought on a serious case of reader's indigestion.

As for example: 'The poet Percy Bysshe Shelley had become an acquaintance of William Godwin while Mary (Godwin, later Shelley) was away in Scotland. Shelley and Godwin were busy hatching plans for accessing some of Shelley's inheritance so that it could be lent to Godwin and relieve him of deep debt.'

Mary has been Godwin's daughter for two pages by now; surely his debt-ridden state could already have been introduced. It would have given interesting context to the story of Mary's youth. But the narrative rushes on(rather like a high-speed train), leaving the brief glimpse of Godwin's ramshackle finances far behind. 'When Godwin's beautiful, clever daughter burst onto the scene..' Shelley's inheritance then pops up a whole page later, but only tangentially - blink and you'll miss it. One feels that the author is not quite sure how to organise her material; a firm and skilful editorial hand would have helped.

Infelicities abound; the French Revolution is said to have been 'looming' in 1783, which made it unsafe for Maria Fitzherbert (the future morganatic wife of the Prince of Wales who became Regent and George IV) to stay there after her husband's death. Since the Revolution took place in 1789, it would have been a good idea to explain - even briefly - what was already going on six years earlier. While dealing with Mary 'Perdita' Robinson, actor and earlier mistress of the same Prince, McDonald says that Mrs Robinson moved in with 'her beaux.' I do not think the author means that there were other men involved; unless she is using a version of the royal We to refer to the Prince? Mrs Robinson later had a fling with Charles James Fox, who McDonald baldly describes as 'a lawyer and politician'. I do feel that Charles James Fox, dissolute, charismatic, sometimes radical Whig and opponent of the slave trade, deserves better than that of any author. 

In fact, the book reads like a series of Wikipedia articles, except that in Wikipedia, there would have been a link (then the reader could follow it and find out a lot more about the fascinating Mr Fox.) I suppose it might be handy for someone who wished to write a piece of fiction about a mistress, and wanted to decide which one to choose; though at £14.99, it would be an expensive first step in the research process. There is a scanty bibliography, given the expanse of history which the book covers, and it consists almost entirely of secondary material. For anyone really interested in the topic of the mistress, my recommendation would be to read a few full-length biographies of individuals, whose depth would give far more insight into the topic.

Thursday, 22 August 2013

The Road Home by Kate Lord Brown


The ruins and restored palace in Santa Margherita de Belice 
on which Donnafugata was based

Maybe you saw this recent article about 'the house that time forgot' - a perfectly intact home of the 1930s, family life preserved as if in amber. It is a gift for anyone writing about that era, and I'd love to visit. Books with houses at their heart have always intrigued me – like the labyrinthine Donnafugata in ‘The Leopard’, or Manderley in ‘Rebecca’. When the house is so alive that it functions as a character in its own right, it adds richness to a story, and tells us so much about the human characters (how they live, their aspirations, what they are hiding – whether that’s the madwoman in the attic or the disintegration of the aristocracy).

Still from Visconti's film

In ‘The Poetics of Space’ Gaston Bachelard explored the meaning of these domestic spaces, pondering the ‘shells and doorknobs, closets and attics, old towers and peasant huts’ and finding in the most ordinary places a beauty and poetry. These shelters and homes take on a sentient life:

Watercolour by Nicholas Phillips, inspired by ‘The Leopard’ http://www.nicholasphillips.co.uk/gallery_i-v.html


‘A lighted lamp in the window
Watches in the secret heart of the night.’

Lamps keep vigil for people on the road home. ‘Every chalice is a dwelling-place’. Bachelard rifles through drawers, chests and wardrobes:

‘Orderliness. Harmony.
Piles of sheets in the wardrobe
Lavender in the linen.’

(Every time I read those lines, I sigh with longing. Orderliness is in short supply in the homes of writers with animals and/or small children …).

It wasn’t until recently that I realised how large a part domestic spaces play in my work. In ‘The Perfume Garden’ one of the characters writes: ‘Your home is within you. You carry your place in the world.’ (Perhaps it’s not a surprising hope for me to pass on to a character - as an expat, the idea of ‘home’ of putting down roots is heady). 

