Showing posts with label Mary Seacole. Show all posts
Showing posts with label Mary Seacole. Show all posts

Friday, 18 July 2014

A Visit from The Daughters of Time - Celia Rees

On July 1st, Catherine Johnson and I visited Cornelius Vermuyden School on Canvey Island to talk about The Daughters of Time Anthology and our stories, Return to Victoria (Emily Wilding Davison - my story) and The Lad That Stands Before You (Mary Seacole - Catherine's). 



Emma Wilding Davison
We were there as part of Pop Up http://pop-up.org.uk who had generously supplied copies of the anthology to the school. I had been at a Pop Up event earlier in the year, in the week that The Daughters of Time was published. I couldn't resist waving my publication copies and telling everyone about it in the schools I visited. I was talking in girls' schools in the East End and there was so much interest from staff and students that I ended up giving my copies to the schools involved. Teachers loved the idea of short stories about women in history and as an ex teacher of English and History I could see how useful such an anthology could be in the classroom (Note to publishers - schools LOVE short stories because they are, well, short and an anthology like this can generate an almost infinite amount of interesting work - of which more below).

Lest I start a gender panic, Cornelius Vermuyden is a MIXED school. Yes, boys were reading about women in history and YES, they were interested. 

I think Daughters of Time is a great book for schools - as one of the teachers said some of the boys didn't notice they were all women until it was pointed out - it's short and interesting and lends itself to all sorts of discussions and questions.

Catherine Johnson

Books don't have to be gendered, nor should they be, but that's probably a different blog. 



Gemma Holland, who was organising the excellent Pop Up events was at one of my sessions and thought that The Daughters of Time would be a very good book to include in the Pop Up programme. Coincidently, Catherine Johnson was visiting the very same school a few days after me and I mentioned that she was a Daughter of Time, too. Would we like to do a session together? Would we? Yes, we would.

The unique thing about Pop Up is that they supply the school with books, so the students have read your book and have done some work of their own. Both Catherine and I found this a transforming experience and we really enjoyed working together. 

Catherine comments on:


...the wonderfulness of talking to a group of students who have actually read the work being discussed. The thing that made these sessions different and completely refreshing was working alongside another author ... having someone to bounce off, to share and explore ideas with alongside the students was brilliant and added, I think, an extra layer of depth to our talks. I wish all my author visits could be conducted like this.


Both our stories led on to wider discussion and because the students had read the stories and completed work based on them, we could have a proper debate. This was education in its truest sense. These children of 2014 were shocked that women could not vote and horrified by the treatment of suffragettes under the Cat and Mouse Act. We could have been there all day talking about whether Emily Wilding Davison meant to cash in the return stub of her train ticket or cash in her chips. I very much appreciated the contribution from one young man who knew his way around horses and who explained to us exactly what would happen if someone stepped out in front of a horse at full gallop. His expert knowledge brought the debate to a close.

Tattenham Corner, Derby Day, 1913
Things were no less spirited when it came to Catherine's story. The students were equally shocked by the racism, endemic in the 19th Century, that prevented Mary Seacole, although eminently experienced and qualified, from serving as a nurse under Florence Nightingale in the Crimean War. They practically cheered when Catherine described how Seacole went anyway and set up her own hospital, The British Hotel, practically on the battlefield. 

Mary Seacole

British Hotel


They were also taken aback to know that boys, the same age as those sitting in the audience, served as soldiers and that women sometimes went to war disguised.


Susie King Taylor
Boy Soldiers - Crimea


Kady Brownell
 The discussions ranged far beyond the confines of the stories we had written. As Catherine says, 

One reaction I will treasure is the surprised look on the last class of Year 7s when they heard women only achieved equal pay recently!









It was a fantastic day and one we will both remember.  For it to be as good as this, a great deal of work had to be done, by the Pop Up team who made it possible, but also by Sue Goldsmith and the teachers at Cornelius Vermuyden School, who showed real commitment to the project, and not least by the students themselves who showed such great interest and such imaginative responses to the short stories in the anthology. Their creative work was really impressive. 

Figure of Mary Seacole - my particular favourite





 





The final word goes to Cornelius Vermuyden School:

I just wanted to let you know that our Home Project event was brilliant and the presentation last night was lovely. The work the students had done was really stunning.

The students are still talking about both you and Catherine. It has really given the text meaning. My year 7s talk about you guys as if they've known you for years.

 One student actually made Mary Seacole [see above]. Catherine had said that she used to be little known in history, she is very well known by our year 7.

Sue Goldsmith,  English Department.

Catherine Johnson has just won The Young Quills Award for Historical Fiction for her novel, Sawbones.

