This is what her official biography says about her:
Frances Hardinge spent a large part of her childhood in a huge old house that inspired her to write strange stories from an early age. She read English at Oxford University, then got a job at a software company. However, a few years later a persistent friend finally managed to bully Frances into sending a few chapters of FLY BY NIGHT, her first children's novel, to a publisher. Macmillan made her an immediate offer. The book went on to publish to huge critical acclaim and win the Branford Boase First Novel Award. CUCKOO SONG is Frances' sixth novel.
What it doesn't mention is that Frances' books, although wildly inventive fantasies featuring everything from goose companions and floating coffee-houses to cheese tunnels and witches in wells, often contain an important historical dimension. It's something we don't often cover on the History Girls although members Katherine Langrish and Katherine Roberts write in the "historical fantasy" genre. So it's a great pleasure to welcome Frances to talk about an important historical element in her latest spooky and eccentric Diana-Wynne-Jonesey novel, Cuckoo Song.
Over to her:
Right now I am wearing something quintessentially feminine, which no self-respecting man would consider putting on.
What is it? A wristwatch.
Naturally any gentleman would be carrying a sensible, sturdy pocket watch. A watch bracelet is women's jewellery, too frail and ornamental for a man to wear...
Before World War I, this was exactly how “watch bracelets” or “wristlets” were generally regarded. In a much-repeated quote, one gentleman even declared that he “would sooner wear a skirt as wear a wristwatch”.
I stumbled upon this detail during my research for Cuckoo Song, a book set in the aftermath of the First World War. The male suspicion of the wristwatch surprised me. Surely it must have been obvious how practical such an arrangement would be? Apparently not. Wrist watches were considered too small to keep accurate time, and too vulnerable to dust, weather and shocks.
Jewelled wristwatches became more common amongst aristocratic women in the latter part of the Victorian era. After the turn of the century, wristlets became more affordable, but were still elegant works of art in their own right, fastened to the wrist with bracelet chains or ribbons.
Most men of that time would not be seen dead in a wristwatch. Curiously enough, the few exceptions were all men with very real odds of 'being seen dead', who wanted to keep those odds as long as possible.
|Russian Officer's Watch, 1912
|Detail from studio photo of WWI Bavarian soldier (Photo courtesy of Sam Wouters)
The early male wristwatches were essentially pocket watches tied to the wrist. Some even had a sturdy leather strap with a built-in socket, so that a pocket-watch could be slotted inside, then removed at will and worn in the pocket. Others were constructed using pocket watch movements and cases, but with flimsy wire lugs attached so that a strap could be fastened to them.
|Leather strap with socket for pocket watch (Photo courtesy of Estate Auctions Inc.)
In the trenches, assaults had to be carefully timed and co-ordinated, and soldiers could not afford to be delving under multiple layers of their uniform whenever they needed to read the time. Suddenly the few companies producing military-style wristwatches were deluged with orders from infantrymen. The US Army bought wristwatches in bulk for their forces, but the British War Department eyed them with more suspicion. Surely wrist movements would disarrange the delicate cogs? By 1917, however, they agreed to order a trial batch.
|Two German soldiers, one wearing a wristwatch (Photo from Sam Wouters' impressive collection of WWI photographs)
The first watches to have luminous hands and numbers were WWI trench watches. Unfortunately the paint used was a mixture of zinc sulphide and radium, which was radioactive! (The health risks from radium was less well understood at the time. Then again, pilots flying night missions in open cockpit planes over hostile territory probably had other health risks on their minds.)
After the Great War, many veterans continued wearing the watches that had served them so well. Nobody was inclined to mock the nation's soldiers for their choice of wrist ornament. The service watch became a badge of honour, and from this point men could wear wristwatches without embarrassment.
I wonder whether the practicality of wristwatches would have been recognised sooner if women had not already been wearing them. Since they were female fashion accessories, surely they could only be flimsy, foolish and impractical? Like women themselves, the wristlets proved during the Great War that they were not simply frail ornaments, but could stand up to practical challenges. Afterwards, neither could be regarded in quite the same way again.
Frances' new novel, published by Macmillan, in which a WW1 wristwatch becomes very significant. You can read more about it on her website.