I’d love to hear about your most memorable houses – whether that’s real or fictional. This week I’m returning to the UK to stay at my grandmother’s house – she arrived there as a young bride, and refused to leave her home of seventy odd years in her last months. It is the oldest house in the village – the same vintage as the pub which bears the legend ‘1607’ on its lintel. Its orchards are now hemmed in by housing estates, and I suspect this may be the last time I see the house before a developer buys it and destroys it. 

It is going to be quite a task, dismantling the house. Like many of her generation, Mamgu threw nothing away. The cellars are full of dusty jars of preserves and earthenware no one has touched for decades, the drawers crammed with linen saved for ‘best’ and a lifetime’s collection of ceramics and paintings line the walls. She was 96 when she passed away, and all her finest years were played out in that house and its grounds - now overgrown and run wild, a magical kingdom when I was a child. In an age when we are all so mobile, and many are global nomads, that permanency is hard to imagine – and I think there might just be a story there. Learning how we lived is just one element in researching our stories, but it is a rich and wonderful one.  


Thank you for welcoming me to The History Girls, and I am looking forward to getting to know you all. In the meantime, have you written about a house you know and love? What would your dream house be? And which is your favourite house in literature?

Wednesday, 21 August 2013

Home (is where the stories are) by Imogen Robertson



Forgive me, fellow History Girls! It’s going to be a short post from me this month. I’m up in my home town of Darlington celebrating my parent’s Golden Wedding Anniversary and between the champagne and the buffet preparation I haven’t had a lot of time to think about writing historical fiction.

That’s not entirely true. My parents have lived in the same house since they married in 1963, and have filled it with photo albums, letters, furniture and assorted ephemera from both sides of the family. The original inspiration for Paris Winter was an album of pictures belonging to my father’s mother taken while she was on holiday in Vienna before the First World War. 

Last night after dinner my father fetched another folder from one of the cupboards. It contained my grandfather’s notes about the business he hoped to start when he got out of a prisoner of war camp. He was captured at Ypres in 1917. The folder also contained a very beautifully printed programme, complete with photographs and full text, of a play the French prisoners put on in the same camp. It was a reminder of the difference between the way the officers and men were treated once they were captured during that terrible slaughter. 

My grandfather eventually became a furniture remover in Darlington, he came here to recover from the Spanish Flu under the care of his sister who was the first Lady Doctor in the town. Dad took over the company when he was 21. He also took over his father’s employees, including a man who had been forced to work in the salt mines as a prisoner during WWI. He never lost the profound stutter he developed during the war. Perhaps I haven’t done with the family archives yet.

My parents gave excellent speeches, and took great delight in telling their groaning younger relatives that they bought this large and lovely house for £4,500 and a free removal. Having got married last year though the thing that really stung me was the bill for the reception photographed below. Yes, the total for feeding and watering 140 guests was just over £186. Thought it might be handy for anyone writing about high life in the sixties. Cheers!


Tuesday, 20 August 2013

'The Home Boy who went to live with the Indians' by A L Berridge



Our broadband went down last week. 

Instant panic. I was surrounded by books and notes and maps and pictures, but how could I possibly work without the internet? I knew my story and the details I thought I’d need, but what about the little questions that come up when you’re going along? What did a lady’s side-saddle look like in 1855? Could a soldier in that year have known the words to ‘All Things Bright and Beautiful’? I looked at that white Error Page and knew that as a writer I’d become utterly dependent on the internet.

Which is rather humbling when I think about earlier historical writers who managed perfectly well with notebooks and a library. True, they weren’t expected to include all the little details required of us now (and their readers couldn’t easily check on them if they did) but they did need a dedication and detective instinct besides which my own look decidedly pallid. 

Stanley meets Livingstone
But their rewards were often greater too. We all know the frisson of excitement when refining the search terms finally yields the exact thing we’re after, but ‘real world’ research can make us feel like Stanley when he pronounced the words, ‘Dr Livingstone, I presume?’

I know that feeling, because twenty two years ago I was a junior researcher for Central Television, and that kind of thing was my job.

We’re dinosaurs now, but for those who’d like to know how we did it Back In The Day, here’s a potted history of just one case and how it worked out.
This was my brief:

Even that paper is enough to tell us we’re in a different world. It’s not an e-mail, not a text – it’s an actual Memo that someone typed out and faxed.
 