Celia Rees
www.celiarees.com 

Saturday, 14 June 2014

Daughters of Time, Wilko Johnson and Beryl Bainbridge, Catherine Johnson

In July Celia Rees and I are taking the History Girls' anthology Daughters of Time  out on the road and into a secondary school on Canvey Island. Canvey Island is an almost island in the Thames estuary east of London. I have never been to Canvey. As a teenage Dr Feelgood fan I did imagine a kind of pilgrimage and the film Oil City Confidential is a wonderful documentary about the band - including the wonderful fact that Wilko Johnson (maybe better known to some as the mute executioner who beheaded Sean Bean in Game of Thrones) is an ex english teacher who in the early 70s did the hippy trail to Kashmir through Afghhanistan. Simply to honour those things I give you this tune. Roxette.

https://www.youtube.com/watch?v=6nyeSGaBcrA


OK, back to Daughters of Time.  In order to prepare for the visit I've been going over my notes and thoughts about my Mary Seacole story. If you've read it you'll know I set the story during the Crimean war, the sum of my knowledge about such war having been gleaned from one of my favourite books ever, Beryl Bainbridge's marvellous Master Georgie.

I am sure I have written about Bainbridge's historical novels on this site before, but they are beautiful. Having said that I've never read According to Queeney, her book about Hester Thrale, I think because I am afraid I might not like it as much.

I first read The Birthday Boys, about Scotts' last journey during my intense polar exploration phase. I think a lot of us are utterly fascinated and appalled by early Antarctic journeys and this book seared its way into my heart. I've read it again and again. Every Man For Himself, about the Titanic is brilliant too but I suppose I always loved snow better than sinking ships.

The thing I find most wonderful about her books is the sheer condensed crafts(wo)manship there is in every line. No word is wasted. If you read too fast you will miss something vital or beautiful and usually both.

My favourite, Master Georgie is set for a large part on the battlefields of this war. It's about lies and truth and life and death and new science of photography.

Roger Fenton's assistant Marcus Sparling seated on Roger Fenton's wagon
Bainbridge's Master Georgie strikes me as a very modern character, a man driven by self. That sounds far from appealing, and indeed he is but the book is told through the voice of Myrtle, orphaned street girl taken in by Georgie's family, she is a kind of cypher - never sure of her place in the household or in the world and so full of unrequited love that it hurts.

My story, The Lad That Stands Before You, concerns a young soldier who's left the North West of England to escape a life working all hours in the mills. It's quite hard to summarise without giving the twist away but Mary Seacole, much loved by the fighting troops on the frontline, helps our protagonist. Mary Seacole was an incredible woman however you look at it. Born on Jamaica with a Scottish father and a local healer and hotelier mother, Seacole was widowed young and worked hard her whole life as a doctress, a healer who used herbs along side nursing skills.



Mrs Seacole travelled widely, to panama to London aged 16 and all over the Caribbean islands. When the Crimean War broke out she went again to London to offer her services to Florence Nightingale's nurses but was turned down.  That didn't stop her, she went to the Crimea using her own money and set up a Hotel - a sort of private hospital that offered food drink and rest and recuperation. On her return and decline into poverty in London, ex soldiers set up a fund for her and her book became a huge bestseller.


Like every one of the women in our book she's  fascinating and exceptional and the problem for me on Canvey will be how to cram her amazing adventures into a teeny tiny school period . And I shall have to be careful not to get carried away by a woman who travelled widely, who was one of the first ever women writers who was a bestseller and who never let circumstances get in the way of opportunity.

Catherine Johnson's latest book is Sawbones  'Both thought-provoking and accessible, this is an impressive historical adventure.' Booktrust website review.




Friday, 14 March 2014

Buffalo Soldier by Tanya Landman Catherine Johnson

Tanya Landman's brand new novel is a tour de force. The voice of Charley - born Charlotte - does not waver, and the story of a girl from slave to freedom via the American Civil War and service in one of the black regiments of of the American Army as a 'Buffalo Solider' in the 19th century Indian Wars, pulls no punches.

The story of the Buffalo soldiers, African Americans who fought in segregated regiments of the American army in the 19th century is one I first heard about courtesy of Bob Marley.  I am not sure how well known this story is in the UK. For many of us the American West is a white country and it's important that Tanya Landman has shone a light on other histories. Landman  knows her stuff, Apache, her earlier Carnegie shortlisted  novel was also set in the mid century West  and covers similar territory.

It also features a rather wonderful walk on by Bill Cody, who I have to admit is one of my favourite characters. The stories of the cottage hospital at Llandudno full to the brim with Indian braves from his Wild West show, laid low with Welsh flu contracted on the long ride from Dolgellau to Portmadoc has always been one of my favourites.

Even though this is not really a slave narrative - the concerns at the heart of the book, for me were more to do with the mistreatment of the American Indians, and Charley's eventual realisation that she had been lied to again by her white masters, the people she was fighting and killing and policing were no monsters. That she was on the wrong side. That even when there was some kindness shown by those in power, there was always a cost and it was always involved compromise.