It was also a tall order - find out about a Barnardo boy who was sent to Canada in the early 1900s, ran away, and ended up living with the Indians - but when I contacted the source of the story I learned at least that the subject had the rather unfortunate name of ‘John Thomas’. It was unfortunate for me too, since I’d hoped for something distinctive like ‘Ebenezer Hawkswhistle’, but ‘John Thomas’ and ‘somewhere in Cornwall’ didn’t give me a lot to go on. Given that surname, the only thing I could be thankful for was that he wasn’t Welsh.

But I had to start somewhere, so it was off to the Bodleian to order up every possible book on Dr Barnardo’s. The results were enlightening. This is where I learned about Barnardo’s infamous ‘Canada Clause’ that gave it the right to ship its children off to a supposedly ‘better life’ in Commonwealth countries whether the parents wanted it or not. This was where I learned about the children treated as slave labour in Canada and basically worked to death, the children who were beaten and raped by their host families and had nowhere to turn for redress. I was, in fact, on the track of the ‘Home Children’, whose stories Canada itself had already begun to recognize, and whose fate Gordon Brown finally apologized for in 2009.

Mrs Barnado with emigrant children 1909

As a human being I thought ‘tragedy’, but as a researcher I thought ‘trouble’, and I was right. The next call was obviously to Barnardo’s itself, but although the staff plied me helpfully with books and photographs, they were much more reluctant to talk about the Canada Project or anyone who might have been a victim of it. The most I learned was that if John Thomas had come from Cornwall then he would have been referred to Barnardo’s by another body – most probably the NSPCC.

NSPCC Offices in London
Next stop the NSPCC, and my heart lifted at the sight of records going right back to the 1880s, but sunk again when the friendly archivist wouldn't let me see the one I wanted. She wasn’t being obstructive, but rules of confidentiality protected the records of the living, and there was no evidence John Thomas was dead. 

It was a blow. I pleaded the likelihood, that it was a long time ago, that he had to be dead, but she said we could only be certain that he’d be very old. I took a deep breath, looked her straight in the eye, and said, ‘How old?’

That’s what you can’t do over the internet. We looked at each other for a good ten seconds before she glanced again at the book, closed it firmly, and said, ‘Perhaps a hundred and three.’

I could have kissed her. She’d given me what I needed most – a timeframe for the date of birth – and I was walking on air as I took a bus to St Catherine’s House for the registry of births, marriages and deaths.

It still took me half a day to find what I needed: his were common names, and there were five ‘John Thomas’s within my time frame. I eliminated those from obviously well-to-do families, but the last two had nothing to choose between them and I duly ordered copies of both birth certificates. Which was ‘my John’ I couldn’t tell, but I knew now that he had a middle name – and that it was either ‘James’ or ‘Henry’.

Birth certificate of John Henry Thomas, born 1887

 That wasn’t terribly impressive after a week’s work. There was still the Canada end of the story to explore, but my budget didn’t extend further than a railfare to London, so I made an appointment at Canada House and hoped the archives there might give me some answers.

Canada House, London
They did. The immigration lists were swamped with Thomases, but having a full name and date of birth made all the difference, and two minutes’ search gave me exactly what I wanted. His name was John Henry Thomas, and he’d been known locally as ‘English John’. The nickname was hopeful – the kind of cognomen he might be given if he lived among people of a different race – but I was entirely unprepared for the reaction of the archivist’s assistant. ‘Oh, English John,’ he said. ‘Florence Caswell wrote something about him.’

That doesn’t happen much on the internet either.

It was plain sailing after that. Florence Caswell settled in Manitoba after the Second World War, and her little book of reminiscences was right there in the Canada House library. I flicked feverishly through the pages, and stopped short at the heading ‘English John’, because there beside it was a photograph. A bad one, an old one, (even worse now with second generation photocopying) but there he was in front of me – my John. 

Dr Livingstone, I presume?

His story was there too. He was dead, of course, he’d died in the 1970’s, but he’d told Mrs Caswell his whole tale. He had indeed been passed by the NSPCC to Barnardo’s and in 1899 he was sent to Canada. His first employer was a farmer who was clearly unable to get enough work out of the 11 year old child and returned him to the Toronto base after only two months. His second was a farmer in Saskatchewan, but John ran back to the Distribution House in Winnipeg after only a few weeks. His third was another farmer who worked him for 17 hours a day, and when John ran this time he didn’t bother heading for Barnardo’s. He went for the wilderness and a life of freedom. 

It took him a while to reach it. He was never a beggar and took work where he could find it, but eventually joined forces with a French Canadian carpenter who rowed with him down the Red River as far as Manigotagan. Boudrais found work in a sawmill there, but John refused the offer of occasional odd jobs and rowed on for Lake Winnipeg. He kept himself as long as he could, but when the wild food ran out and his boat sprang a leak he sheltered from the storms on a central island and waited to die.

Ojibwa canoe, late 19th century
And there he was rescued, by a band of Saulteaux Indians seeking refuge from the same storm. White civilization of two different countries had failed him, but the Ojibwa respect and care for their orphans, and a particularly distinguished man named John Robert Bunn took John into his family to bring up as his own. 

‘My’ John stayed with them all his life. Winters were spent fur-trapping near Clearwater Lake, and summers on the Fort Alexander Reservation, selling the furs to factors and socializing with other Indians. John even married one, although this seems to have been only at his adoptive father’s suggestion because ‘he said she was a good cook.’ It was still a happy life, and ultimately a prosperous one – when Bunn died he bequeathed John his trapline, and for the first time the ‘Home Boy’ had a home and a business of his own.

Saulteaux (Plains Ojibwa) Indians in 1887
Mrs Caswell gave much more detail than that, and my own story should have ended there too, but the narrative threw up just too many new leads to ignore. I read how he’d turned up on her doorstep one day clutching a letter, and when she read it to him they were astounded to find it was from his half-sister. The sister was dead now, but she gave a great human interest to a possible film story, and the way she’d traced her brother offered something more. She’d read about him in an interview reprinted from an original in The Free Press Weekly Prairie Farmer – and Mrs Caswell gave the date of January 1952.

I had to read it. I’d heard John’s story in Florence Caswell’s voice, but here was a chance to hear it in John’s. The Prairie Farmer wasn’t the kind of periodical I’d expect to find in the Colindale Newspaper Library, but Manitoba has a big library of its own, and after just one phone call they dug out the article and sent me a photocopy through the post. Here.

It’s nothing really, just a little ‘local interest story’, but to me it was fascinating, and the laconic tone of John’s voice seemed almost audible. He talked of his time ‘on the bum’, how he’d eat most things but ‘backed up’ on night owls and skunk, and spoke of ‘the white man’ as if he weren’t one himself. His vagueness as to his past was interesting, and when he only guessed his age at ‘63-64’ I had the extraordinary sensation of knowing more about this man than he knew himself. More, perhaps, than he’d like, and it gave me a little pang to see him describe his father as a ‘doctor’, when I knew him to have been a tin miner who could only mark an X for his name when he registered his son’s birth. Unless, of course, John was illegitimate…


 That’s when I suddenly wanted to stop. I knew all I needed to know, and it was time to wrap things up for Central. There was one last duty to find out if John had left any papers on his death, but the health administrator I spoke to in Winnipeg told me his final nursing home had been pulled down and its papers were in the incinerator. End of the line, but as I typed up the paperwork it occurred to me there was one last stone left unturned. As an ignorant Brit, the name ‘Fort Alexander’ had initially conjured up images of wooden stockades out of ‘Custer of the West’, but I’d had a bit of an education since then and decided it was worth a try. I picked up the phone, dialled International Directory Enquiries, and asked casually to be put through to Fort Alexander in Manitoba.

Church in Fort Alexander Reservation

 
The ringing tone started. A secretary answered, and put me through to a charming young man in the Cultural Centre who didn’t seem in the least surprised to hear what I wanted. ‘Oh yes,’ he said cheerfully. ‘I know about English John. He was my grandfather.’

Now that’s something you never get on the internet.


It was a wonderful conversation, but it soon became clear there was no great coincidence involved since it was believed John had had ‘a number’ of children. Whatever his marriage had been like, John Thomas had clearly lived up to his name, and it was lovely to think of lots of little descendants of that once tragic Barnardo boy running round happy and free. When I started researching him I never thought the end of his story would make me smile.