There's an awful lot of death and destruction and pain in this book. Rape and lynching and senseless violence in every form. It is in no way an easy read, and although there are moments of snatched love and humour and comradeship, Charley rides and shoots her way through life with tightly gritted teeth, and as everyone she  loves is killed. Charley manages to survive, and thankfully find her own freedom, even as she is painted out of her country's  history.

There's loads that drew me to this book, I've always had an itch for American 19th century history and Bury My Heart At Wounded Knee is one of my top non fiction reads (I can't say favourite, it is too sad).  America's history of taking care of it's indigenous peoples is no better or worse than that other ex British colony, Australia, where the local people were hunted down for sport. And there are parallels between the way both the Native Americans - Indians in Landman's book - and the black population are lied to, betrayed and ultimately dispatched in a variety of cruel and unusual ways.

Charley does, thank heavens find some peace by the end of the book. I do think it might well have been unbearable without it. If this book doesn't find itself on the awards lists next year my hat (and I would like it to be one of those Vivienne Westwood monster western hats as worn by Pharell) will be eaten.

On more thing. Another reason I wanted to read this book was that Charley is based on a real African American woman; Catherine Williams who enlisted and served as a man, William Cather.  And this resonates rather well with my own story in Daughters of Time, set during the Crimea and featuring Mary Seacole and her British Hotel.

Buffalo Soldier is out on April 3rd

Catherine

Catherine's latest book is Sawbones, an 18th century forensic murder mystery.






Thursday, 4 July 2013

It Ain't Necessarily So - by Katherine Langrish



While Government education ministers moan about the history curriculum in English schools, I shake my head.  There is no way, no way at all, to fit the whole of British history into two or three lessons a week over the course of a few brief school years, so obviously stuff has to be left out, and the question: what? is highly political.

In my own youth it used to be the case that ‘school history’ ignored the Roman conquest, skipped the Dark Ages and the early English kings, even Alfred, and began with the Norman conquest in 1066. This was presented as ‘the last time a foreign army ever conquered England’ but also as the event which created ‘the language of Shakespeare’ and therefore, as Messrs. Sellar and Yeatman would say, A Good Thing.

Our history lessons then hopped several centuries to the Wars of the Roses in the late 1400’s, dwelt adoringly on the Tudors (especially Elizabeth the First, and the failure of the Spanish Armada: another Good Thing); did a little swift footwork over the Stuarts and the Civil War (leaving us with the impression that the Stuarts were a bit flaky but after all they were really only Scottish/French, weren’t they, and practically foreigners?), hurdled the next couple of centuries (we knew nothing of Queen Anne, for instance) to arrive breathless and panting at the Napoleonic Wars (Waterloo, Trafalgar: Britain in her habitual role of Holding the Tyrant at Bay). 

After this, apparently nothing of much note occurred before the Industrial Revolution (a Good Thing because it made Britain Richest Nation and Top World Power): the downside of which in terms of human suffering was redeemed by heroic reformers like Fry, Wilberforce and Shaftesbury (English People with Moral Principles who Improved Lives). Our history lessons finally drew to a close in the mud of Flanders: the First World War was too close and terrible to be airbrushed in any way; my generation all had granddads who had survived it or died in it. And the Second World War wasn’t history at all, but something which belonged to your mother’s childhood, and she could tell you stories about it – dashing down to the air raid shelter with the cat – shivering to the explosion of the bomb that missed – listening to Churchill on the radio.

And so, albeit with several lacunae, schoolchildren of my era did get a general sense of the progression of British history – a sense of the order into which the different portions fell.

This is useful.  But it is not the only important, nor even the most important thing. For every version of history written by the victors, a different version is remembered by the victims; and when – as often happens – victors and victims switch places, their historical narratives switcharoo, till a single set of historical events may yield two opposing storylines that snake across each other’s paths like sine and cosine waves, intersecting at a few bare points of reference.
Henry VIII

Hence the Catholic view of the English Reformation goes like this: Because monstrous Henry VIII wanted to divorce his wife he broke with Rome, dissolved the monasteries, turned nuns and monks into beggars and led England away from the true path.  Queen Mary I briefly restored the Catholic faith, till England reverted to Protestantism under Elizabeth I. The Catholic persecution was renewed and continued for centuries (not until this year, 2013, was the constitution amended to allow the monarch to marry a Catholic). Over 300 English Catholics were martyred (hanged, drawn and quartered) between 1534 to 1680.

But the Protestant view of the Reformation goes this way: Henry VIII merely hurried the English Reformation along: it was inevitable, ever since Martin Luther and the unforgettably named Diet of Worms.  It’s a bit embarrassing Henry was such a monster, but the Reformation was still a good thing.  Of course you shouldn’t be encouraged to pay money to the Church to buy God’s forgiveness!  Of course people should have access to the Bible in English!  Under Bloody Mary (Queen Mary I) over 300 English Protestants were martyred (burned at the stake) between 1554 and 1558. And what about Catholic plots against Elizabeth I?