And it was the end. Central did pursue the idea for a while, but nothing was ever made, and as I moved into a new career as script editor I forgot all about it – until now. As I was digging out the material for this blog I wondered how much easier a job I’d have had if the internet had been around, and tried a few Google searches to find out.

Nothing. Zilch. I found a few snippets on Bunn, but John Henry Thomas seemed as invisible as he was when I first started seeking him. Then I tried the usual google-fu things, focussing on ‘Caswell’, narrowing down to the smallest town in his history (Bissett in Manitoba), and found a wonderful little local history site devoted to the area. They had a picture gallery, and among the thumbnails one jumped out at me.

(c) The Bisset and Area Historical Society
 Yep. The ‘Jack’ was worrying, but I right-clicked for metadata, and up it comes as ‘english john henry’ and I knew it was my man. So is this:

(c) The Bissett and Area Historical Society
 Dr Livingstone works on the net as well, it seems.

But not entirely, because that was all I found. No story, no details, none of the information I’d had to run round so desperately to find out. The internet can only give back what someone’s put in, and it looks as if no-one else has troubled to ‘put in’ the story of English John.

And that makes me think. If he’s not here, who else is missing? What other fascinating stories are out there that the net hasn’t even touched?

Maybe we should unplug the broadband, switch off the computer – and go and find out.

***

Monday, 19 August 2013

Leonardo da Vinci – The Mechanics of Man



Theresa Breslin

If you are easily grossed out – do not read on!

My grandfather kept hens – not just for the eggs but also for the pot. I can’t recall actually watching him dispatching a favoured fowl for dinner, but what I do know is that there was great competition among the grandchildren for the ‘Claw.’ Grandad would chop off the hen’s leg and peel back the skin to uncover the gleaming white tendons. He’d prise these loose and tie lengths of fishing gut to them. Whoever’s turn it was to have the Claw had enormous fun rushing about threatening siblings, cousins, neighbouring children and a good few adults with the yellowed grizzly talons. Holding it in one hand and manipulating the strings with the other was even more pleasurable, especially if you could sneak up on someone unawares and stroke their cheek, or grab a lump of hair. Creeping along the corridor to my older sisters’ bedroom as they lay chatting at night, scratching on the panelling, then sliding the Claw round the door edge and scrabbling at the light switch to switch it off, with accompanying awful noises, resulted in very satisfying screams. On one occasion my Claw was confiscated for overuse. My parents ignored protests re the value of scientific research, thus crushing my early interest in working models of anatomical function. I was broken-hearted. Relenting a little, they arranged to have it preserved in a jar of formaldehyde.

The games we played, eh? Modern electronic entertainment like ‘Assassin’s Creed’ and ‘Minecraft’ which are said to be rotting kid’s brains with mindless violence ain’t got nothing on a real, dead, blood-encrusted, scaly-skinned, reptilian-look-alike Claw.
Health & Safety, my eye.

It may have been those childhood experiences, or, when I was a bit older, seeing the Leonardo da Vinci’s fascinating red-tinted drawing of a foetus in the womb, that made me develop a life long interest in the subject. It can cause others to go off their food but I found that aspect of my research into the life of Leonardo da Vinci for The Medici Seal fascinating. In Florence, right next to the Pitti Palace, is a scientific museum - La Specola.  Opened in the 18th century it was unique in that it was intended for the public to have access to see the exhibits. In the basement are cases of wax bodies sliced open to show the internal organs. The works are by several wax sculptors created over the centuries. Some have been treated in a method believed to be similar to techniques used by Leonardo to map out the human venous system.

 Wanting to write actual scenes of dissection I went to the University of Pavia where Leonardo da Vinci worked with Marcantonio della Torre during 1510 and 1511. 
The Spanish edition of The Medici Sea has a cover which reflects this aspect of the book.   

 Thirty sheets of drawings made by Leonardo during his time in Pavia are on display now at the Palace of Holyroodhouse in Edinburgh until 10th November 2013. What adds an extra dimension to this exhibition are the computer simulations and body scans using advanced technology. These reveal how accurate Leonardo was in depicting what he observed, not just in the most beautiful and precise form, but he also noted the correct function of the various parts.     


If I can find it I could tender my preserved Claw for loan as a hands-on working model, but I’ve got a feeling the Holyroodhouse Exhibition Curator might just decline my offer