I was brought up on the Protestant narrative, the Official Version in state education and in my own home.  I went to a perfectly ordinary rural grammar school where there were few Catholics, fewer Jews, and absolutely no Muslims.  I was therefore astonished at age eighteen, in the course of a conversation with a new friend who happened to be a Roman Catholic nun, when she quietly remarked, “The Reformation was the worst thing that ever happened to England.”

I was utterly taken aback. Not once in my life had it occurred to me that anyone might question the view expressed in every history book (fictional or non-fictional) I’d ever read, that the Reformation was not only A Good Thing, but A Very Good Thing. It paved the way for Elizabeth the First, didn’t it – Gloriana herself?  And dim recollections of simony and the selling of indulgences, mixed up with memories of carousing friars and false prelates from stories about Robin Hood, had led me to take for granted that the late medieval Catholic Church had been sadly lacking in moral fibre.

Many years on, I still wouldn’t actually agree that the Reformation was the worst thing ever to happen to England, but my views on it are more nuanced, and at least I know it’s possible to have the argument.  Much more important, however, was my belated realisation that what you read in a history book ain’t necessarily so.

Robert Bellah, in his interesting book  "Religion in Human Evolution" (Harvard 2011) writes:

Families, nations, religions (but also corporations, universities, departments of sociology) know who they are by the stories they tell. The modern discipline of history is closely related to the emergence of the nation-state. Families and religions have seldom been concerned with 'scientific accuracy' in the stories they tell. Modern nations have required national histories that will be, in a claimed objective sense, true. ...But the narrative shape of national history is not more scientific (or less mythical) than the narrative shape of other identity tellings, something that it does not take debunkers to notice. Benedict Anderson in Imagined Communities recounts both the widespread establishment of chairs of history within a generation of the French Revolution and its unleashing of nationalist fervour, and of the strange mix of memory and forgetting that that history produced (not so strange to those familiar with other forms of self-telling). [My italics]

Ignatius Sancho
The narrative of British history taught to me in school was concerned with aggrandisement of Britain as a nation and the British as a race - with a fairly narrow definition of race. It's good to feel good about yourself, but not if it encourages blindness, ignorance and prejudice about your neighbours, local and international. For example, there have been black inhabitants of these islands since at least Roman times, but we were never told anything about that in my schooldays. They were invisible. Including them in the history curriculum was a step not merely towards a new and better national narrative, but also towards a more accurate one. It's got to make it harder to view black British people as foreigners, newcomers and interlopers if you've been taught about black Elizabethans like the trumpet player John Blanke, black Georgians and Victorians like the writer Ignatius Sancho and the composer Samuel Coleridge Taylor, black First World War soldiers... No wonder there was an outcry when Michael Gove tried to remove Mary Seacole from our children's history lessons.

In my daughters’ time in school, during the last decade, I’ve been pleased that the history they have learned was very differently taught from the rather odd mixture of rote learning and essays which constituted my history lessons (the battle plans and dates of Napoleon's campaigns have long faded from my memory: but I enjoyed writing short imaginative essays about how it might feel to be sent down a mine at age seven.)  They've been constantly asked to pay attention to the sources. They’ve been shown the difference between primary and secondary sources and asked to evaluate the trustworthiness of each.  They’ve been taught to think carefully, not just about what was said to have happened, but also about who was saying it, and why, and whether this person might be in any way biased.  Suppose Henry VIII had written a personal account of his break from Rome. It would be an important primary source: but you wouldn’t take it at face value, would you?  

Rote learning of facts and dates is far less important than the skills my daughters learned in history, skills which will serve them well in life.  Especially in an age when you can look up facts and dates on the internet (which may not be accurate), it’s good to think for yourself.  It’s good to have an enquiring mind.  It’s good to retain a healthy suspicion of people with axes to grind. Above all, it’s good to know that you shouldn’t believe everything you read.  Just because it’s in a book – or available online – doesn’t make it true.

Who wrote that book or that blog?  And for what purpose?  Is the author telling the truth?

It ain’t necessarily so.



Credits:

Cover illustration by John Reynolds of '1066 And All That' by Sellar and Yeatman - published by Methuen http://www.methuen.co.uk/1066-and-all-that/b/3

Henry VIII, in the Royal Collection:  http://commons.wikimedia.org/wiki/File:1491_Henry_VIII.jpg

Ignatius Sancho: portrait by Thomas Gainsborough:  http://en.wikipedia.org/wiki/File:IgnatiusSancho.jpg

: 'It Ain't Necessarily So' from George Gershwin's 'Porgy and Bess', Trevor Nunn, 2006 (Youtube)